{"id":11050,"date":"2022-12-01T15:48:43","date_gmt":"2022-12-01T14:48:43","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=11050"},"modified":"2022-12-02T16:57:55","modified_gmt":"2022-12-02T15:57:55","slug":"episode-173-orchesterlieder-i","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2022\/12\/01\/episode-173-orchesterlieder-i\/","title":{"rendered":"Episode 173. Orchesterlieder I"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 173.  Orchesterlieder I<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=705-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11050&#038;title=Episode%20173.%20Orchesterlieder%20I\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Facebook<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-twitter  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/twitter.com\/share?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11050&#038;link=Episode%20173.%20Orchesterlieder%20I\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M22.23,5.924c-0.736,0.326-1.527,0.547-2.357,0.646c0.847-0.508,1.498-1.312,1.804-2.27 c-0.793,0.47-1.671,0.812-2.606,0.996C18.324,4.498,17.257,4,16.077,4c-2.266,0-4.103,1.837-4.103,4.103 c0,0.322,0.036,0.635,0.106,0.935C8.67,8.867,5.647,7.234,3.623,4.751C3.27,5.357,3.067,6.062,3.067,6.814 c0,1.424,0.724,2.679,1.825,3.415c-0.673-0.021-1.305-0.206-1.859-0.513c0,0.017,0,0.034,0,0.052c0,1.988,1.414,3.647,3.292,4.023 c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11050&#038;description=Episode%20173.%20Orchesterlieder%20I\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11050&#038;subject=Episode%20173.%20Orchesterlieder%20I\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\"><path d=\"M9 11.8l6.1-4.5c.1.4.4.7.9.7h2c.6 0 1-.4 1-1V5c0-.6-.4-1-1-1h-2c-.6 0-1 .4-1 1v.4l-6.4 4.8c-.2-.1-.4-.2-.6-.2H6c-.6 0-1 .4-1 1v2c0 .6.4 1 1 1h2c.2 0 .4-.1.6-.2l6.4 4.8v.4c0 .6.4 1 1 1h2c.6 0 1-.4 1-1v-2c0-.6-.4-1-1-1h-2c-.5 0-.8.3-.9.7L9 12.2v-.4z\"\/><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share via Email<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-reddit  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/reddit.com\/submit?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11050&#038;title=Episode%20173.%20Orchesterlieder%20I\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M5.27 9.221A2.775 2.775 0 0 0 2.498 11.993a2.785 2.785 0 0 0 1.6 2.511 5.337 5.337 0 0 0 2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex advgb-dyn-5e5a4c85\">\n<div class=\"wp-block-button alignright advgb-dyn-155b28dc\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full advgb-dyn-f8eeecaa\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"792\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Jones.jpg\" alt=\"\" class=\"wp-image-11214\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Jones.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Jones-300x297.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Jones-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Jones-768x760.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Gwyneth Jones<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-5a996784\"><\/div>\n\n\n\n<p>This week is the first of a series of episodes focusing on songs with orchestral accompaniment. The genre is almost a contradiction in terms: the intimacy and textual focus of art song with the sometimes strenuous vocal demands of singing over an orchestra. The most celebrated and successful of such songs (by Berlioz, Mahler, Ravel, Barber, Strauss, and others) are heard over and over on symphonic concerts when vocal soloists are the featured guests. And rightly so, for they are among the most glorious classical music written for the human voice. Typically for <em>Countermelody<\/em>, however, today\u2019s episode, however, will focus on repertoire and composers that are less celebrated, sometimes to the point of being virtually unknown. Composers heard include Frank Martin, Alexander Zemlinsky, Jean Sibelius, Giuseppe Martucci, Franz Schreker, Othmar Schoeck, Anton\u00edn Dvo\u0159\u00e1k, Alberto Ginastera, Alphons Diepenbrock and the two Andr\u00e9s, Jolivet and Caplet, alongside many others, performed by such favorites as Gwyneth Jones, Phyllis Curtin, Peter Schreier, Gundula Janowitz, Yi-Kwei Sze, Mirella Freni, Francisco Araiza, Elisabeth S\u00f6derstr\u00f6m, and Bernard Kruysen. Also heard are Helen Donath and Andrzej Hiolski, singers soon to be featured on their own episodes, alongside lesser-remembered names such as Arthur Loosli, Irene Gubrud, and Colette Herzog. Conductors include Kurt Sanderling, Antal Dor\u00e1ti, Herbert Kegel, Bohumil Gregor, Hermann Scherchen, and Lorin Maazel. I \u201cguarantee\u201d that your ears will be enchanted and your musical horizons will be expanded by this episode.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-3c7bf8da\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-13857eb0\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"577\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Soderstrom-1024x577.png\" alt=\"\" class=\"wp-image-11254\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Soderstrom-1024x577.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Soderstrom-300x169.