{"id":11386,"date":"2023-01-27T17:12:22","date_gmt":"2023-01-27T16:12:22","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=11386"},"modified":"2023-01-27T23:06:45","modified_gmt":"2023-01-27T22:06:45","slug":"episode-181-nicolai-gedda-in-song","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2023\/01\/27\/episode-181-nicolai-gedda-in-song\/","title":{"rendered":"Episode 181. Nicolai Gedda in Song"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 181.  Nicolai Gedda in Song<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=741-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11386&#038;title=Episode%20181.%20Nicolai%20Gedda%20in%20Song\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Facebook<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-twitter  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/twitter.com\/share?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11386&#038;link=Episode%20181.%20Nicolai%20Gedda%20in%20Song\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M22.23,5.924c-0.736,0.326-1.527,0.547-2.357,0.646c0.847-0.508,1.498-1.312,1.804-2.27 c-0.793,0.47-1.671,0.812-2.606,0.996C18.324,4.498,17.257,4,16.077,4c-2.266,0-4.103,1.837-4.103,4.103 c0,0.322,0.036,0.635,0.106,0.935C8.67,8.867,5.647,7.234,3.623,4.751C3.27,5.357,3.067,6.062,3.067,6.814 c0,1.424,0.724,2.679,1.825,3.415c-0.673-0.021-1.305-0.206-1.859-0.513c0,0.017,0,0.034,0,0.052c0,1.988,1.414,3.647,3.292,4.023 c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11386&#038;description=Episode%20181.%20Nicolai%20Gedda%20in%20Song\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11386&#038;subject=Episode%20181.%20Nicolai%20Gedda%20in%20Song\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\"><path d=\"M9 11.8l6.1-4.5c.1.4.4.7.9.7h2c.6 0 1-.4 1-1V5c0-.6-.4-1-1-1h-2c-.6 0-1 .4-1 1v.4l-6.4 4.8c-.2-.1-.4-.2-.6-.2H6c-.6 0-1 .4-1 1v2c0 .6.4 1 1 1h2c.2 0 .4-.1.6-.2l6.4 4.8v.4c0 .6.4 1 1 1h2c.6 0 1-.4 1-1v-2c0-.6-.4-1-1-1h-2c-.5 0-.8.3-.9.7L9 12.2v-.4z\"\/><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share via Email<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-reddit  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/reddit.com\/submit?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11386&#038;title=Episode%20181.%20Nicolai%20Gedda%20in%20Song\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M5.27 9.221A2.775 2.775 0 0 0 2.498 11.993a2.785 2.785 0 0 0 1.6 2.511 5.337 5.337 0 0 0 2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex advgb-dyn-5e5a4c85\">\n<div class=\"wp-block-button alignright advgb-dyn-155b28dc\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full advgb-dyn-5fa33eb9\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"821\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-very-young.jpg\" alt=\"\" class=\"wp-image-11600\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-very-young.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-very-young-219x300.jpg 219w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-5a996784\"><\/div>\n\n\n\n<p>Today\u2019s episode is a special request from one of my most dedicated listeners, and one with which I am happy to comply. It is already seven years this month since the death of the great Swedish tenor Nicolai Gedda (11 July 1925 \u2013 8 January 2017). One of the most cultivated singers of the twentieth century, Gedda not only had a rock-solid technique and an instantly recognizable timbre, but he was a brilliant musician and a polyglot of the first order, singing a wide range of repertoire and styles in a host of languages. He was also a prolific recording artist. Though he sang an enormous range of operatic roles, in this episode, I have decided to focus entirely on a slightly lesser-known aspect of his career: his work in art song. Gedda was a master of French style, but also celebrated for his performances of Russian music. And one of the three languages he spoke while he was growing up was German, which lends his work in that language a real authenticity as well. In listening to recordings of song repertoire, I was struck by the frequent added spontaneity and commitment of his live versus his studio performances, so the episode features a large number of selections culled from Gedda\u2019s live recitals. Gedda is accompanied by some of the most exceptional pianists of his time: Alexis Weissenberg, Wolfgang Sawallisch, Gerald Moore, Geoffrey Parsons, Dalton Baldwin, Erik Werba, Hermann Reutter, and his compatriot and most frequent collaborator Jan Eyron. Another extraordinary aspect of Gedda\u2019s singing was his longevity. We hear him in songs by Strauss, Berlioz, Schubert, Jan\u00e1\u010dek, Duparc, Grieg, Schumann, Faur\u00e9, Respighi, and Gounod, recorded over a period of nearly 40 years. Here is another singer who was active into the twilight of his life and sang into his seventies with both the intimacy and clarion power that were his musical trademarks.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-3c7bf8da\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-13857eb0\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"857\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Werba-857x1024.jpg\" alt=\"\" class=\"wp-image-11604\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Werba-857x1024.jpg 857w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Werba-251x300.jpg 251w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Werba-768x918.