{"id":10853,"date":"2022-10-28T15:32:18","date_gmt":"2022-10-28T13:32:18","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=10853"},"modified":"2023-10-26T11:53:33","modified_gmt":"2023-10-26T09:53:33","slug":"episode-168-the-haunted-opera-house","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2022\/10\/28\/episode-168-the-haunted-opera-house\/","title":{"rendered":"Episode 168. The Haunted (Opera) House"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading advgb-dyn-4764b128\">Episode 168.  The Haunted (Opera) House, 20th Century Edition<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=683-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10853&#038;title=Episode%20168.%20The%20Haunted%20(Opera)%20House\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Facebook<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-twitter  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/twitter.com\/share?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10853&#038;link=Episode%20168.%20The%20Haunted%20(Opera)%20House\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M22.23,5.924c-0.736,0.326-1.527,0.547-2.357,0.646c0.847-0.508,1.498-1.312,1.804-2.27 c-0.793,0.47-1.671,0.812-2.606,0.996C18.324,4.498,17.257,4,16.077,4c-2.266,0-4.103,1.837-4.103,4.103 c0,0.322,0.036,0.635,0.106,0.935C8.67,8.867,5.647,7.234,3.623,4.751C3.27,5.357,3.067,6.062,3.067,6.814 c0,1.424,0.724,2.679,1.825,3.415c-0.673-0.021-1.305-0.206-1.859-0.513c0,0.017,0,0.034,0,0.052c0,1.988,1.414,3.647,3.292,4.023 c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10853&#038;description=Episode%20168.%20The%20Haunted%20(Opera)%20House\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10853&#038;subject=Episode%20168.%20The%20Haunted%20(Opera)%20House\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" 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2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex advgb-dyn-5e5a4c85\">\n<div class=\"wp-block-button advgb-dyn-932155b2\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full advgb-dyn-b4554c6d\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"368\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Stratas-Ghosts.jpg\" alt=\"\" class=\"wp-image-10992\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Stratas-Ghosts.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Stratas-Ghosts-300x221.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\">Teresa Stratas in <em>The Ghosts of Versailles<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-5a996784\"><\/div>\n\n\n\n<p>This week\u2019s episode celebrates Halloween while at the same time initiating my new ongoing series on Twentieth Century Opera. From Dvo\u0159\u00e1k\u2019s <em>Rusalka<\/em>, premiered in Prague in 1901, through Corigliano\u2019s <em>The Ghosts of Versailles<\/em>, premiered in New York in 1991, there is a wealth of operatic material, some barely remembered today, that touches upon various aspects of the occult, be that witches, devils, exorcisms, demonic possessions, or those that conjure the dead. Alongside the aforementioned works, this episode also features work by Benjamin Britten, Gian Carlo Menotti, Igor Stravinsky, Ferruccio Busoni, Franz Schreker, Serge Prokofiev, Ottorino Respighi, and Krzysztof Penderecki, performed by Teresa Stratas. Tatiana Troyanos, George Shirley, Anna Moffo, Mack Harrell, Maralin Niska, Gwendolyn Killebrew, Jane Rhodes, and others in performances recorded between 1949 and\u2026 nearly yesterday. Some of it is folksy, some humorous, some creepy, some horrific, but it is peopled by characters that either haunt or are haunted.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-3c7bf8da\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-13857eb0\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"588\" height=\"745\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Killebrew.jpg\" alt=\"\" class=\"wp-image-10994\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Killebrew.jpg 588w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Killebrew-237x300.jpg 237w\" sizes=\"auto, (max-width: 588px) 100vw, 588px\" \/><\/figure>\n<\/div>\n\n\n<p>Anton\u00edn Dvo\u0159\u00e1k, Jaroslav Kvapil [after Karel Jarom\u00edr Erben, Bo\u017eena N\u011bmcov\u00e1]: \u010cury mury fuk (<em>Rusalka<\/em>). Gwendolyn Killebrew, Bohumil Gregor, The Netherlands Broadcast Orchestra [live Scheveningen 04.XI.76]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large advgb-dyn-7e3e008c\"><img loading=\"lazy\" decoding=\"async\" width=\"702\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Killebrew-Witchy-poo-702x1024.jpg\" alt=\"\" class=\"wp-image-10995\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Killebrew-Witchy-poo-702x1024.jpg 702w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Killebrew-Witchy-poo-206x300.jpg 206w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Killebrew-Witchy-poo-768x1120.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Killebrew-Witchy-poo.jpg 823w\" sizes=\"auto, (max-width: 702px) 100vw, 702px\" \/><figcaption class=\"wp-element-caption\">Gwendolyn Killebrew in pre-performance witchy mode<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full advgb-dyn-d7e12e03\"><img loading=\"lazy\" decoding=\"async\" width=\"622\" height=\"401\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Niska-Medea.png\" alt=\"\" class=\"wp-image-10996\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Niska-Medea.png 622w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Niska-Medea-300x193.png 300w\" sizes=\"auto, (max-width: 622px) 100vw, 622px\" \/><figcaption class=\"wp-element-caption\">Maralin Niska as Cherubini&#8217;s Medea<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Benjamin Britten, Myfanwy Piper [after Henry James]: How beautiful it is (<em>The Turn of the Screw<\/em>). Marilin Niska, Charles Wilson, New York City Opera Chamber Orchestra [live 01.III.70]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"901\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Niska-portrait.jpg\" alt=\"\" class=\"wp-image-10997\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Niska-portrait.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Niska-portrait-266x300.jpg 266w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Niska-portrait-768x865.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"964\" height=\"673\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Marie-Powers.png\" alt=\"\" class=\"wp-image-10998\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Marie-Powers.png 964w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Marie-Powers-300x209.