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Soderstrom-768x432.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Soderstrom.png 1355w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Elisabeth S\u00f6derstr\u00f6m<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Edvard Grieg, Hans Christian Andersen: Jeg elsker dig, Op. 5\/3. Elisabeth S\u00f6derstr\u00f6m, Andrew Davis, New Philharmonia Orchestra [1976]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"675\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Grieg.jpeg\" alt=\"\" class=\"wp-image-11255\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Grieg.jpeg 675w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Grieg-300x300.jpeg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Grieg-150x150.jpeg 150w\" sizes=\"auto, (max-width: 675px) 100vw, 675px\" \/><figcaption class=\"wp-element-caption\">Edvard Grieg<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"732\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Araiza-1024x732.png\" alt=\"\" class=\"wp-image-11217\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Araiza-1024x732.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Araiza-300x214.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Araiza-768x549.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Araiza.png 1118w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Karl Friedrich Henckell: Winterliebe, Op. 48\/5. Francisco Araiza, Roberto Abbado, M\u00fcnchener Rundfunkorchester&nbsp; [live Richard Strauss Festival in Garmisch-Partenkirchen 1994]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"404\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Henckell.jpg\" alt=\"\" class=\"wp-image-11228\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Henckell.jpg 404w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Henckell-242x300.jpg 242w\" sizes=\"auto, (max-width: 404px) 100vw, 404px\" \/><figcaption class=\"wp-element-caption\">Karl Friedrich Henckell<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"734\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Kruysen-734x1024.png\" alt=\"\" class=\"wp-image-11218\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Kruysen-734x1024.png 734w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Kruysen-215x300.png 215w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Kruysen.png 753w\" sizes=\"auto, (max-width: 734px) 100vw, 734px\" \/><figcaption class=\"wp-element-caption\">Bernard Kruysen<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Alphons Diepenbrock, Charles Baudelaire: Les chats. Bernard Kruysen, Willem van Otterloo, Netherlands Radio Philharmonic Orchestra [unknown date, ca. 1965]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"726\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Diepenbrock.jpeg\" alt=\"\" class=\"wp-image-11219\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Diepenbrock.jpeg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Diepenbrock-300x213.jpeg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Diepenbrock-768x545.jpeg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Alphons Diepenbrock<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"531\" height=\"664\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Irene-Gubrud.png\" alt=\"\" class=\"wp-image-11220\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Irene-Gubrud.png 531w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Irene-Gubrud-240x300.png 240w\" sizes=\"auto, (max-width: 531px) 100vw, 531px\" \/><\/figure>\n<\/div>\n\n\n<p>Ned Rorem, Walt Whitman: Sundown Lights (<em>Sun<\/em>). Irene Gubrud, Lorin Maazel, Cleveland Orchestra [live 25.IV.82]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"847\" height=\"582\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Rorem-with-Kitty.jpg\" alt=\"\" class=\"wp-image-11221\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Rorem-with-Kitty.jpg 847w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Rorem-with-Kitty-300x206.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Rorem-with-Kitty-768x528.jpg 768w\" sizes=\"auto, (max-width: 847px) 100vw, 847px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"526\" height=\"662\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Curtin-Scarf.jpg\" alt=\"\" class=\"wp-image-11223\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Curtin-Scarf.jpg 526w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Curtin-Scarf-238x300.jpg 238w\" sizes=\"auto, (max-width: 526px) 100vw, 526px\" \/><\/figure>\n<\/div>\n\n\n<p>Alberto Ginastera, Franz Kafka: Del amor (<em>Milena<\/em>, Op. 37\/2). Phyllis Curtin, Brian Priestman, Denver Symphony Orchestra [1973]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"681\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Ginastera-1024x681.png\" alt=\"\" class=\"wp-image-11227\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Ginastera-1024x681.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Ginastera-300x200.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Ginastera-768x511.