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Werba-1285x1536.jpg 1285w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Werba-1600x1913.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Werba.jpg 1713w\" sizes=\"auto, (max-width: 857px) 100vw, 857px\" \/><figcaption class=\"wp-element-caption\">Nicolai Gedda and Erik Werba<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Karl Friedrich Henckell: Liebeshymnus, Op. 32\/3. Nicolai Gedda, Erik Werba [live Salzburg 17.08.61]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"595\" height=\"599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Moore.jpg\" alt=\"\" class=\"wp-image-11605\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Moore.jpg 595w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Moore-298x300.jpg 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Moore-150x150.jpg 150w\" sizes=\"auto, (max-width: 595px) 100vw, 595px\" \/><\/figure>\n<\/div>\n\n\n<p>Ottorino Respighi, Carlo Zangarini, Alberto Donini: Stornellatrice, P.69. Nicolai Gedda, Gerald Moore [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"716\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Youngster-716x1024.png\" alt=\"\" class=\"wp-image-11607\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Youngster-716x1024.png 716w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Youngster-210x300.png 210w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Youngster.png 755w\" sizes=\"auto, (max-width: 716px) 100vw, 716px\" \/><\/figure>\n<\/div>\n\n\n<p>Charles Gounod, Th\u00e9ophile Gautier: O\u00f9 voulez-vous aller? Nicolai Gedda, Werner Singer [SWR broadcast 1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"727\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-autographed-trimmed-727x1024.jpg\" alt=\"\" class=\"wp-image-11608\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-autographed-trimmed-727x1024.jpg 727w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-autographed-trimmed-213x300.jpg 213w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-autographed-trimmed.jpg 753w\" sizes=\"auto, (max-width: 727px) 100vw, 727px\" \/><\/figure>\n<\/div>\n\n\n<p>Benjamin Britten, Ben Jonson: Hymn (<em>Serenade for Tenor, Horn and Strings<\/em>, Op. 31\/6). Nicolai Gedda, Anthony Miranda, Frederic Waldman, Musica \u00c6terna Orchestra [live New York 21.IV.68]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"854\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Evangelimann.png\" alt=\"\" class=\"wp-image-11609\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Evangelimann.png 624w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Evangelimann-219x300.png 219w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/figure>\n<\/div>\n\n\n<p>Jean Sibelius, Gustaf Fr\u00f6ding: S\u00e4v, s\u00e4v, susa, Op. 36\/4. Nicolai Gedda, Geoffrey Parsons [live London 21.XI.1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"649\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Fayer-649x1024.jpg\" alt=\"\" class=\"wp-image-11610\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Fayer-649x1024.jpg 649w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Fayer-190x300.jpg 190w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Fayer.jpg 676w\" sizes=\"auto, (max-width: 649px) 100vw, 649px\" \/><\/figure>\n<\/div>\n\n\n<p>Sergei Rachmaninov, Alexander Pushkin: \u0410\u0440\u0438\u043e\u043d [Arion], Op. 34\/5. Nicolai Gedda, Alexis Weissenberg [1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"923\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-old-photo.jpg\" alt=\"\" class=\"wp-image-11611\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-old-photo.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-old-photo-195x300.jpg 195w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Leo\u0161 Jan\u00e1\u010dek, Ozef Kalda: S Bohem, rodn\u00fd kraj\u00f9 [Then farewell, dearest land] (<em>Z\u00e1pisn\u00edk zmizel\u00e9ho<\/em> [<em>The Diary of One Who Disappeared<\/em>]). Nicolai Gedda, Josef P\u00e1len\u00edcek [1984]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"470\" height=\"627\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-in-mirror-with-flowers.jpg\" alt=\"\" class=\"wp-image-11612\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-in-mirror-with-flowers.jpg 470w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-in-mirror-with-flowers-225x300.jpg 225w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><\/figure>\n<\/div>\n\n\n<p>Edvard Grieg, Bj\u00f8rnstjerne Bj\u00f8rnson: Dulgt kj\u00e6rlighed [Hidden Love], Op. 39\/2. Nicolai Gedda, unknown pianist [live Z\u00fcrich 1998]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"614\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Parsons-1024x614.png\" alt=\"\" class=\"wp-image-11613\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Parsons-1024x614.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Parsons-300x180.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Parsons-768x460.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Parsons.png 1415w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Geoffrey Parsons<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Robert Schumann, Heinrich Heine: aus <em>Dichterliebe<\/em>, Op. 48: I. Im wundersch\u00f6nen Monat Mai; II. Aus meinen Tr\u00e4nen sprie\u00dfen; III. Die Rose, die Lilie, die Taube, die Sonne. Nicolai Gedda, Geoffrey Parsons [live London 02.IX.1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"490\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Moser-1024x490.jpg\" alt=\"\" class=\"wp-image-11614\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Moser-1024x490.