{"id":11348,"date":"2023-01-12T17:09:13","date_gmt":"2023-01-12T16:09:13","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=11348"},"modified":"2023-01-13T09:18:00","modified_gmt":"2023-01-13T08:18:00","slug":"episode-179-the-pop-stylings-of-maria-ewing","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2023\/01\/12\/episode-179-the-pop-stylings-of-maria-ewing\/","title":{"rendered":"Episode 179. The Pop Stylings of Maria Ewing"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 179. The Pop Stylings of Maria Ewing<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=730-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links 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class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full advgb-dyn-de10f80a\"><img loading=\"lazy\" decoding=\"async\" width=\"824\" height=\"516\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-Piano.png\" alt=\"\" class=\"wp-image-11480\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-Piano.png 824w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-Piano-300x188.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-Piano-768x481.png 768w\" sizes=\"auto, (max-width: 824px) 100vw, 824px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-5a996784\"><\/div>\n\n\n\n<p>A year ago, as I prepared a memorial episode of <em>Countermelody <\/em>dedicated to Maria Ewing I was struck anew at just how naturally she had mastered the often messy \u201ccrossover\u201d genre. Perhaps that\u2019s because she never \u201ccrossed over\u201d at all: this material formed part of her essence. I thought it would be a lovely thing to give a more complete picture of her work as a pop singer, using three primary sources: first, her 1990 studio pop album entitled \u201cFrom this Moment On,\u201d featuring arrangements by Richard Rodney Bennett; second a rare release entitled \u201cSimply Maria,\u201d which comprises a live concert she gave at the Barbican Centre in London in 10 May 1997; and third, live and studio recordings that she made in in the early 2000s with the jazz combo Kymaera, led by guitarist Simon James. The range of material is dizzying, from Broadway classics by Rodgers and Hammerstein, Cole Porter, Jule Styne, Harold Arlen, Cy Coleman, Kurt Weill, and George and Ira Gershwin to jazz stylings by Tom Jobim, eden ahbez, and Billy Strayhorn, with more than a few surprises along the way, and her mastery of it all is exceptional, with all of the intense commitment she showed in her operatic portrayals (and none of the condescension or preciousness associated with certain other crossover artists). I\u2019m so thrilled to share this less well-known side of one of the great operatic singing actors of our time.<\/p>\n\n\n\n<p>If you are interested in hearing Maria Ewing speak about her life and career, here are two exceptional interviews:<\/p>\n\n\n\n<p><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.bbc.co.uk\/sounds\/play\/p00942k1\" target=\"_blank\">Desert Island Discs<\/a><\/em>. Maria Ewing in conversation with Sue Lawley [originally broadcast on 21 February 1999]<\/p>\n\n\n\n<p><a href=\"https:\/\/www.laopera.org\/discover\/podcasts\/renowned-opera-artist-maria-ewing-and-uclas-michael-hackett\/\" target=\"_blank\" rel=\"noreferrer noopener\">LA Opera: From the Vaults<\/a>. Maria Ewing in conversation with Michael Hackett [recorded 9 November 2015] <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"761\" height=\"819\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-smiles.png\" alt=\"\" class=\"wp-image-11506\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-smiles.png 761w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-smiles-279x300.png 279w\" sizes=\"auto, (max-width: 761px) 100vw, 761px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-3c7bf8da\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong>RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"936\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Parade.png\" alt=\"\" class=\"wp-image-11509\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Parade.png 739w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Parade-237x300.png 237w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><\/figure>\n<\/div>\n\n\n<p>Jule Styne, Bob Merrill, arr. Gordon Rose: Don\u2019t Rain on My Parade (<em>Funny Girl<\/em>). Maria Ewing, Iain Sutherland, BBC Concert Orchestra [live London 10.V.1997]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"603\" height=\"923\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-playful-with-mic.png\" alt=\"\" class=\"wp-image-11511\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-playful-with-mic.png 603w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-playful-with-mic-196x300.png 196w\" sizes=\"auto, (max-width: 603px) 100vw, 603px\" \/><\/figure>\n<\/div>\n\n\n<p>Jerome Kern, Oscar Hammerstein II: All the Things You Are (<em>Very Warm for May<\/em>). Maria Ewing, Simon James, Shane Hill [live London 2001]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Queen-in-Iolanthe-1024x576.jpg\" alt=\"\" class=\"wp-image-11510\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Queen-in-Iolanthe-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Queen-in-Iolanthe-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Queen-in-Iolanthe-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Queen-in-Iolanthe-1536x864.