{"id":11212,"date":"2022-12-23T16:03:42","date_gmt":"2022-12-23T15:03:42","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=11212"},"modified":"2025-07-29T10:54:15","modified_gmt":"2025-07-29T08:54:15","slug":"episode-176-helen-donath","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2022\/12\/23\/episode-176-helen-donath\/","title":{"rendered":"Episode 176. Helen Donath"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 176.  Helen Donath<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=718-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11212&#038;title=Episode%20176.%20Helen%20Donath\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Facebook<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-twitter  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/twitter.com\/share?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11212&#038;link=Episode%20176.%20Helen%20Donath\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M22.23,5.924c-0.736,0.326-1.527,0.547-2.357,0.646c0.847-0.508,1.498-1.312,1.804-2.27 c-0.793,0.47-1.671,0.812-2.606,0.996C18.324,4.498,17.257,4,16.077,4c-2.266,0-4.103,1.837-4.103,4.103 c0,0.322,0.036,0.635,0.106,0.935C8.67,8.867,5.647,7.234,3.623,4.751C3.27,5.357,3.067,6.062,3.067,6.814 c0,1.424,0.724,2.679,1.825,3.415c-0.673-0.021-1.305-0.206-1.859-0.513c0,0.017,0,0.034,0,0.052c0,1.988,1.414,3.647,3.292,4.023 c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11212&#038;description=Episode%20176.%20Helen%20Donath\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11212&#038;subject=Episode%20176.%20Helen%20Donath\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\"><path d=\"M9 11.8l6.1-4.5c.1.4.4.7.9.7h2c.6 0 1-.4 1-1V5c0-.6-.4-1-1-1h-2c-.6 0-1 .4-1 1v.4l-6.4 4.8c-.2-.1-.4-.2-.6-.2H6c-.6 0-1 .4-1 1v2c0 .6.4 1 1 1h2c.2 0 .4-.1.6-.2l6.4 4.8v.4c0 .6.4 1 1 1h2c.6 0 1-.4 1-1v-2c0-.6-.4-1-1-1h-2c-.5 0-.8.3-.9.7L9 12.2v-.4z\"\/><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share via Email<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-reddit  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/reddit.com\/submit?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11212&#038;title=Episode%20176.%20Helen%20Donath\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M5.27 9.221A2.775 2.775 0 0 0 2.498 11.993a2.785 2.785 0 0 0 1.6 2.511 5.337 5.337 0 0 0 2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex advgb-dyn-5e5a4c85\">\n<div class=\"wp-block-button alignright advgb-dyn-155b28dc\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full advgb-dyn-47d79355\"><img loading=\"lazy\" decoding=\"async\" width=\"671\" height=\"910\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath9.png\" alt=\"\" class=\"wp-image-11357\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath9.png 671w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath9-221x300.png 221w\" sizes=\"auto, (max-width: 671px) 100vw, 671px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-5a996784\"><\/div>\n\n\n\n<p>Today\u2019s episode is a celebration of the Texas-born, German-assimilated soprano Helen Donath. Very few singers can boast of a career lasting more than 50 years which yielded such consistently superb vocalism and artistry. Donath began as a soubrette with lyric-coloratura capabilities which blossomed into a jugendlich dramatisch voice capable of successfully assuming roles in Wagner, Strauss, and Weber. Today\u2019s episode has two \u201cgimmicks,\u201d the first of which is that all of the selections are sung in German, even if they were originally set in French or Italian. The second gimmick is that strewn in amongst the other selections, there is a smattering of holiday-related material including works by Bach, Handel, Mozart, Humperdinck, and Pfitzner. Other composers heard include Otto Nicolai, Friedrich von Flotow, Paul Hindemith, as well as numerous examples of Donath\u2019s peerless Mozart singing and a generous helping of operettas by Leh\u00e1r, Mill\u00f6cker, and Johann Strauss II. Vocal guest stars are legion, and include Julia Varady, Siegfried Jerusalem, Anna Moffo, Peter Schreier, Edda Moser, Theo Adam, Werner Hollweg, and G\u00fcnther Leib in performances conducted by Leonard Bernstein, Herbert von Karajan, Kurt Eichhorn, Rafael Kubelik, Herbert Blomstedt, Wolfgang Sawallisch, Bernhard Klee, Otmar Suitner, Hans Schmidt-Isserstedt, Gerd Albrecht, and Willi Boskovsky, as well as Klaus Donath, Helen\u2019s husband since 1965.