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Moser-300x144.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Moser-768x367.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Moser.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Nicolai Gedda and Edda Moser<\/figcaption><\/figure>\n\n\n\n<p>Robert Schumann, Emanuel Geibel: In der Nacht (<em>Spanisches Liederspiel<\/em>, Op. 74\/4). Nicolai Gedda, Edda Moser, Erik Werba [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"748\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ciccolini-1024x748.png\" alt=\"\" class=\"wp-image-11615\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ciccolini-1024x748.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ciccolini-300x219.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ciccolini-768x561.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ciccolini.png 1137w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Aldo Ciccolini<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Gabriel Faur\u00e9, Leconte de Lisle: Nell, Op. 18\/1. Nicolai Gedda, Aldo Ciccolini [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-looking-over-shoulder.jpg\" alt=\"\" class=\"wp-image-11616\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-looking-over-shoulder.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-looking-over-shoulder-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-looking-over-shoulder-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Henri Duparc, Leconte de Lisle: Phidyl\u00e9. Nicolai Gedda, Erik Werba [live Salzburg 17.VIII.61]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"592\" height=\"906\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-coy-postcard.png\" alt=\"\" class=\"wp-image-11617\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-coy-postcard.png 592w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-coy-postcard-196x300.png 196w\" sizes=\"auto, (max-width: 592px) 100vw, 592px\" \/><\/figure>\n<\/div>\n\n\n<p>Hector Berlioz, Th\u00e9ophile Gautier: Au cimeti\u00e8re (<em>Les nuits d\u2019\u00e9t\u00e9<\/em>, Op. 7\/5). Nicolai Gedda, Silvio Varviso, Swedish Radio Symphony Orchestra [live Stockholm 25.II.68]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"563\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Baldwin-Dalton-563x1024.png\" alt=\"\" class=\"wp-image-11618\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Baldwin-Dalton-563x1024.png 563w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Baldwin-Dalton-165x300.png 165w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Baldwin-Dalton.png 594w\" sizes=\"auto, (max-width: 563px) 100vw, 563px\" \/><\/figure>\n<\/div>\n\n\n<p>Francis Poulenc, Paul \u00c9luard: Une ruine coquille vide (<em>Tel jour, telle nuit<\/em>, FP 086\/2). Nicolai Gedda, Dalton Baldwin [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"900\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Reutter.jpg\" alt=\"\" class=\"wp-image-11619\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Reutter.jpg 900w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Reutter-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Reutter-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Reutter-768x768.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Hermann Reutter<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Hermann Reutter, William Faulkner [unknown German translator]: Mit Segeln Mit Segeln d\u00e4mmerfarb\u2019, das Schiff der Nacht (<em>Epitaph f\u00fcr einen Dichter<\/em>). Nicolai Gedda, Hermann Reutter [world premiere Hannover 19.III.1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"674\" height=\"936\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Jan-Eyron.png\" alt=\"\" class=\"wp-image-11620\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Jan-Eyron.png 674w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Jan-Eyron-216x300.png 216w\" sizes=\"auto, (max-width: 674px) 100vw, 674px\" \/><figcaption class=\"wp-element-caption\">Jan Eyron<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Johann Mayrhofer: Der Schiffer, D.694. Nicolai Gedda, Jan Eyron [live 04.VII.70]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-outdoors-1024x576.jpg\" alt=\"\" class=\"wp-image-11621\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-outdoors-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-outdoors-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-outdoors-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-outdoors-1536x864.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-outdoors-1600x900.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-outdoors.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Wilhelm M\u00fcller: Trockne Blumen (<em>Die sch\u00f6ne M\u00fcllerin<\/em>, D.795\/18). Nicolai Gedda, Jan Eyron [1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"664\" height=\"933\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-fey-Lensky.png\" alt=\"\" class=\"wp-image-11622\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-fey-Lensky.png 664w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-fey-Lensky-214x300.png 214w\" sizes=\"auto, (max-width: 664px) 100vw, 664px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Heinrich Heine: Der Doppelg\u00e4nger, D.957\/13. Nicolai Gedda, Gerhard Singer [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"801\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Sawallisch-801x1024.jpg\" alt=\"\" class=\"wp-image-11623\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Sawallisch-801x1024.jpg 801w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Sawallisch-235x300.jpg 235w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Sawallisch-768x982.