{"id":11151,"date":"2022-12-14T21:43:15","date_gmt":"2022-12-14T20:43:15","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=11151"},"modified":"2023-12-08T03:17:05","modified_gmt":"2023-12-08T02:17:05","slug":"episode-175-the-young-fritz-wunderlich","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2022\/12\/14\/episode-175-the-young-fritz-wunderlich\/","title":{"rendered":"Episode 175. The Young Fritz Wunderlich"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 175.  The Young Fritz Wunderlich<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=713-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size 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c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11151&#038;description=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 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5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"395\" height=\"571\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Dreamy-Young-Fritz-with-Hand.jpg\" alt=\"\" class=\"wp-image-11308\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Dreamy-Young-Fritz-with-Hand.jpg 395w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Dreamy-Young-Fritz-with-Hand-208x300.jpg 208w\" sizes=\"auto, (max-width: 395px) 100vw, 395px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>I\u2019ve heard and enjoyed many a German lyric tenor, but if there was ever a greater one than Fritz Wunderlich (26 September 1930 \u2013 17 September 1966), I\u2019ve never heard him! What is it about this singer, who first of all, possessed a voice of such matchless visceral beauty, and who conveyed such joy and enthusiasm in the sheer act of singing, that cannot fail to engage us. My beloved \u201cnot-boyfriend\u201d refers to Wunderlich\u2019s voice and artistry as possessing more \u201cface\u201d than nearly any other singer in history, and I do think he\u2019s on to something. The very simplicity of his utterance conveys a sort of \u201cEveryman\u201d quality to everything he sang. This, alongside the precision of his delivery of text pulls the listener in and almost compels them to listen. In today\u2019s episode, I offer recordings from the 1950s, when Wunderlich was just beginning his career. His early musical experience centered around popular music of the time, and we hear him in this repertoire, as well as operetta, <em>Lieder<\/em>, so-called \u201cearly music,\u201d as well as the more standard operatic repertoire (Mozart, Puccini, Strauss), the majority of which were recorded before 1960. His partners in song in this episode include names both familiar (Anneliese Rothenberger, Pilar Lorengar, Hilde G\u00fcden) as well as those who are less well-remembered (Trude Eipperle, Helmut Krebs, Herbert Brauer, Friederike Sailer) who nevertheless are equally memorable. As a tribute to the season, there are a number of excerpts from Puccini\u2019s <em>La Boh\u00e8me<\/em>, the first act of which which is set, of course, on <em>la veille de No\u00ebl<\/em>. If these selections alone do not bring a smile to your face and a tear to your eye, you\u2019d do well to check your pulse! The episode begins with a tribute to the late tenor John Aler (04 October 1949 \u2013 10 December 2022).<\/p>\n\n\n\n<p>Link to Hubert Giesen&#8217;s reminiscences of Fritz Wunderlich, from Giesen&#8217;s autobiography and translated into English: <a href=\"http:\/\/www.andreas-praefcke.de\/wunderlich\/giesen_e.htm\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.andreas-praefcke.de\/wunderlich\/giesen_e.htm<\/a><\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"689\" height=\"822\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Aler-Christian-Steiner.png\" alt=\"\" class=\"wp-image-11312\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Aler-Christian-Steiner.png 689w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Aler-Christian-Steiner-251x300.png 251w\" sizes=\"auto, (max-width: 689px) 100vw, 689px\" \/><figcaption class=\"wp-element-caption\">John Aler photographed by Christian Steiner<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>George Frideric Handel, William Congreve: Where\u2019er you walk (<em>Semele<\/em>). John Aler, John Nelson, English Chamber Orchestra [released 1993]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1018\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Birthday-Photo-1024x1018.jpg\" alt=\"\" class=\"wp-image-11314\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Birthday-Photo-1024x1018.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Birthday-Photo-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Birthday-Photo-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Birthday-Photo-768x764.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Birthday-Photo-1536x1527.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Birthday-Photo-1600x1591.