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-3c7bf8da\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-13857eb0\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"902\" height=\"599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-Opernabend-photo.jpg\" alt=\"\" class=\"wp-image-11355\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-Opernabend-photo.jpg 902w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-Opernabend-photo-300x199.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-Opernabend-photo-768x510.jpg 768w\" sizes=\"auto, (max-width: 902px) 100vw, 902px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Strauss II: Rosen aus dem S\u00fcden. [Es zieht mein herz bei Tag und Nacht; after <em>Das Spitzentuch der K\u00f6nigin<\/em>]. Helen Donath, Erich Leinsdorf, Wiener Symphoniker [1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"861\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath11.png\" alt=\"\" class=\"wp-image-11356\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath11.png 576w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath11-201x300.png 201w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Luigi Illica, Giuseppe Giacosa [after Henri Murger; unknown German translator]: Will ich allein [Quando m<em>\u2019<\/em>en vo] (<em>La Boh\u00e8me<\/em>). Helen Donath, Heinz Geese, Nordwestdeutsche Philharmonie [1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"602\" height=\"840\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Young-Donath-in-Pearls.jpg\" alt=\"\" class=\"wp-image-11359\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Young-Donath-in-Pearls.jpg 602w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Young-Donath-in-Pearls-215x300.jpg 215w\" sizes=\"auto, (max-width: 602px) 100vw, 602px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart: Laudamus te (<em>Great Mass in c minor<\/em>, K. 427). Helen Donath, Wolfgang G\u00f6nnenwein, S\u00fcdwestdeutsches Kammerorchester [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"807\" height=\"749\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath6.png\" alt=\"\" class=\"wp-image-11358\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath6.png 807w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath6-300x278.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath6-768x713.png 768w\" sizes=\"auto, (max-width: 807px) 100vw, 807px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Wagner: Dich, teure Halle (<em>Tannh\u00e4user<\/em>). Helen Donath, Ivan T\u00f6rzs, Mecklenburgische Staatskapelle Schwerin [ca. 2002]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"625\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath5-1024x625.png\" alt=\"\" class=\"wp-image-11361\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath5-1024x625.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath5-300x183.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath5-768x469.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath5.png 1374w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>George Frideric Handel, Charles Jennens [German translation by Friedrich Chrysander]: Erwache, frohlocke (<em>Der Messias<\/em>). Helen Donath, Kurt Eichhorn, M\u00fcnchener Rundfunkorchester [live M\u00fcnchen 11.XII.88]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"571\" height=\"804\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath18.png\" alt=\"\" class=\"wp-image-11362\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath18.png 571w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath18-213x300.png 213w\" sizes=\"auto, (max-width: 571px) 100vw, 571px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Hugo von Hofmannsthal: Ich wei\u00df nicht wie du bist&#8230; Aber der Richtige (<em>Arabella<\/em>). Helen Donath, Julia Varady, Wolfgang Sawallisch, Bayerisches Staatsorchester [1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"915\" height=\"715\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath4.png\" alt=\"\" class=\"wp-image-11360\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath4.png 915w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath4-300x234.