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Queen-in-Iolanthe-1600x900.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Queen-in-Iolanthe.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">A late career appearance by Maria Ewing as the Queen of the Fairies in <em>Iolanthe<\/em> (London 2008)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Richard Rodgers, Oscar Hammerstein II: Bali Ha\u2019i (<em>South Pacific<\/em>). Maria Ewing, John Wilson, The John Wilson Orchestra, Maida Vale Singers [2012]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"420\" height=\"484\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Jack-Mitchell.jpg\" alt=\"\" class=\"wp-image-11497\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Jack-Mitchell.jpg 420w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Jack-Mitchell-260x300.jpg 260w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><\/figure>\n<\/div>\n\n\n<p>Harold Arlen, Ted Koehler: When the Sun Comes Out. Maria Ewing, Richard Rodney Bennett [1990]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"407\" height=\"612\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-exotic1.jpg\" alt=\"\" class=\"wp-image-11483\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-exotic1.jpg 407w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-exotic1-200x300.jpg 200w\" sizes=\"auto, (max-width: 407px) 100vw, 407px\" \/><\/figure>\n<\/div>\n\n\n<p>Cole Porter: Another Openin\u2019, Another Show; From This Moment On; Just One of Those Things; Easy To Love; Night and Day; Anything Goes [Medley]. Maria Ewing, Richard Rodney Bennett, Neil Richardson, Royal Philharmonic Orchestra [1990]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-in-Concert-1024x1024.jpg\" alt=\"\" class=\"wp-image-11484\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-in-Concert-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-in-Concert-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-in-Concert-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-in-Concert-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-in-Concert.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Cy Coleman, Dorothy Fields, arr. Harry South: Nobody Does It Like Me (<em>Seesaw<\/em>). Maria Ewing, Iain Sutherland, BBC Concert Orchestra [live London 10.V.1997]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"688\" height=\"842\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Angela-Morley.png\" alt=\"\" class=\"wp-image-11485\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Angela-Morley.png 688w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Angela-Morley-245x300.png 245w\" sizes=\"auto, (max-width: 688px) 100vw, 688px\" \/><figcaption class=\"wp-element-caption\">Angela Morley&nbsp;(10 March 1924 \u2013 14 January 2009)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jerome Moross, John Latouche, arr. Angela Morley: Lazy Afternoon (<em>The Golden Apple<\/em>). Maria Ewing, Iain Sutherland, BBC Concert Orchestra [live London 10.V.1997]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"855\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Young.png\" alt=\"\" class=\"wp-image-11487\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Young.png 660w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Young-232x300.png 232w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><\/figure>\n<\/div>\n\n\n<p>Hugh Martin, Ralph Blane, arr. Gordon Rose: The Trolley Song (<em>Meet Me in St. Louis<\/em>). Maria Ewing, Iain Sutherland, BBC Concert Orchestra [live London 10.V.1997]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"674\" height=\"471\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-with-Mic.png\" alt=\"\" class=\"wp-image-11488\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-with-Mic.png 674w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-with-Mic-300x210.png 300w\" sizes=\"auto, (max-width: 674px) 100vw, 674px\" \/><\/figure>\n<\/div>\n\n\n<p>Ant\u00f4nio Carlos Jobim, Norman Gimbel: How Insensitive. Maria Ewing, Simon James, Shane Hill, Kymaera [2001]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"634\" height=\"898\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-and-Rebecca.jpg\" alt=\"\" class=\"wp-image-11489\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-and-Rebecca.jpg 634w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-and-Rebecca-212x300.jpg 212w\" sizes=\"auto, (max-width: 634px) 100vw, 634px\" \/><figcaption class=\"wp-element-caption\">Ewing with her daughter, director and actor Rebecca Hall<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Vincent Youmans, Billy Rose, Edward Eliscu: More Than You Know (<em>Great Day<\/em>). Maria Ewing, Richard Rodney Bennett [1990]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"647\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-at-home-with-white-piano-1024x647.png\" alt=\"\" class=\"wp-image-11491\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-at-home-with-white-piano-1024x647.