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Birthday-Photo.jpg 1908w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Giacomo Puccini, Luigi Illica, Giuseppe Giacosa [after Henri Murger; German translation by Hans Swarowsky]: Wer klopft\u2026 Entschuldigt\u2026 Wie eiskalt ist dies H\u00e4ndchen (<em><u>La boh\u00e8me<\/u><\/em>). Fritz Wunderlich, Trude Eipperle, Richard Kraus, Orchester der St\u00e4dtischen Oper Berlin [1957]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"470\" height=\"742\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Trude-Eipperle-Mimi.jpg\" alt=\"\" class=\"wp-image-11313\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Trude-Eipperle-Mimi.jpg 470w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Trude-Eipperle-Mimi-190x300.jpg 190w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><figcaption class=\"wp-element-caption\">Trude Eipperle as Mimi<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"456\" height=\"727\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Young-Fritz-with-Accordeon.jpg\" alt=\"\" class=\"wp-image-11315\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Young-Fritz-with-Accordeon.jpg 456w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Young-Fritz-with-Accordeon-188x300.jpg 188w\" sizes=\"auto, (max-width: 456px) 100vw, 456px\" \/><\/figure>\n<\/div>\n\n\n<p>Hans May, Roxy [Ernst Neubach, Armin Robinson, Robert Gilbert]: Der Duft, der eine sch\u00f6ne Frau begleitet. Fritz Wunderlich, Willi Stech, das kleine Unterhaltungsorchester des SWF [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"673\" height=\"876\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helmut-Krebs.png\" alt=\"\" class=\"wp-image-11316\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helmut-Krebs.png 673w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helmut-Krebs-230x300.png 230w\" sizes=\"auto, (max-width: 673px) 100vw, 673px\" \/><figcaption class=\"wp-element-caption\">Helmut Krebs<\/figcaption><\/figure>\n\n\n\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Claudio Monteverdi, Alessandro Striggio: Saliam cantando al Cielo (<em>L\u2019Orfeo<\/em>). Fritz Wunderlich, Helmut Krebs, August Wenzinger, Orchester der Sommerlichen Musiktage Hitzacker [1955]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"606\" height=\"742\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/August-Wenzinger.png\" alt=\"\" class=\"wp-image-11317\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/August-Wenzinger.png 606w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/August-Wenzinger-245x300.png 245w\" sizes=\"auto, (max-width: 606px) 100vw, 606px\" \/><figcaption class=\"wp-element-caption\">August Wenzinger<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"340\" height=\"460\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz.jpg\" alt=\"\" class=\"wp-image-11318\" style=\"width:399px;height:540px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz.jpg 340w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-222x300.jpg 222w\" sizes=\"auto, (max-width: 340px) 100vw, 340px\" \/><\/figure>\n<\/div>\n\n\n<p>George Frideric Handel, Antonio Marchi (?) after Ludovico Ariosti: Sta nell\u2019Ircana pietrosa tana (<em>Alcina<\/em>). Fritz Wunderlich, Ferdinand Leitner, Capella Coloniensis [live K\u00f6ln 09.V.59]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"556\" height=\"817\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Ferdinand-Leitner.png\" alt=\"\" class=\"wp-image-11319\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Ferdinand-Leitner.png 556w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Ferdinand-Leitner-204x300.png 204w\" sizes=\"auto, (max-width: 556px) 100vw, 556px\" \/><figcaption class=\"wp-element-caption\">Ferdinand Leitner<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"507\" height=\"768\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-and-Fist.jpg\" alt=\"\" class=\"wp-image-11320\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-and-Fist.jpg 507w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-and-Fist-198x300.jpg 198w\" sizes=\"auto, (max-width: 507px) 100vw, 507px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Leh\u00e1r, Ludwig Herzer, Fritz L\u00f6hner-Beda: Sch\u00f6n ist die Welt (<em>Sch\u00f6n ist die Welt<\/em>). Fritz Wunderlich, Alois Melichar, Berliner Symphoniker [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"331\" height=\"623\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Open-Mouth-Smile.jpg\" alt=\"\" class=\"wp-image-11321\" style=\"width:379px;height:713px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Open-Mouth-Smile.jpg 331w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Open-Mouth-Smile-159x300.jpg 159w\" sizes=\"auto, (max-width: 331px) 100vw, 331px\" \/><\/figure>\n<\/div>\n\n\n<p>Carl Zeller, Moritz West [n\u00e9 Moritz Nitzelberger], Ludwig Held: Wenn ich auf Gottes Erden (<em>Der Vogelh\u00e4ndler<\/em>). Fritz Wunderlich, Werner