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Ginastera.png 1168w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Alberto Ginastera<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"936\" height=\"950\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Herzog-as-Comtesse.jpg\" alt=\"\" class=\"wp-image-11224\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Herzog-as-Comtesse.jpg 936w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Herzog-as-Comtesse-296x300.jpg 296w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Herzog-as-Comtesse-768x779.jpg 768w\" sizes=\"auto, (max-width: 936px) 100vw, 936px\" \/><figcaption class=\"wp-element-caption\">Colette Herzog<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Andr\u00e9 Jolivet, Antoine Gol\u00e9a: Soleil (<em>Songe \u00e0 nouveau r\u00eav\u00e9<\/em>, No. 1). Colette Herzog, Alain Lombard, Orchestre Philharmonique de Strasbourg [1978]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1019\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Jolivet-1019x1024.jpg\" alt=\"\" class=\"wp-image-11226\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Jolivet-1019x1024.jpg 1019w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Jolivet-298x300.jpg 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Jolivet-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Jolivet-768x772.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Jolivet-1528x1536.jpg 1528w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Jolivet-1600x1609.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Jolivet.jpg 2037w\" sizes=\"auto, (max-width: 1019px) 100vw, 1019px\" \/><figcaption class=\"wp-element-caption\"> Andr\u00e9 Jolivet<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"768\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Yi-Kwei-Sze.png\" alt=\"\" class=\"wp-image-11229\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Yi-Kwei-Sze.png 620w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Yi-Kwei-Sze-242x300.png 242w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><figcaption class=\"wp-element-caption\">Yi-Kwei Sze<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Anton\u00edn Dvo\u0159\u00e1k, Psalm 97: Um ihn her ist Wolken und Dunkel [Clouds and darkness are round about him] (<em>Biblical Songs<\/em>, Op. 99\/1). Yi-Kwei Sze, Christoph von Dohn\u00e1nyi, K\u00f6lner Rundfunkorchester [03.I.66]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Dvorak-young-724x1024.jpg\" alt=\"\" class=\"wp-image-11230\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Dvorak-young-724x1024.jpg 724w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Dvorak-young-212x300.jpg 212w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Dvorak-young-768x1086.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Dvorak-young-1087x1536.jpg 1087w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Dvorak-young.jpg 1342w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><figcaption class=\"wp-element-caption\">Anton\u00edn Dvo\u0159\u00e1k<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Theo-Adam-1024x1024.jpg\" alt=\"\" class=\"wp-image-11232\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Theo-Adam-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Theo-Adam-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Theo-Adam-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Theo-Adam-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Theo-Adam-1536x1536.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Theo-Adam-2048x2048.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Theo-Adam-1600x1600.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"> Theo Adam<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Frank Martin, anonymous 15th century morality play, translated and revised Hugo von Hofmannsthal: So wollt ich ganz zernichtet sein (<em>Sechs Monologe aus Jedermann<\/em>, No. 4). Theo Adam, Herbert Kegel, Dresdner Philharmonie [1988]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Martin.jpeg\" alt=\"\" class=\"wp-image-11231\" width=\"535\" height=\"535\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Martin.jpeg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Martin-300x300.jpeg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Martin-150x150.jpeg 150w\" sizes=\"auto, (max-width: 535px) 100vw, 535px\" \/><figcaption class=\"wp-element-caption\">Frank Martin<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"443\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Karan-Armstrong-1024x443.jpg\" alt=\"\" class=\"wp-image-11225\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Karan-Armstrong-1024x443.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Karan-Armstrong-300x130.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Karan-Armstrong-768x332.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Karan-Armstrong.jpg 1169w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Karan Armstrong<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Alexander von Zemlinsky, Rabindranath Tagore [translated Hans Effenberger]: Vollende denn das letzte Lied (<em>Lyrische Symphonie<\/em>, Op. 18\/6) Karan Armstrong, Bohumil Gregor, Czech Philharmonic Orchestra [1990]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Zemlinsky-1024x576.jpg\" alt=\"\" class=\"wp-image-11233\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Zemlinsky-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Zemlinsky-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Zemlinsky-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Zemlinsky.