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-at-home-with-white-piano-300x189.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-at-home-with-white-piano-768x485.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-at-home-with-white-piano.png 1466w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Harold Arlen, Ira Gershwin, arr. Pete Moore: The Man that Got Away (<em>A Star Is Born<\/em>). Maria Ewing, Iain Sutherland, BBC Concert Orchestra [live London 10.V.1997]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"955\" height=\"662\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Veiled-Ewing-TRIMMED.jpg\" alt=\"\" class=\"wp-image-11492\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Veiled-Ewing-TRIMMED.jpg 955w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Veiled-Ewing-TRIMMED-300x208.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Veiled-Ewing-TRIMMED-768x532.jpg 768w\" sizes=\"auto, (max-width: 955px) 100vw, 955px\" \/><\/figure>\n<\/div>\n\n\n<p>K. Lawrence Dunham, Roger Kellaway: Weren\u2019t You the One. Maria Ewing, Simon James, Kymaera [2001]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-Ewing-1989-1024x576.jpg\" alt=\"\" class=\"wp-image-11493\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-Ewing-1989-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-Ewing-1989-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-Ewing-1989-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-Ewing-1989-1536x864.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-Ewing-1989-1600x900.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-Ewing-1989.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Jimmy Van Heusen, Johnny Burke: But Beautiful (<em>Road to Rio<\/em>). Maria Ewing, Richard Rodney Bennett [1990]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"612\" height=\"407\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Hand-on-Forehead.jpg\" alt=\"\" class=\"wp-image-11495\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Hand-on-Forehead.jpg 612w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-Hand-on-Forehead-300x200.jpg 300w\" sizes=\"auto, (max-width: 612px) 100vw, 612px\" \/><\/figure>\n<\/div>\n\n\n<p>Herman Hupfeld: As Time Goes By (<em>Everybody\u2019s Welcome<\/em>). Maria Ewing, Richard Rodney Bennett, Neil Richardson, Royal Philharmonic Orchestra [1990]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-mic-1024x576.png\" alt=\"\" class=\"wp-image-11498\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-mic-1024x576.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-mic-300x169.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-mic-768x432.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-mic.png 1366w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Billy Strayhorn, arr. Barry Forgie: Lush Life. Maria Ewing, Iain Sutherland, BBC Concert Orchestra [live London 10.V.1997]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"624\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-piano2-1024x624.png\" alt=\"\" class=\"wp-image-11507\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-piano2-1024x624.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-piano2-300x183.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-piano2-768x468.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-piano2.png 1495w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Kurt Weill, Maxwell Anderson, arr. Stephen Robinson: It Never Was You (<em>Knickerbocker Holiday<\/em>). Maria Ewing, Stephen Robinson [live London 10.V.1997]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"917\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-outdoor-concert.png\" alt=\"\" class=\"wp-image-11502\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-outdoor-concert.png 585w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-outdoor-concert-191x300.png 191w\" sizes=\"auto, (max-width: 585px) 100vw, 585px\" \/><\/figure>\n<\/div>\n\n\n<p>Don Raye, Hughie Prince, arr. Pete Moore: Boogie Woogie Bugle Boy (<em>Buck Privates<\/em>). Maria Ewing, Iain Sutherland, BBC Concert Orchestra [live London 10.V.1997]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"791\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-what-about-today-1024x791.png\" alt=\"\" class=\"wp-image-11503\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-what-about-today-1024x791.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-what-about-today-300x232.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-what-about-today-768x593.