Schmidt-Boelcke, M\u00fcnchener Rundfunkorchester, Rudolf Lamy Chor [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"340\" height=\"460\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-1.jpg\" alt=\"\" class=\"wp-image-11322\" style=\"width:429px;height:580px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-1.jpg 340w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-1-222x300.jpg 222w\" sizes=\"auto, (max-width: 340px) 100vw, 340px\" \/><\/figure>\n<\/div>\n\n\n<p>Johannes Brahms, Ludwig H\u00f6lty: Minnelied, Op. 71\/5. Fritz Wunderlich, Rolf Reinhardt [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"519\" height=\"781\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Wunderlich-with-Score.png\" alt=\"\" class=\"wp-image-11323\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Wunderlich-with-Score.png 519w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Wunderlich-with-Score-199x300.png 199w\" sizes=\"auto, (max-width: 519px) 100vw, 519px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Wilhelm M\u00fcller: Ungeduld (<em>Die sch\u00f6ne M\u00fcllerin<\/em>, D. 795\/7). Fritz Wunderlich, Karl-Heinz Stolze [K\u00f6ln 12.V.59]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"565\" height=\"824\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/FSailer.jpg\" alt=\"\" class=\"wp-image-11341\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/FSailer.jpg 565w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/FSailer-206x300.jpg 206w\" sizes=\"auto, (max-width: 565px) 100vw, 565px\" \/><figcaption class=\"wp-element-caption\">Friederike Sailer<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Robert Schumann, Justinus Kerner: Er und Sie, Op. 78\/2. Fritz Wunderlich, Friederike Sailer, Rolf Reinhardt [1956]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"529\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Rolf-Reinhardt.jpg\" alt=\"\" class=\"wp-image-11325\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Rolf-Reinhardt.jpg 529w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Rolf-Reinhardt-265x300.jpg 265w\" sizes=\"auto, (max-width: 529px) 100vw, 529px\" \/><figcaption class=\"wp-element-caption\">Rolf Reinhardt<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"733\" height=\"920\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Wunderlich-Linkerton.png\" alt=\"\" class=\"wp-image-11326\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Wunderlich-Linkerton.png 733w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Wunderlich-Linkerton-239x300.png 239w\" sizes=\"auto, (max-width: 733px) 100vw, 733px\" \/><\/figure>\n\n\n\n<p>Giacomo Puccini, Luigi Illica, Giuseppe Giacosa, [after John Henry Long, David Belasco, German translation by Alfred Br\u00fcggemann]:<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"662\" height=\"928\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Theo-Zilliken.png\" alt=\"\" class=\"wp-image-11327\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Theo-Zilliken.png 662w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Theo-Zilliken-214x300.png 214w\" sizes=\"auto, (max-width: 662px) 100vw, 662px\" \/><figcaption class=\"wp-element-caption\">Theo Zilliken<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Im weiten Weltall (<em>Madame Butterfly<\/em>). Fritz Wunderlich, Theo Zilliken, Richard Kraus, Orchester der St\u00e4dtischen Oper Berlin [1956]<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"541\" height=\"684\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Richard-Kraus.jpg\" alt=\"\" class=\"wp-image-11328\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Richard-Kraus.jpg 541w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Richard-Kraus-237x300.jpg 237w\" sizes=\"auto, (max-width: 541px) 100vw, 541px\" \/><figcaption class=\"wp-element-caption\">Richard Kraus<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Leb\u2019 wohl, mein Bl\u00fctenreich (<em>Madame Butterfly<\/em>). Fritz Wunderlich, Theo Zilliken, Richard Kraus, Orchester der St\u00e4dtischen Oper Berlin [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"826\" height=\"845\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Romantic-Hero.png\" alt=\"\" class=\"wp-image-11342\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Romantic-Hero.png 826w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Romantic-Hero-293x300.png 293w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Romantic-Hero-768x786.png 768w\" sizes=\"auto, (max-width: 826px) 100vw, 826px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Luigi Illica, Giuseppe Giacosa [after Henri Murger; German translation by Hans Swarowsky]:<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"719\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Eipperle-portrait-719x1024.jpg\" alt=\"\" class=\"wp-image-11329\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Eipperle-portrait-719x1024.jpg 