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath4-768x600.png 768w\" sizes=\"auto, (max-width: 915px) 100vw, 915px\" \/><\/figure>\n<\/div>\n\n\n<p>Paul Hindemith, August Stramm: Keuschheit&#8230; Armut&#8230; Gehorsam (<em>Sancta Susanna<\/em>, Op. 25). Helen Donath, Gabriele Schnaut, Gerd Albrecht, Radio-Symphonie-Orchester Berlin [1984]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"805\" height=\"860\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath12.png\" alt=\"\" class=\"wp-image-11363\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath12.png 805w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath12-281x300.png 281w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath12-768x820.png 768w\" sizes=\"auto, (max-width: 805px) 100vw, 805px\" \/><\/figure>\n<\/div>\n\n\n<p>Ludwig van Beethoven, Joseph Sonnleithner, Georg Friedrich Treitschke [after Jean-Nicolas Bouilly]: O w\u00e4r<em>\u2019<\/em> ich schon mit dir vereint (<em>Fidelio<\/em>). Helen Donath, Leonard Bernstein, Orchestra di Roma della RAI [live Roma 17.III.70]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"609\" height=\"853\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath2.png\" alt=\"\" class=\"wp-image-11364\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath2.png 609w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath2-214x300.png 214w\" sizes=\"auto, (max-width: 609px) 100vw, 609px\" \/><\/figure>\n<\/div>\n\n\n<p>Ludwig van Beethoven, Joseph Sonnleithner [after Jean-Nicolas Bouilly]: Um in der Ehe froh zu leben (<em>Leonore<\/em>). Helen Donath, Edda Moser, Herbert Blomstedt, Staatskapelle Dresden [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"762\" height=\"840\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath1.png\" alt=\"\" class=\"wp-image-11365\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath1.png 762w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath1-272x300.png 272w\" sizes=\"auto, (max-width: 762px) 100vw, 762px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Sebastian Bach: Du Falscher!&#8230; Nur ein Wink von seinen H\u00e4nden (<em>Weihnachtsoratorium<\/em>, BWV 248\/57). Helen Donath, Peter Schreier, Staatskapelle Dresden [1987]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helen-and-Klaus-Donath.png\" alt=\"\" class=\"wp-image-11366\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helen-and-Klaus-Donath.png 665w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helen-and-Klaus-Donath-277x300.png 277w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, anonymous text: Die Hoffnung dient zum Stabe. Helen Donath, Dieter Kl\u00f6cker, Klaus Donath, Suk-Kammerorchester Prag [1987]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-Signed-1.jpg\" alt=\"\" class=\"wp-image-11367\" width=\"389\" height=\"550\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-Signed-1.jpg 292w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-Signed-1-212x300.jpg 212w\" sizes=\"auto, (max-width: 389px) 100vw, 389px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Giuseppe Petrosellini [German translation by either Johann Franz Joseph Stierle Sr. or Andreas Schachtner]: Ach, vor Tr\u00e4nen, Schluchzen, Seufzen (<em>Die G\u00e4rtnerin aus Liebe<\/em> [<em>La finta giardiniera<\/em>]. Helen Donath, Hans Schmidt-Isserstedt, Orchester des Norddeutschen Rundfunks [1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"598\" height=\"841\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-as-Pamina.jpg\" alt=\"\" class=\"wp-image-11369\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-as-Pamina.jpg 598w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-as-Pamina-213x300.jpg 213w\" sizes=\"auto, (max-width: 598px) 100vw, 598px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Emanuel Schikaneder: Bei M\u00e4nnern, welche Liebe f\u00fchlen (<em>Die Zauberfl\u00f6te<\/em>). Helen Donath, G\u00fcnther Leib, Otmar Suitner, Staatskapelle Dresden [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"543\" height=\"751\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath16.png\" alt=\"\" class=\"wp-image-11370\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath16.png 543w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath16-217x300.png 217w\" sizes=\"auto, (max-width: 543px) 100vw, 543px\" \/><\/figure>\n<\/div>\n\n\n<p>Georges Bizet, Ludovic Hal\u00e9vy, Henri Meilhac [German translation by Julius Hopp]: Ich sprach, da\u00df ich furchtlos mich f\u00fchle [Je dis, que rien ne m<em>\u2019<\/em>\u00e9pouvante] (<em>Carmen<\/em>). Helen Donath, Gabriel Chmura, Orchester der Bayerischen Staatsoper [live 23.XII.76]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"558\" height=\"779\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath17.png\" alt=\"\" class=\"wp-image-11371\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath17.png 558w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath17-215x300.png 215w\" sizes=\"auto, (max-width: 558px) 100vw, 558px\" \/><\/figure>\n<\/div>\n\n\n<p>]Jacques Offenbach, Jules Barbier [after ETA Hoffmann; unknown German translator]: Sie entfloh, die