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Ewing-what-about-today.png 1212w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>David Shire, Richard Maltby, arr. Ken Woodman: What About Today. Maria Ewing, Iain Sutherland, BBC Concert Orchestra [live London 10.V.1997]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-night-club-1024x576.png\" alt=\"\" class=\"wp-image-11501\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-night-club-1024x576.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-night-club-300x169.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-night-club-768x432.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-at-night-club.png 1201w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>eden ahbez [n\u00e9 George Alexander Aberle]: Nature Boy. Maria Ewing, Simon James, Shane Hill, Dick Pearse, Luke Annersley, Andy Hamill Michele Drees [live London 2001]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"631\" height=\"804\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/RRBennett.png\" alt=\"\" class=\"wp-image-11505\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/RRBennett.png 631w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/RRBennett-235x300.png 235w\" sizes=\"auto, (max-width: 631px) 100vw, 631px\" \/><figcaption class=\"wp-element-caption\">Richard Rodney Bennett&nbsp;(29 March 1936 \u2013 24 December 2012)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>George Gershwin, Ira Gershwin: How Long Has This Been Going On; Our Love Is Here to Stay; \u2019S Wonderful; Someone to Watch Over Me [medley]. Maria Ewing, Richard Rodney Bennett, Neil Richardson, Royal Philharmonic Orchestra [1990]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"974\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Simply-Maria1-1024x974.jpg\" alt=\"\" class=\"wp-image-11504\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Simply-Maria1-1024x974.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Simply-Maria1-300x285.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Simply-Maria1-768x730.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Simply-Maria1.jpg 1122w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 179. The Pop Stylings of Maria Ewing SOCIAL SHARE SUBSCRIPTION PLATFORM A year ago, as I prepared a memorial&hellip;<\/p>\n","protected":false},"author":1,"featured_media":11482,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,2109,1076,1072,1263,2260,808,2755,3272,2806],"tags":[1858,1410,4833,852,2707,1873,1937,2135,664,4834,2762,853,1396,4835,1531,4836,4837,659,4838,3690,1397,4839,4840,2597,3663,4841,1872,4842,1040,4843,497,3057,4844,1855,927,4845,660,2177,928,3666,3665,3664,4846,2823,851],"class_list":["post-11348","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-broadway-and-musicals","category-crossover","category-in-memoriam","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-pop-icons","category-singers-of-color","category-twentieth-century-music","tag-angela-morley","tag-antonio-carlos-jobim","tag-barry-forgie","tag-billy-rose","tag-billy-strayhorn","tag-bob-merrill","tag-cole-porter","tag-cy-coleman","tag-david-shire","tag-don-raye","tag-dorothy-fields","tag-edward-eliscu","tag-george-gershwin","tag-gordon-rose","tag-harold-arlen","tag-harry-south","tag-herman-hupfeld","tag-hugh-martin","tag-hughie-price","tag-iain-sutherland","tag-ira-gershwin","tag-jerome-moross","tag-jimmy-van-heusen","tag-john-latouche","tag-john-wilson","tag-johnny-burker","tag-jule-styne","tag-ken-woodman","tag-kurt-weill","tag-kymaera","tag-maria-ewing","tag-maxwell-anderson","tag-neil-richardson","tag-norman-gimbel","tag-oscar-hammerstein-ii","tag-pete-moore","tag-ralph-blane","tag-richard-maltby","tag-richard-rodgers","tag-richard-rodney-bennett","tag-shane-hill","tag-simon-james","tag-stephen-robinson","tag-ted-koehler","tag-vincent-youmans"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Maria-in-jazz-club-300x133.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/broadway-and-musicals\/\" class=\"advgb-post-tax-term\">Broadway and Musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/pop-icons\/\" class=\"advgb-post-tax-term\">Pop Icons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Pop Icons<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Angela Morley<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ant\u00f4nio Carlos Jobim<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Barry Forgie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Billy Rose<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Billy Strayhorn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bob Merrill<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Cole Porter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Cy Coleman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">David Shire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Don Raye<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dorothy Fields<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Edward