719w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Eipperle-portrait-211x300.jpg 211w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Eipperle-portrait.jpg 758w\" sizes=\"auto, (max-width: 719px) 100vw, 719px\" \/><figcaption class=\"wp-element-caption\">Trude Eipperle<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Ist mehr wirklich das Ende? (<em>La boh\u00e8me<\/em>). Fritz Wunderlich, Trude Eipperle, Richard Kraus, Orchester der St\u00e4dtischen Oper Berlin [1957]<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"529\" height=\"846\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Herbert-Brauer.png\" alt=\"\" class=\"wp-image-11331\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Herbert-Brauer.png 529w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Herbert-Brauer-188x300.png 188w\" sizes=\"auto, (max-width: 529px) 100vw, 529px\" \/><figcaption class=\"wp-element-caption\">Herbert Brauer<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>In einem Wagen&#8230; Ach, Geliebte, nie kehrst du mir wieder (<em>La boh\u00e8me<\/em>). Fritz Wunderlich, Herbert Brauer, Richard Kraus, Orchester der St\u00e4dtischen Oper Berlin [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"473\" height=\"663\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Young-Fritz-Tamino.jpg\" alt=\"\" class=\"wp-image-11332\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Young-Fritz-Tamino.jpg 473w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Young-Fritz-Tamino-214x300.jpg 214w\" sizes=\"auto, (max-width: 473px) 100vw, 473px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Emanuel Schickaneder: Dies Bildnis ist bezaubernd sch\u00f6n (<em>Die Zauberfl\u00f6te<\/em>). Fritz Wunderlich, Artur Rother, Orchester der Staatsoper Hamburg [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"814\" height=\"757\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Gueden-as-Aminta.png\" alt=\"\" class=\"wp-image-11333\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Gueden-as-Aminta.png 814w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Gueden-as-Aminta-300x279.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Gueden-as-Aminta-768x714.png 768w\" sizes=\"auto, (max-width: 814px) 100vw, 814px\" \/><figcaption class=\"wp-element-caption\">Hilde G\u00fcden as Aminta in <em>Die schweigsame Frau<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Strauss, Stefan Zweig: Du s\u00fc\u00dfester Engel (<em>Die schweigsame Frau<\/em>). Fritz Wunderlich, Hilde G\u00fcden, Karl B\u00f6hm, Wiener Philharmoniker [live Salzburg, 06.VIII.59]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"817\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Hallstein-1024x817.png\" alt=\"\" class=\"wp-image-11334\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Hallstein-1024x817.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Hallstein-300x239.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Hallstein-768x613.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Hallstein.png 1343w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Fritz with Ingeborg Hallstein as Aminta in a film of excerpts from <em>Die schweigsame Frau<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"774\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Lorengar-Butterfly.png\" alt=\"\" class=\"wp-image-11335\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Lorengar-Butterfly.png 512w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Lorengar-Butterfly-198x300.png 198w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><figcaption class=\"wp-element-caption\">The matchless Pilar Lorengar as Butterfly<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giacomo Puccini, Luigi Illica, Giuseppe Giacosa, [after John Henry Long, David Belasco], unknown German translator: Wollt Ihr mich nun lieben (<em>Madame Butterfly<\/em>). Fritz Wunderlich, Pilar Lorengar, Berislav Klobu\u010dar, Berliner Symphoniker [1961]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"787\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Wunderlich-Lorengar-Bartered-Bride-1024x787.png\" alt=\"\" class=\"wp-image-11336\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Wunderlich-Lorengar-Bartered-Bride-1024x787.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Wunderlich-Lorengar-Bartered-Bride-300x230.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Wunderlich-Lorengar-Bartered-Bride-768x590.