Taube so minnig [Elle a fui, la tourterelle] (<em>Les contes d\u2019Hoffmann<\/em> [<em>Hoffmanns Erz\u00e4hlungen<\/em>]. Helen Donath, Heinz Geese, Nordwestdeutsche Philharmonie [1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"543\" height=\"787\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath14.png\" alt=\"\" class=\"wp-image-11372\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath14.png 543w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath14-207x300.png 207w\" sizes=\"auto, (max-width: 543px) 100vw, 543px\" \/><\/figure>\n<\/div>\n\n\n<p>Otto Nicolai, Salomon Hermann Mosenthal [after William Shakespeare]: Kannst du zweifeln? (<em>Die lustigen Weiber von Windsor<\/em>). Helen Donath, Peter Schreier, Bernhard Klee, Staatskapelle Berlin [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"562\" height=\"786\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath15.png\" alt=\"\" class=\"wp-image-11380\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath15.png 562w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath15-215x300.png 215w\" sizes=\"auto, (max-width: 562px) 100vw, 562px\" \/><\/figure>\n<\/div>\n\n\n<p>Otto Nicolai, Salomon Hermann Mosenthal [after William Shakespeare]: Frohsinn und Laune (<em>Die lustigen Weiber von Windsor<\/em>). Helen Donath, Rafael Kubelik, Sinfonieorchester des Bayerischen Rundfunks [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"572\" height=\"896\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath20.png\" alt=\"\" class=\"wp-image-11379\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath20.png 572w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath20-192x300.png 192w\" sizes=\"auto, (max-width: 572px) 100vw, 572px\" \/><\/figure>\n<\/div>\n\n\n<p>Carl Maria von Weber, Friedrich Kind [after Johann August Apel, Friedrich Laun]: Tr\u00fcbe Augen (<em>Der Freisch\u00fctz<\/em>). Helen Donath, Andras Sandor, Reinhard Peters, Philharmonia Hungarica [1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helen-at-80.jpg\" alt=\"\" class=\"wp-image-11381\" width=\"481\" height=\"641\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helen-at-80.jpg 315w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helen-at-80-225x300.jpg 225w\" sizes=\"auto, (max-width: 481px) 100vw, 481px\" \/><\/figure>\n<\/div>\n\n\n<p>Friedrich von Flotow, Wilhelm Friedrich [Friedrich Wilhelm Riese]: Durch die T\u00e4ler, \u00fcber H\u00fcgel [Notturno] (<em>Alessandro Stradella<\/em>). Helen Donath, Werner Hollweg, Heinz Wallberg, Orchester der Bayerischen Rundfunk [M\u00fcnchen 02.VII.77]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Heppner-Donath-Meistersinger.jpg\" alt=\"\" class=\"wp-image-11382\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Heppner-Donath-Meistersinger.jpg 684w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Heppner-Donath-Meistersinger-200x300.jpg 200w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" \/><figcaption class=\"wp-element-caption\">Ben Heppner and Helen Donath in <em>Meistersinger<\/em>, Seattle Opera 1989<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Wagner: Ei! <em>\u2019<\/em>s ist mir nur um den Lehrbubenleid&#8230; O Sachs! Mein Freund! (<em>Die Meistersinger von N\u00fcrnberg<\/em>). Helen Donath, Theo Adam, Herbert von Karajan, Staatskapelle Dresden [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"676\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helen-and-Klaus-1024x676.png\" alt=\"\" class=\"wp-image-11384\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helen-and-Klaus-1024x676.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helen-and-Klaus-300x198.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helen-and-Klaus-768x507.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helen-and-Klaus.png 1256w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Hans Pfitzner, Ilse von Stach: Dann sehnt es mich wohl nach der Menschen Land (<em>Das Christelflein<\/em>). Helen Donath, Kurt Eichhorn, M\u00fcnchner Rundfunkorchester [M\u00fcnchen 30.XI.79]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"646\" height=\"704\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath8.png\" alt=\"\" class=\"wp-image-11383\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath8.png 646w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath8-275x300.png 275w\" sizes=\"auto, (max-width: 646px) 100vw, 646px\" \/><\/figure>\n<\/div>\n\n\n<p>Carl Mill\u00f6cker, F. Zell [Camillo Walzel] Richard Gen\u00e9e: Ich schenk mein Herz (<em>Die Dubarry<\/em>). Helen Donath, Emmerich Smola, Rundfunkorchester des S\u00fcdwestfunks [1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"595\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-Jerusalem-1024x595.png\" alt=\"\" class=\"wp-image-11373\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-Jerusalem-1024x595.