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Alexander von Zemlinsky<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helen-and-Klaus-Donath-660x1024.jpg\" alt=\"\" class=\"wp-image-11241\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helen-and-Klaus-Donath-660x1024.jpg 660w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helen-and-Klaus-Donath-194x300.jpg 194w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helen-and-Klaus-Donath-768x1191.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helen-and-Klaus-Donath-991x1536.jpg 991w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Helen-and-Klaus-Donath.jpg 1032w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Helen (and Klaus) Donath<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Franz Schreker, Walt Whitman [translated Hans Reisinger]: Wurzeln und Halme (<em>Vom ewigen Leben<\/em>). Helen Donath, Hermann Scherchen, unknown orchestra [Austrian Radio broadcast, 1963]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"656\" height=\"841\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Franz-Schreker.png\" alt=\"\" class=\"wp-image-11242\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Franz-Schreker.png 656w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Franz-Schreker-234x300.png 234w\" sizes=\"auto, (max-width: 656px) 100vw, 656px\" \/><figcaption class=\"wp-element-caption\">Franz Schreker<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"729\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Loosli-729x1024.jpg\" alt=\"\" class=\"wp-image-11237\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Loosli-729x1024.jpg 729w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Loosli-213x300.jpg 213w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Loosli-768x1079.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Loosli-1093x1536.jpg 1093w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Loosli-1457x2048.jpg 1457w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Loosli-1600x2249.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Loosli.jpg 1603w\" sizes=\"auto, (max-width: 729px) 100vw, 729px\" \/><figcaption class=\"wp-element-caption\">Arthur Loosli<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Othmar Schoeck, Nikolaus Lenau: Nachhall (<em>Nachhall<\/em>, Op. 70\/1). Arthur Loosli, Theo Loosli, Kammerensemble von Radio Bern [1973]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"719\" height=\"921\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Othmar-Schoeck.png\" alt=\"\" class=\"wp-image-11238\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Othmar-Schoeck.png 719w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Othmar-Schoeck-234x300.png 234w\" sizes=\"auto, (max-width: 719px) 100vw, 719px\" \/><figcaption class=\"wp-element-caption\">Othmar Schoeck<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"863\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Hiolski.png\" alt=\"\" class=\"wp-image-11239\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Hiolski.png 630w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Hiolski-219x300.png 219w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><figcaption class=\"wp-element-caption\">Andrzej Hiolski<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Tadeusz Baird, William Shakespeare [translated by Maciej S\u0142omczy\u0144ski]: Sonet 97 [How like a winter hath my absence been] (<em>Cztery sonety mi\u0142osne do s\u0142\u00f3w Williama Szekspira<\/em> [<em>Four Love Sonnets on words of William Shakespeare<\/em>, No. 4). Andrzej Hiolski, Jan Krenz, Polish Radio Symphony Orchestra in Krakow [1978]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"573\" height=\"781\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Tadeusz-Baird.png\" alt=\"\" class=\"wp-image-11240\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Tadeusz-Baird.png 573w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Tadeusz-Baird-220x300.png 220w\" sizes=\"auto, (max-width: 573px) 100vw, 573px\" \/><figcaption class=\"wp-element-caption\">Tadeusz Baird<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"729\" height=\"1025\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Freni.jpg\" alt=\"\" class=\"wp-image-11248\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Freni.jpg 729w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Freni-213x300.jpg 213w\" sizes=\"auto, (max-width: 729px) 100vw, 729px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Martucci, Rocco Emanuele Pagliara: Un vago mormorio (<em>La canzone dei ricordi<\/em>). Mirella Freni, Riccardo Muti, Orchestra Filarmonica della Scala [1995]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"639\" height=\"852\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Martucci2.png\" alt=\"\" class=\"wp-image-11249\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Martucci2.png 639w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Martucci2-225x300.png 225w\" sizes=\"auto, (max-width: 639px) 100vw, 639px\" \/><figcaption class=\"wp-element-caption\">Giuseppe