Eliscu<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gordon Rose<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Harold Arlen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Harry South<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Herman Hupfeld<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hugh Martin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hughie Price<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Iain Sutherland<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ira Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jerome Moross<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jimmy Van Heusen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John LaTouche<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Wilson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johnny Burker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jule Styne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ken Woodman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kurt Weill<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kymaera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maria Ewing<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maxwell Anderson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Neil Richardson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Norman Gimbel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pete Moore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ralph Blane<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Maltby<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Rodgers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Rodney Bennett<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Shane Hill<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Simon James<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Stephen Robinson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ted Koehler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Vincent Youmans<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Angela Morley<\/span>","<span class=\"advgb-post-tax-term\">Ant\u00f4nio Carlos Jobim<\/span>","<span class=\"advgb-post-tax-term\">Barry Forgie<\/span>","<span class=\"advgb-post-tax-term\">Billy Rose<\/span>","<span class=\"advgb-post-tax-term\">Billy Strayhorn<\/span>","<span class=\"advgb-post-tax-term\">Bob Merrill<\/span>","<span class=\"advgb-post-tax-term\">Cole Porter<\/span>","<span class=\"advgb-post-tax-term\">Cy Coleman<\/span>","<span class=\"advgb-post-tax-term\">David Shire<\/span>","<span class=\"advgb-post-tax-term\">Don Raye<\/span>","<span class=\"advgb-post-tax-term\">Dorothy Fields<\/span>","<span class=\"advgb-post-tax-term\">Edward Eliscu<\/span>","<span class=\"advgb-post-tax-term\">George Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Gordon Rose<\/span>","<span class=\"advgb-post-tax-term\">Harold Arlen<\/span>","<span class=\"advgb-post-tax-term\">Harry South<\/span>","<span class=\"advgb-post-tax-term\">Herman Hupfeld<\/span>","<span class=\"advgb-post-tax-term\">Hugh Martin<\/span>","<span class=\"advgb-post-tax-term\">Hughie Price<\/span>","<span class=\"advgb-post-tax-term\">Iain Sutherland<\/span>","<span class=\"advgb-post-tax-term\">Ira Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Jerome Moross<\/span>","<span class=\"advgb-post-tax-term\">Jimmy Van Heusen<\/span>","<span class=\"advgb-post-tax-term\">John LaTouche<\/span>","<span class=\"advgb-post-tax-term\">John Wilson<\/span>","<span class=\"advgb-post-tax-term\">Johnny Burker<\/span>","<span class=\"advgb-post-tax-term\">Jule Styne<\/span>","<span class=\"advgb-post-tax-term\">Ken Woodman<\/span>","<span class=\"advgb-post-tax-term\">Kurt Weill<\/span>","<span class=\"advgb-post-tax-term\">Kymaera<\/span>","<span class=\"advgb-post-tax-term\">Maria Ewing<\/span>","<span class=\"advgb-post-tax-term\">Maxwell Anderson<\/span>","<span class=\"advgb-post-tax-term\">Neil Richardson<\/span>","<span class=\"advgb-post-tax-term\">Norman Gimbel<\/span>","<span class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/span>","<span class=\"advgb-post-tax-term\">Pete Moore<\/span>","<span class=\"advgb-post-tax-term\">Ralph Blane<\/span>","<span class=\"advgb-post-tax-term\">Richard Maltby<\/span>","<span class=\"advgb-post-tax-term\">Richard Rodgers<\/span>","<span class=\"advgb-post-tax-term\">Richard Rodney Bennett<\/span>","<span class=\"advgb-post-tax-term\">Shane Hill<\/span>","<span class=\"advgb-post-tax-term\">Simon James<\/span>","<span class=\"advgb-post-tax-term\">Stephen Robinson<\/span>","<span class=\"advgb-post-tax-term\">Ted Koehler<\/span>","<span class=\"advgb-post-tax-term\">Vincent Youmans<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 3 years ago","modified":"Updated 3 years ago"},"absolute_dates":{"created":"Posted on 12\/01\/2023","modified":"Updated on 13\/01\/2023"},"absolute_dates_time":{"created":"Posted on 12\/01\/2023 17:09","modified":"Updated on 13\/01\/2023 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