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Sawallisch-1201x1536.jpg 1201w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Sawallisch.jpg 1601w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><figcaption class=\"wp-element-caption\">Wolfgang Sawallisch<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Johann Wolfgang von Goethe: Wandrers Nachtlied II [\u00dcber allen Gipfeln ist Ruh], D.768. Nicolai Gedda, Wolfgang Sawallisch [live Roma 12.VII.74]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Nikolai-Tcherepnin.png\" alt=\"\" class=\"wp-image-11624\" width=\"640\" height=\"644\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Nikolai-Tcherepnin.png 829w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Nikolai-Tcherepnin-298x300.png 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Nikolai-Tcherepnin-150x150.png 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Nikolai-Tcherepnin-768x774.png 768w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Nikolai Tcherepnin<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Nikolai Tcherepnin, Konstantin Fofanov: \u0421\u0432\u0435\u0447\u043a\u0430 \u0434\u043e\u0433\u043e\u0440\u0430\u043b\u0430 [The Candle Is Extinguished], Op. 21\/3. Nicolai Gedda, Alexander Tcherepnin [1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"590\" height=\"928\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-young-postcard.png\" alt=\"\" class=\"wp-image-11625\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-young-postcard.png 590w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-young-postcard-191x300.png 191w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\" \/><\/figure>\n<\/div>\n\n\n<p>Modest Mussorgsky, Nikolai Porfiryevich Grekov: \u0413\u0434\u0435 \u0442\u044b, \u0437\u0432\u0451\u0437\u0434\u043e\u0447\u043a\u0430? [Where are thou, little star?]. Nicolai Gedda, Geoffrey Parsons [live London 21.11.71]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"994\" height=\"558\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-snowball.jpg\" alt=\"\" class=\"wp-image-11626\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-snowball.jpg 994w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-snowball-300x168.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-snowball-768x431.jpg 768w\" sizes=\"auto, (max-width: 994px) 100vw, 994px\" \/><\/figure>\n<\/div>\n\n\n<p>Alexander Varlamov, Nikolai Nekrasov: \u041c\u0435\u0442\u0435\u043b\u0438\u0446\u0430 [Snowstorm]. Nicolai Gedda, Erik Werba [Salzburg 18.VIII.59]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 181. Nicolai Gedda in Song SOCIAL SHARE SUBSCRIPTION PLATFORM Today\u2019s episode is a special request from one of my&hellip;<\/p>\n","protected":false},"author":1,"featured_media":11628,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,3132,2260,808,4722,2257,2806],"tags":[730,3518,3120,4874,4882,4881,4880,305,296,531,3121,2767,2247,330,1165,544,101,4285,588,4872,1416,4875,310,1197,1788,3344,4876,104,1229,1137,4879,510,1015,4873,3520,3739,329,2193,1886,4878,3648,862,4877,698],"class_list":["post-11386","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-franz-schubert","category-music-for-a-world-in-crisis","category-needle-drop","category-orchestral-songs","category-richard-strauss","category-twentieth-century-music","tag-aldo-ciccolini","tag-alexander-pushkin","tag-alexander-tcherepnin","tag-alexander-varlamov","tag-alexis-weissenberg","tag-anthony-miranda","tag-ben-jonson","tag-benjamin-britten","tag-charles-gounod","tag-dalton-baldwin","tag-dichterliebe","tag-die-schone-mullerin","tag-edda-moser","tag-edvard-grieg","tag-erik-werba","tag-francis-poulenc","tag-franz-schubert","tag-frederic-waldman","tag-gabriel-faure","tag-geoffrey-parson","tag-gerald-moore","tag-gerhard-singer","tag-hector-berlioz","tag-heinrich-heine","tag-henri-duparc","tag-hermann-reutter","tag-jan-eyron","tag-jean-sibelius","tag-johann-mayrhofer","tag-johann-wolfgang-von-goethe","tag-leconte-de-lisle","tag-leos-janacek","tag-nicolai-gedda","tag-nikolai-tcherepnin","tag-ottorino-respighi","tag-paul-eluard","tag-richard-strauss","tag-sergei-rachmaninov","tag-silvio-varviso","tag-spanisches-liederspiel","tag-theophile-gautier","tag-wilhelm-muller","tag-william-faulkner","tag-wolfgang-sawallisch"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Gedda-Nemorino-cropped-300x160.