Martucci<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Jones-as-Medea.jpg\" alt=\"\" class=\"wp-image-11215\" width=\"579\" height=\"580\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Jones-as-Medea.jpg 450w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Jones-as-Medea-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Jones-as-Medea-150x150.jpg 150w\" sizes=\"auto, (max-width: 579px) 100vw, 579px\" \/><figcaption class=\"wp-element-caption\">Gwyneth Jones<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jean Sibelius, text from the Kalevala: <em>Luonnotar<\/em>, Op. 70. Gwyneth Jones, Antal Dor\u00e1ti, London Symphony Orchestra [1970]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"777\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Sibelius-777x1024.jpg\" alt=\"\" class=\"wp-image-11243\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Sibelius-777x1024.jpg 777w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Sibelius-228x300.jpg 228w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Sibelius-768x1012.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Sibelius.jpg 911w\" sizes=\"auto, (max-width: 777px) 100vw, 777px\" \/><figcaption class=\"wp-element-caption\">Jean Sibelius <\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"873\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Charles-Panzera.png\" alt=\"\" class=\"wp-image-11245\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Charles-Panzera.png 559w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Charles-Panzera-192x300.png 192w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" \/><figcaption class=\"wp-element-caption\">Charles Panz\u00e9ra<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Andr\u00e9 Caplet, R\u00e9my de Gourmont: For\u00eat (<em>Le vieux coffret<\/em>, No. 4). Charles Panz\u00e9ra, Orchestra conducted by Piero Coppola [1934]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"765\" height=\"850\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Andre-Caplet.png\" alt=\"\" class=\"wp-image-11250\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Andre-Caplet.png 765w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Andre-Caplet-270x300.png 270w\" sizes=\"auto, (max-width: 765px) 100vw, 765px\" \/><figcaption class=\"wp-element-caption\">Andr\u00e9 Caplet<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"425\" height=\"425\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Peter-Schreier.jpg\" alt=\"\" class=\"wp-image-11235\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Peter-Schreier.jpg 425w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Peter-Schreier-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Peter-Schreier-150x150.jpg 150w\" sizes=\"auto, (max-width: 425px) 100vw, 425px\" \/><figcaption class=\"wp-element-caption\">Peter Schreier<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Ernst Hermann Meyer, Louis F\u00fcrnberg: Alt m\u00f6cht&#8217; ich werden. Peter Schreier, Kurt Sanderling, St\u00e4dtisches Berliner Sinfonie-Orchester [1963]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"528\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Ernst-Hermann-Meyer.jpg\" alt=\"\" class=\"wp-image-11236\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Ernst-Hermann-Meyer.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Ernst-Hermann-Meyer-300x198.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Ernst-Hermann-Meyer-768x507.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Ernst Hermann Meyer<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"479\" height=\"466\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Janowitz.jpg\" alt=\"\" class=\"wp-image-11216\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Janowitz.jpg 479w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Janowitz-300x292.jpg 300w\" sizes=\"auto, (max-width: 479px) 100vw, 479px\" \/><figcaption class=\"wp-element-caption\">Gundula Janowitz buying a travel ticket<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Strauss, Karl Friedrich Henckell: Winterweihe, Op. 48\/4. Gundula Janowitz, Richard Stamp, Academy of London [1990]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Strauss-650x1024.jpg\" alt=\"\" class=\"wp-image-11251\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Strauss-650x1024.jpg 650w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Strauss-191x300.jpg 191w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Strauss.jpg 762w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 173. Orchesterlieder I SOCIAL SHARE SUBSCRIPTION PLATFORM This week is the first of a series of episodes focusing