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-Jerusalem-300x174.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-Jerusalem-768x446.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-Jerusalem.png 1302w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Leh\u00e1r, Ludwig Herzer, Fritz L\u00f6hner-Beda [after Victor L\u00e9on]: Wer hat die Liebe uns ins Herz gesenkt (<em>Das Land des L\u00e4chelns<\/em>). Helen Donath, Siegfried Jerusalem, Willi Boskovsky, M\u00fcnchner Rundfunkorchester [1982]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"601\" height=\"844\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-and-Tree.png\" alt=\"\" class=\"wp-image-11375\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-and-Tree.png 601w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-and-Tree-214x300.png 214w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/figure>\n<\/div>\n\n\n<p>Engelbert Humperdinck, Adelheid Wette: Abends will ich schlafen geh<em>\u2019<\/em>n (<em>H\u00e4nsel und Gretel<\/em>). Helen Donath, Anna Moffo, Kurt Eichhorn, M\u00fcnchener Rundfunkorchester [1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"804\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-Spitzentuch6-1024x804.png\" alt=\"\" class=\"wp-image-11374\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-Spitzentuch6-1024x804.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-Spitzentuch6-300x235.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-Spitzentuch6-768x603.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Donath-Spitzentuch6.png 1352w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Wolfgang Amadeus Mozart: Alleluja (<em>Exsultate, jubilate<\/em>, KV 165). Helen Donath, Kurt Eichhorn, M\u00fcnchener Rundfunkorchester [live M\u00fcnchen 11.XII.88]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 176. Helen Donath SOCIAL SHARE SUBSCRIPTION PLATFORM Today\u2019s episode is a celebration of the Texas-born, German-assimilated soprano Helen Donath.&hellip;<\/p>\n","protected":false},"author":1,"featured_media":11353,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[3273,2261,2476,2399,1073,8033,808,2329,1470,2257,2328,2806],"tags":[411,4785,4786,4773,2308,2173,351,4770,4483,2309,4769,4783,4775,983,1612,2247,2402,488,1448,2190,4777,4787,280,350,2501,94,4781,4063,1052,4776,2227,2933,4780,1242,3760,3371,98,298,4298,3421,3013,418,3354,972,4779,2228,4778,3624,4782,4774,2394,49,1299,4772,329,486,4788,4768,2353,724,4784,4771,4767,2600,34,3214,698],"class_list":["post-11212","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-french-opera","category-full-figured-baroque","category-giacomo-puccini","category-great-baritones","category-holiday-music","category-johann-sebastian-bach","category-needle-drop","category-opera-in-translation","category-operetta","category-richard-strauss","category-richard-wagner","category-twentieth-century-music","tag-anna-moffo","tag-arabella-strauss","tag-august-stramm","tag-bernhard-klee","tag-carl-maria-von-weber","tag-carl-millocker","tag-carmen","tag-das-christelflein","tag-das-land-des-lachelns","tag-der-freischutz","tag-die-dubarry-emmerich-smola","tag-die-gartnerin-aus-liebe","tag-die-lustigen-weiber-von-windsor","tag-die-meistersinger-von-nurnberg","tag-die-zauberflote","tag-edda-moser","tag-engelbert-humperdinck","tag-fidelio","tag-franz-lehar","tag-friedrich-von-flotow","tag-gabriel-chmura","tag-gabriele-schnaut","tag-george-frideric-handel","tag-georges-bizet","tag-gerd-albrecht","tag-giacomo-puccini","tag-gunther-leib","tag-hans-pfitzner","tag-hans-schmidt-isserstedt","tag-heinz-geese","tag-heinz-wallberg","tag-helen-donath","tag-herbert-blomstedt","tag-herbert-von-karajan","tag-hugo-von-hofmannsthal","tag-ivan-torzs","tag-jacques-offenbach","tag-johann-sebastian-bach","tag-julia-varady","tag-klaus-donath","tag-kurt-eichhorn","tag-la-boheme","tag-la-finta-giardiniera","tag-leonard-bernstein","tag-leonore-beethoven","tag-les-contes-dhoffmann","tag-ludwig-von-beethoven","tag-messiah-handel","tag-otmar-suitner","tag-otto-nicolai","tag-paul-hindemith","tag-peter-schreier","tag-rafael-kubelik","tag-reinhard-peters","tag-richard-strauss","tag-richard-wagner","tag-sancta-susanna-hindemith","tag-siegfried-jerusalem","tag-tannhauser","tag-theo-adam","tag-weihnachtsoratorium","tag-werner-hollweg","tag-willi-boskovsky","tag-william-shakespeare","tag-wolfgang-amadeus-mozart","tag-wolfgang-gonnenwein","tag-wolfgang-sawallisch"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Spitzentuch-Screenshot1-300x178.