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Aldo Ciccolini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alexander Pushkin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alexander Tcherepnin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alexander Varlamov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alexis Weissenberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anthony Miranda<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ben Jonson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Benjamin Britten<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Gounod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dalton Baldwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dichterliebe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die sch\u00f6ne M\u00fcllerin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Edda Moser<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Edvard Grieg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Erik Werba<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Francis Poulenc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Frederic Waldman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gabriel Faure<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Geoffrey Parson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gerald Moore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gerhard Singer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hector Berlioz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Heinrich Heine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henri Duparc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hermann Reutter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jan Eyron<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean Sibelius<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Mayrhofer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leconte de Lisle<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leos Janacek<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Nicolai Gedda<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Nikolai Tcherepnin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ottorino Respighi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul \u00c9luard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Sergei Rachmaninov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Silvio Varviso<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Spanisches Liederspiel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Th\u00e9ophile Gautier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Faulkner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Aldo Ciccolini<\/span>","<span class=\"advgb-post-tax-term\">Alexander Pushkin<\/span>","<span class=\"advgb-post-tax-term\">Alexander Tcherepnin<\/span>","<span class=\"advgb-post-tax-term\">Alexander Varlamov<\/span>","<span class=\"advgb-post-tax-term\">Alexis Weissenberg<\/span>","<span class=\"advgb-post-tax-term\">Anthony Miranda<\/span>","<span class=\"advgb-post-tax-term\">Ben Jonson<\/span>","<span class=\"advgb-post-tax-term\">Benjamin Britten<\/span>","<span class=\"advgb-post-tax-term\">Charles Gounod<\/span>","<span class=\"advgb-post-tax-term\">Dalton Baldwin<\/span>","<span class=\"advgb-post-tax-term\">Dichterliebe<\/span>","<span class=\"advgb-post-tax-term\">Die sch\u00f6ne M\u00fcllerin<\/span>","<span class=\"advgb-post-tax-term\">Edda Moser<\/span>","<span class=\"advgb-post-tax-term\">Edvard Grieg<\/span>","<span class=\"advgb-post-tax-term\">Erik Werba<\/span>","<span class=\"advgb-post-tax-term\">Francis Poulenc<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Frederic Waldman<\/span>","<span class=\"advgb-post-tax-term\">Gabriel Faure<\/span>","<span class=\"advgb-post-tax-term\">Geoffrey Parson<\/span>","<span class=\"advgb-post-tax-term\">Gerald Moore<\/span>","<span class=\"advgb-post-tax-term\">Gerhard Singer<\/span>","<span class=\"advgb-post-tax-term\">Hector Berlioz<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Heine<\/span>","<span class=\"advgb-post-tax-term\">Henri Duparc<\/span>","<span class=\"advgb-post-tax-term\">Hermann Reutter<\/span>","<span class=\"advgb-post-tax-term\">Jan Eyron<\/span>","<span class=\"advgb-post-tax-term\">Jean Sibelius<\/span>","<span class=\"advgb-post-tax-term\">Johann Mayrhofer<\/span>","<span class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/span>","<span class=\"advgb-post-tax-term\">Leconte de Lisle<\/span>","<span class=\"advgb-post-tax-term\">Leos Janacek<\/span>","<span class=\"advgb-post-tax-term\">Nicolai Gedda<\/span>","<span class=\"advgb-post-tax-term\">Nikolai Tcherepnin<\/span>","<span class=\"advgb-post-tax-term\">Ottorino Respighi<\/span>","<span class=\"advgb-post-tax-term\">Paul \u00c9luard<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Sergei Rachmaninov<\/span>","<span class=\"advgb-post-tax-term\">Silvio Varviso<\/span>","<span class=\"advgb-post-tax-term\">Spanisches Liederspiel<\/span>","<span class=\"advgb-post-tax-term\">Th\u00e9ophile Gautier<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/span>","<span class=\"advgb-post-tax-term\">William Faulkner<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 3 years ago","modified":"Updated 3 years ago"},"absolute_dates":{"created":"Posted on 27\/01\/2023","modified":"Updated on 27\/01\/2023"},"absolute_dates_time":{"created":"Posted on 27\/01\/2023 17:12","modified":"Updated on 27\/01\/2023 23:06"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/11386","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=11386"}],"version-history":[{"count":6,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/11386\/revisions"}],"predecessor-version":[{"id":11629,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/11386\/revisions\/11629"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/11628"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=11386"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=11386"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=11386"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}