on&hellip;<\/p>\n","protected":false},"author":1,"featured_media":11247,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,3207,1625,2399,1074,1073,1072,2260,808,4510,4722,2257,2806],"tags":[2300,4718,4712,4720,4704,4488,1632,2532,4717,2188,2998,2414,527,3583,3498,2778,3150,4716,4699,46,797,2738,4493,4706,456,478,4714,4711,2933,4715,2670,3760,4719,4708,104,4702,3277,4696,4701,1610,4700,4703,1000,1485,3282,2999,49,4470,2341,4713,4705,1704,4698,329,4697,4707,4709,724,4710,2466,4721,2600,3112],"class_list":["post-11050","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-behind-the-iron-curtain","category-gay-pride","category-great-baritones","category-happy-birthday","category-holiday-music","category-in-memoriam","category-music-for-a-world-in-crisis","category-needle-drop","category-nyco-divas","category-orchestral-songs","category-richard-strauss","category-twentieth-century-music","tag-alain-lombard","tag-alberto-ginastera","tag-alexander-von-zemlinsky","tag-alphons-diepenbrock","tag-andre-caplet","tag-andre-jolivet","tag-andrzej-hiolski","tag-antal-dorati","tag-antoine-golea","tag-antonin-dvorak","tag-arthur-loosli","tag-bernard-kruysen","tag-bohumil-gregor","tag-brian-priestman","tag-charles-baudelaire","tag-charles-panzera","tag-christoph-von-dohnanyi","tag-colette-herzog","tag-ernst-hermann-meyer","tag-francisco-araiza","tag-frank-martin","tag-franz-kafka","tag-franz-schreker","tag-giuseppe-martucci","tag-gundula-janowitz","tag-gwyneth-jones","tag-hans-effenberger","tag-hans-reisinger","tag-helen-donath","tag-herbert-kegel","tag-hermann-scherchen","tag-hugo-von-hofmannsthal","tag-irene-gubrud","tag-jan-krenz","tag-jean-sibelius","tag-kalevala","tag-karan-armstrong","tag-karl-friedrich-henckell","tag-kurt-sanderling","tag-lorin-maazel","tag-louis-furnberg","tag-luonnotor","tag-mirella-freni","tag-ned-rorem","tag-nikolaus-lenau","tag-othmar-schoeck","tag-peter-schreier","tag-phyllis-curtin","tag-piero-coppola","tag-rabindranath-tagore","tag-remy-de-gourmont","tag-riccardo-muti","tag-richard-stamp","tag-richard-strauss","tag-roberto-abbado","tag-rocco-emanuele-pagliara","tag-tadeusz-baird","tag-theo-adam","tag-theo-loosli","tag-walt-whitman","tag-willem-van-otterloo","tag-william-shakespeare","tag-yi-kwei-sze"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/12\/Sibelius-Karsh-2-TRIMMED-300x139.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gay-pride\/\" class=\"advgb-post-tax-term\">Gay Pride<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/holiday-music\/\" class=\"advgb-post-tax-term\">Holiday Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/nyco-divas\/\" class=\"advgb-post-tax-term\">NYCO Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Gay Pride<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">Holiday Music<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">NYCO Divas<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alain Lombard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alberto Ginastera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alexander von Zemlinsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alphons Diepenbrock<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Andr\u00e9 Caplet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Andr\u00e9 Jolivet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Andrzej Hiolski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Antal Dorati<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Antoine Golea<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anton\u00edn Dvo\u0159\u00e1k<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arthur Loosli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bernard Kruysen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bohumil Gregor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Brian Priestman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Baudelaire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Panz\u00e9ra<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Christoph von Dohn\u00e1nyi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Colette Herzog<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ernst Hermann Meyer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Francisco Araiza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Frank Martin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Kafka<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Schreker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuseppe Martucci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gundula Janowitz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gwyneth Jones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Effenberger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Reisinger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Helen Donath<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Herbert Kegel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hermann Scherchen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Irene Gubrud<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jan Krenz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean Sibelius<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kalevala<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Karan Armstrong<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Karl Friedrich Henckell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kurt Sanderling<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lorin Maazel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Louis F\u00fcrnberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Luonnotor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mirella Freni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ned Rorem<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Nikolaus Lenau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Othmar