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Wunderlich-Lorengar-Bartered-Bride.png 1221w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Fritz and Pilar in <em>Die verkaufte Braut<\/em><\/figcaption><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"538\" height=\"855\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Klobucar.png\" alt=\"\" class=\"wp-image-11338\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Klobucar.png 538w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Klobucar-189x300.png 189w\" sizes=\"auto, (max-width: 538px) 100vw, 538px\" \/><figcaption class=\"wp-element-caption\">Berislav Klobu\u010dar<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"575\" height=\"851\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Rothenberger-Mimi.png\" alt=\"\" class=\"wp-image-11337\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Rothenberger-Mimi.png 575w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Rothenberger-Mimi-203x300.png 203w\" sizes=\"auto, (max-width: 575px) 100vw, 575px\" \/><figcaption class=\"wp-element-caption\">The exquisite Anneliese Rothenberger as Mimi<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giacomo Puccini, Luigi Illica, Giuseppe Giacosa [after Henri Murger; unknown German translator: O du s\u00fc\u00dfestes M\u00e4dchen (<em>La boh\u00e8me<\/em>). Fritz Wunderlich, Anneliese Rothenberger, Berislav Klobu\u010dar, Berliner Symphoniker [1961]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"817\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Wunderlich-Rothenberger2.jpg\" alt=\"\" class=\"wp-image-11339\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Wunderlich-Rothenberger2.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Wunderlich-Rothenberger2-207x300.jpg 207w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"396\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-in-Sweater.jpg\" alt=\"\" class=\"wp-image-11343\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-in-Sweater.jpg 624w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-in-Sweater-300x190.jpg 300w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 175. The Young Fritz Wunderlich SOCIAL SHARE SUBSCRIPTION PLATFORM I\u2019ve heard and enjoyed many a German lyric tenor, but&hellip;<\/p>\n","protected":false},"author":1,"featured_media":11309,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1076,3132,2261,2476,2399,2260,808,2329,1470,2257],"tags":[4624,4014,4764,476,4751,3379,4613,1456,33,1455,2767,3357,1612,4752,2673,1448,101,4757,45,280,94,4759,2002,4754,2555,4766,324,863,4760,2716,4756,1021,4763,4765,418,4000,4758,135,3318,329,548,4762,438,3356,4749,4755,4750,4761,862,3434,34],"class_list":["post-11151","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-crossover","category-franz-schubert","category-full-figured-baroque","category-giacomo-puccini","category-great-baritones","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","category-operetta","category-richard-strauss","tag-alcina","tag-alessandro-striggio","tag-alois-melichar","tag-anneliese-rothenberger","tag-artur-rother","tag-august-wenzinger","tag-berislav-klobucar","tag-carl-zeller","tag-claudio-monteverdi","tag-der-vogelhandler","tag-die-schone-mullerin","tag-die-schweigsame-frau","tag-die-zauberflote","tag-emanuel-schickaneder","tag-ferdinand-leitner","tag-franz-lehar","tag-franz-schubert","tag-friederike-sailer","tag-fritz-wunderlich","tag-george-frideric-handel","tag-giacomo-puccini","tag-giuseppe-giacosa","tag-hans-may","tag-hans-swarowsky","tag-helmut-krebs","tag-herbert-brauer","tag-hilde-guden","tag-johannes-brahms","tag-john-aler","tag-john-nelson","tag-justinus-kerner","tag-karl-bohm","tag-karl-heinz-stolze","tag-lorfeo","tag-la-boheme","tag-ludwig-holty","tag-luigi-illica","tag-madama-butterfly","tag-richard-kraus","tag-richard-strauss","tag-robert-schumann","tag-rolf-reinhardt","tag-semele","tag-stefan-zweig","tag-tags-fritz-wunderlich","tag-theo-zilliken","tag-trude-eipperle","tag-werner-schmidt-boelcke","tag-wilhelm-muller","tag-willi-stech","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Fritz-Selfie-300x168.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Alcina<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Alessandro Striggio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Alois Melichar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Anneliese Rothenberger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Artur Rother<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">August Wenzinger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Berislav Klobu\u010dar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Carl Zeller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Claudio Monteverdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Der Vogelh\u00e4ndler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Die sch\u00f6ne M\u00fcllerin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Die schweigsame Frau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Emanuel Schickaneder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Ferdinand Leitner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Friederike Sailer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Fritz Wunderlich<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Hans May<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Hans Swarowsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Helmut Krebs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Herbert