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/holiday-music\/\" class=\"advgb-post-tax-term\">Holiday Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-wagner\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Holiday Music<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anna Moffo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arabella (Strauss)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">August Stramm<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bernhard Klee<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carl Maria von Weber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carl Mill\u00f6cker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carmen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Das Christelflein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Das Land des L\u00e4chelns<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Der Freisch\u00fctz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die Dubarry Emmerich Smola<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die G\u00e4rtnerin aus Liebe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die lustigen Weiber von Windsor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die Meistersinger von N\u00fcrnberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Edda Moser<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Engelbert Humperdinck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fidelio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Friedrich von Flotow<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gabriel Chmura<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gabriele Schnaut<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Georges Bizet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gerd Albrecht<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">G\u00fcnther Leib<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Pfitzner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Schmidt-Isserstedt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Heinz Geese<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Heinz Wallberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Helen Donath<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Herbert Blomstedt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Herbert von Karajan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ivan T\u00f6rzs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jacques Offenbach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Julia Varady<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Klaus Donath<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kurt Eichhorn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">La Boheme<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">La finta giardiniera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leonard Bernstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leonore (Beethoven)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Les Contes d\u2019Hoffmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ludwig von Beethoven<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Messiah (Handel)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Otmar Suitner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Otto Nicolai<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Hindemith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Peter Schreier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rafael Kubelik<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Reinhard Peters<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Sancta Susanna (Hindemith)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Siegfried Jerusalem<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Tannh\u00e4user<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Theo Adam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Weihnachtsoratorium<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Werner Hollweg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Willi Boskovsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Shakespeare<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang G\u00f6nnenwein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Anna Moffo<\/span>","<span class=\"advgb-post-tax-term\">Arabella (Strauss)<\/span>","<span class=\"advgb-post-tax-term\">August Stramm<\/span>","<span