Schoeck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Peter Schreier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Phyllis Curtin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Piero Coppola<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rabindranath Tagore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">R\u00e9my de Gourmont<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Riccardo Muti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Stamp<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Roberto Abbado<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rocco Emanuele Pagliara<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Tadeusz Baird<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Theo Adam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Theo Loosli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Walt Whitman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Willem van Otterloo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Shakespeare<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Yi-Kwei Sze<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alain Lombard<\/span>","<span class=\"advgb-post-tax-term\">Alberto Ginastera<\/span>","<span class=\"advgb-post-tax-term\">Alexander von Zemlinsky<\/span>","<span class=\"advgb-post-tax-term\">Alphons Diepenbrock<\/span>","<span class=\"advgb-post-tax-term\">Andr\u00e9 Caplet<\/span>","<span class=\"advgb-post-tax-term\">Andr\u00e9 Jolivet<\/span>","<span class=\"advgb-post-tax-term\">Andrzej Hiolski<\/span>","<span class=\"advgb-post-tax-term\">Antal Dorati<\/span>","<span class=\"advgb-post-tax-term\">Antoine Golea<\/span>","<span class=\"advgb-post-tax-term\">Anton\u00edn Dvo\u0159\u00e1k<\/span>","<span class=\"advgb-post-tax-term\">Arthur Loosli<\/span>","<span class=\"advgb-post-tax-term\">Bernard Kruysen<\/span>","<span class=\"advgb-post-tax-term\">Bohumil Gregor<\/span>","<span class=\"advgb-post-tax-term\">Brian Priestman<\/span>","<span class=\"advgb-post-tax-term\">Charles Baudelaire<\/span>","<span class=\"advgb-post-tax-term\">Charles Panz\u00e9ra<\/span>","<span class=\"advgb-post-tax-term\">Christoph von Dohn\u00e1nyi<\/span>","<span class=\"advgb-post-tax-term\">Colette Herzog<\/span>","<span class=\"advgb-post-tax-term\">Ernst Hermann Meyer<\/span>","<span class=\"advgb-post-tax-term\">Francisco Araiza<\/span>","<span class=\"advgb-post-tax-term\">Frank Martin<\/span>","<span class=\"advgb-post-tax-term\">Franz Kafka<\/span>","<span class=\"advgb-post-tax-term\">Franz Schreker<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Martucci<\/span>","<span class=\"advgb-post-tax-term\">Gundula Janowitz<\/span>","<span class=\"advgb-post-tax-term\">Gwyneth Jones<\/span>","<span class=\"advgb-post-tax-term\">Hans Effenberger<\/span>","<span class=\"advgb-post-tax-term\">Hans Reisinger<\/span>","<span class=\"advgb-post-tax-term\">Helen Donath<\/span>","<span class=\"advgb-post-tax-term\">Herbert Kegel<\/span>","<span class=\"advgb-post-tax-term\">Hermann Scherchen<\/span>","<span class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/span>","<span class=\"advgb-post-tax-term\">Irene Gubrud<\/span>","<span class=\"advgb-post-tax-term\">Jan Krenz<\/span>","<span class=\"advgb-post-tax-term\">Jean Sibelius<\/span>","<span class=\"advgb-post-tax-term\">Kalevala<\/span>","<span class=\"advgb-post-tax-term\">Karan Armstrong<\/span>","<span class=\"advgb-post-tax-term\">Karl Friedrich Henckell<\/span>","<span class=\"advgb-post-tax-term\">Kurt Sanderling<\/span>","<span class=\"advgb-post-tax-term\">Lorin Maazel<\/span>","<span class=\"advgb-post-tax-term\">Louis F\u00fcrnberg<\/span>","<span class=\"advgb-post-tax-term\">Luonnotor<\/span>","<span class=\"advgb-post-tax-term\">Mirella Freni<\/span>","<span class=\"advgb-post-tax-term\">Ned Rorem<\/span>","<span class=\"advgb-post-tax-term\">Nikolaus Lenau<\/span>","<span class=\"advgb-post-tax-term\">Othmar Schoeck<\/span>","<span class=\"advgb-post-tax-term\">Peter Schreier<\/span>","<span class=\"advgb-post-tax-term\">Phyllis Curtin<\/span>","<span class=\"advgb-post-tax-term\">Piero Coppola<\/span>","<span class=\"advgb-post-tax-term\">Rabindranath Tagore<\/span>","<span class=\"advgb-post-tax-term\">R\u00e9my de Gourmont<\/span>","<span class=\"advgb-post-tax-term\">Riccardo Muti<\/span>","<span class=\"advgb-post-tax-term\">Richard Stamp<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Roberto Abbado<\/span>","<span class=\"advgb-post-tax-term\">Rocco Emanuele Pagliara<\/span>","<span class=\"advgb-post-tax-term\">Tadeusz Baird<\/span>","<span class=\"advgb-post-tax-term\">Theo Adam<\/span>","<span class=\"advgb-post-tax-term\">Theo Loosli<\/span>","<span class=\"advgb-post-tax-term\">Walt Whitman<\/span>","<span class=\"advgb-post-tax-term\">Willem van Otterloo<\/span>","<span class=\"advgb-post-tax-term\">William Shakespeare<\/span>","<span class=\"advgb-post-tax-term\">Yi-Kwei Sze<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 3 years ago","modified":"Updated 3 years ago"},"absolute_dates":{"created":"Posted on 01\/12\/2022","modified":"Updated on 02\/12\/2022"},"absolute_dates_time":{"created":"Posted on 01\/12\/2022 15:48","modified":"Updated on 02\/12\/2022 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