Brauer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Hilde G\u00fcden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">John Aler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">John Nelson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Justinus Kerner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Karl B\u00f6hm<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Karl-Heinz Stolze<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">L\u2019Orfeo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">La Boheme<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Ludwig H\u00f6lty<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Luigi Illica<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Madama Butterfly<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Kraus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Rolf Reinhardt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Semele<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Stefan Zweig<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Tags: Fritz Wunderlich<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Theo Zilliken<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Trude Eipperle<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Werner Schmidt-Boelcke<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Willi Stech<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alcina<\/span>","<span class=\"advgb-post-tax-term\">Alessandro Striggio<\/span>","<span class=\"advgb-post-tax-term\">Alois Melichar<\/span>","<span class=\"advgb-post-tax-term\">Anneliese Rothenberger<\/span>","<span class=\"advgb-post-tax-term\">Artur Rother<\/span>","<span class=\"advgb-post-tax-term\">August Wenzinger<\/span>","<span class=\"advgb-post-tax-term\">Berislav Klobu\u010dar<\/span>","<span class=\"advgb-post-tax-term\">Carl Zeller<\/span>","<span class=\"advgb-post-tax-term\">Claudio Monteverdi<\/span>","<span class=\"advgb-post-tax-term\">Der Vogelh\u00e4ndler<\/span>","<span class=\"advgb-post-tax-term\">Die sch\u00f6ne M\u00fcllerin<\/span>","<span class=\"advgb-post-tax-term\">Die schweigsame Frau<\/span>","<span class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/span>","<span class=\"advgb-post-tax-term\">Emanuel Schickaneder<\/span>","<span class=\"advgb-post-tax-term\">Ferdinand Leitner<\/span>","<span class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Friederike Sailer<\/span>","<span class=\"advgb-post-tax-term\">Fritz Wunderlich<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/span>","<span class=\"advgb-post-tax-term\">Hans May<\/span>","<span class=\"advgb-post-tax-term\">Hans Swarowsky<\/span>","<span class=\"advgb-post-tax-term\">Helmut Krebs<\/span>","<span class=\"advgb-post-tax-term\">Herbert Brauer<\/span>","<span class=\"advgb-post-tax-term\">Hilde G\u00fcden<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">John Aler<\/span>","<span class=\"advgb-post-tax-term\">John Nelson<\/span>","<span class=\"advgb-post-tax-term\">Justinus Kerner<\/span>","<span class=\"advgb-post-tax-term\">Karl B\u00f6hm<\/span>","<span class=\"advgb-post-tax-term\">Karl-Heinz Stolze<\/span>","<span class=\"advgb-post-tax-term\">L\u2019Orfeo<\/span>","<span class=\"advgb-post-tax-term\">La Boheme<\/span>","<span class=\"advgb-post-tax-term\">Ludwig H\u00f6lty<\/span>","<span class=\"advgb-post-tax-term\">Luigi Illica<\/span>","<span class=\"advgb-post-tax-term\">Madama Butterfly<\/span>","<span class=\"advgb-post-tax-term\">Richard Kraus<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Rolf Reinhardt<\/span>","<span class=\"advgb-post-tax-term\">Semele<\/span>","<span class=\"advgb-post-tax-term\">Stefan Zweig<\/span>","<span class=\"advgb-post-tax-term\">Tags: Fritz Wunderlich<\/span>","<span class=\"advgb-post-tax-term\">Theo Zilliken<\/span>","<span class=\"advgb-post-tax-term\">Trude Eipperle<\/span>","<span class=\"advgb-post-tax-term\">Werner Schmidt-Boelcke<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/span>","<span class=\"advgb-post-tax-term\">Willi Stech<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 3 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 14\/12\/2022","modified":"Updated on 08\/12\/2023"},"absolute_dates_time":{"created":"Posted on 14\/12\/2022 21:43","modified":"Updated on 08\/12\/2023 03:17"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/11151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=11151"}],"version-history":[{"count":10,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/11151\/revisions"}],"predecessor-version":[{"id":13531,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/11151\/revisions\/13531"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/11309"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=11151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=11151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=11151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}