class=\"advgb-post-tax-term\">Bernhard Klee<\/span>","<span class=\"advgb-post-tax-term\">Carl Maria von Weber<\/span>","<span class=\"advgb-post-tax-term\">Carl Mill\u00f6cker<\/span>","<span class=\"advgb-post-tax-term\">Carmen<\/span>","<span class=\"advgb-post-tax-term\">Das Christelflein<\/span>","<span class=\"advgb-post-tax-term\">Das Land des L\u00e4chelns<\/span>","<span class=\"advgb-post-tax-term\">Der Freisch\u00fctz<\/span>","<span class=\"advgb-post-tax-term\">Die Dubarry Emmerich Smola<\/span>","<span class=\"advgb-post-tax-term\">Die G\u00e4rtnerin aus Liebe<\/span>","<span class=\"advgb-post-tax-term\">Die lustigen Weiber von Windsor<\/span>","<span class=\"advgb-post-tax-term\">Die Meistersinger von N\u00fcrnberg<\/span>","<span class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/span>","<span class=\"advgb-post-tax-term\">Edda Moser<\/span>","<span class=\"advgb-post-tax-term\">Engelbert Humperdinck<\/span>","<span class=\"advgb-post-tax-term\">Fidelio<\/span>","<span class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/span>","<span class=\"advgb-post-tax-term\">Friedrich von Flotow<\/span>","<span class=\"advgb-post-tax-term\">Gabriel Chmura<\/span>","<span class=\"advgb-post-tax-term\">Gabriele Schnaut<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Georges Bizet<\/span>","<span class=\"advgb-post-tax-term\">Gerd Albrecht<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">G\u00fcnther Leib<\/span>","<span class=\"advgb-post-tax-term\">Hans Pfitzner<\/span>","<span class=\"advgb-post-tax-term\">Hans Schmidt-Isserstedt<\/span>","<span class=\"advgb-post-tax-term\">Heinz Geese<\/span>","<span class=\"advgb-post-tax-term\">Heinz Wallberg<\/span>","<span class=\"advgb-post-tax-term\">Helen Donath<\/span>","<span class=\"advgb-post-tax-term\">Herbert Blomstedt<\/span>","<span class=\"advgb-post-tax-term\">Herbert von Karajan<\/span>","<span class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/span>","<span class=\"advgb-post-tax-term\">Ivan T\u00f6rzs<\/span>","<span class=\"advgb-post-tax-term\">Jacques Offenbach<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Julia Varady<\/span>","<span class=\"advgb-post-tax-term\">Klaus Donath<\/span>","<span class=\"advgb-post-tax-term\">Kurt Eichhorn<\/span>","<span class=\"advgb-post-tax-term\">La Boheme<\/span>","<span class=\"advgb-post-tax-term\">La finta giardiniera<\/span>","<span class=\"advgb-post-tax-term\">Leonard Bernstein<\/span>","<span class=\"advgb-post-tax-term\">Leonore (Beethoven)<\/span>","<span class=\"advgb-post-tax-term\">Les Contes d\u2019Hoffmann<\/span>","<span class=\"advgb-post-tax-term\">Ludwig von Beethoven<\/span>","<span class=\"advgb-post-tax-term\">Messiah (Handel)<\/span>","<span class=\"advgb-post-tax-term\">Otmar Suitner<\/span>","<span class=\"advgb-post-tax-term\">Otto Nicolai<\/span>","<span class=\"advgb-post-tax-term\">Paul Hindemith<\/span>","<span class=\"advgb-post-tax-term\">Peter Schreier<\/span>","<span class=\"advgb-post-tax-term\">Rafael Kubelik<\/span>","<span class=\"advgb-post-tax-term\">Reinhard Peters<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Sancta Susanna (Hindemith)<\/span>","<span class=\"advgb-post-tax-term\">Siegfried Jerusalem<\/span>","<span class=\"advgb-post-tax-term\">Tannh\u00e4user<\/span>","<span class=\"advgb-post-tax-term\">Theo Adam<\/span>","<span class=\"advgb-post-tax-term\">Weihnachtsoratorium<\/span>","<span class=\"advgb-post-tax-term\">Werner Hollweg<\/span>","<span class=\"advgb-post-tax-term\">Willi Boskovsky<\/span>","<span class=\"advgb-post-tax-term\">William Shakespeare<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang G\u00f6nnenwein<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 3 years ago","modified":"Updated 8 months ago"},"absolute_dates":{"created":"Posted on 23\/12\/2022","modified":"Updated on 29\/07\/2025"},"absolute_dates_time":{"created":"Posted on 23\/12\/2022 16:03","modified":"Updated on 29\/07\/2025 10:54"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/11212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=11212"}],"version-history":[{"count":7,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/11212\/revisions"}],"predecessor-version":[{"id":11385,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/11212\/revisions\/11385"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/11353"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=11212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=11212"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=11212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}