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Marie-Powers-768x536.png 768w\" sizes=\"auto, (max-width: 964px) 100vw, 964px\" \/><\/figure>\n<\/div>\n\n\n<p>Gian Carlo Menotti: Afraid, am I afraid? (<em>The Medium<\/em>). Marie Powers, Orchestra conducted by Emanuel Balaban [1949]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"523\" height=\"637\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Marie-Powers.jpg\" alt=\"\" class=\"wp-image-10999\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Marie-Powers.jpg 523w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Marie-Powers-246x300.jpg 246w\" sizes=\"auto, (max-width: 523px) 100vw, 523px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"439\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Faust-Rockoper.jpg\" alt=\"\" class=\"wp-image-11000\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Faust-Rockoper.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Faust-Rockoper-300x165.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Faust-Rockoper-768x421.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n<p>Rudolf Volz, Johann Wolfgang von Goethe, arr. Michael Wagner, Uwe Rodi, Matthias Kohl, Uwe Rublack: Das B\u00f6se (<em>Faust Die Rockoper<\/em>). Falko Illing, Uwe Rodi, Christian Singer, Herb Bucker, Michael Wagner, Volker Schreiber [2007]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full advgb-dyn-4be7ae02\"><img loading=\"lazy\" decoding=\"async\" width=\"568\" height=\"715\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Harrell-Shadow.jpg\" alt=\"\" class=\"wp-image-11001\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Harrell-Shadow.jpg 568w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Harrell-Shadow-238x300.jpg 238w\" sizes=\"auto, (max-width: 568px) 100vw, 568px\" \/><figcaption class=\"wp-element-caption\">Mack Harrell as Nick Shadow<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Igor Stravinsky, W.H. Auden, Chester Kallman: Now in my [his] words&#8230; I burn, I burn! I freeze! (<em>The Rake\u2019s Progress<\/em>). Mack Harrell, Eugene Conley, Hilde G\u00fcden<a>, <\/a>Igor Stravinsky, Metropolitan Opera Orchestra [1953]<\/p>\n\n\n\n<figure class=\"wp-block-image size-full advgb-dyn-7e33646f\"><img loading=\"lazy\" decoding=\"async\" width=\"957\" height=\"632\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Gueden-and-Stravinsky.png\" alt=\"\" class=\"wp-image-11002\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Gueden-and-Stravinsky.png 957w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Gueden-and-Stravinsky-300x198.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Gueden-and-Stravinsky-768x507.png 768w\" sizes=\"auto, (max-width: 957px) 100vw, 957px\" \/><figcaption class=\"wp-element-caption\">Hilde G\u00fcden and Igor Stravinsky<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"642\" height=\"763\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Conley.jpg\" alt=\"\" class=\"wp-image-11003\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Conley.jpg 642w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Conley-252x300.jpg 252w\" sizes=\"auto, (max-width: 642px) 100vw, 642px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"476\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Backlit-George-Shirley-1024x476.jpg\" alt=\"\" class=\"wp-image-11004\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Backlit-George-Shirley-1024x476.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Backlit-George-Shirley-300x139.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Backlit-George-Shirley-768x357.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Backlit-George-Shirley.jpg 1406w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Ferruccio Busoni [libretto after Johann Wolfgang von Goethe and the Faust legend]: Lasst euch nicht st\u00f6ren (<em>Doktor Faust<\/em>). George Shirley, Jascha Horenstein, American Opera Society Orchestra and Chorus [Carnegie 01 Dec 1964]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full advgb-dyn-095cbb77\"><img loading=\"lazy\" decoding=\"async\" width=\"592\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Horenstein.jpg\" alt=\"\" class=\"wp-image-11005\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Horenstein.jpg 592w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Horenstein-222x300.jpg 222w\" sizes=\"auto, (max-width: 592px) 100vw, 592px\" \/><figcaption class=\"wp-element-caption\">Jascha Horenstein<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" data-id=\"11007\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/mpofu-1024x684.jpg\" alt=\"\" class=\"wp-image-11007\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/mpofu-1024x684.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/mpofu-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/mpofu-768x513.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/mpofu-1536x1026.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/mpofu-1600x1069.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/mpofu.jpg 1617w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"11006\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Leigh-Melrose-1024x683.jpg\" alt=\"\" class=\"wp-image-11006\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Leigh-Melrose-1024x683.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Leigh-Melrose-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Leigh-Melrose-768x512.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Leigh-Melrose-1536x1024.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Leigh-Melrose-1600x1066.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Leigh-Melrose.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Franz Schreker [libretto after Charles de Coster]: Erkennst du mich, Smee? (<em>Der Schmied von Gent<\/em>). Vuvu Mpofu, Leigh Melrose, Alejo P\u00e9rez, Symphonic Orchestra Opera Ballet Vlaanderen [live Antwerp 2020]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"575\" data-id=\"11008\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Mpofu2-1024x575.png\" alt=\"\" class=\"wp-image-11008\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Mpofu2-1024x575.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Mpofu2-300x168.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Mpofu2-768x431.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Mpofu2.png 1094w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"564\" data-id=\"11009\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Leigh-Melrose-1024x564.png\" alt=\"\" class=\"wp-image-11009\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Leigh-Melrose-1024x564.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Leigh-Melrose-300x165.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Leigh-Melrose-768x423.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Leigh-Melrose.png 1118w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full advgb-dyn-3b3c6524\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"797\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Rhodes.jpg\" alt=\"\" class=\"wp-image-11010\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Rhodes.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Rhodes-225x300.jpg 225w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><figcaption class=\"wp-element-caption\">Jane Rhodes<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Serge Prokofiev, libretto after Valery Bryusov: Ennemi ou ami? (<em>L\u2019ange du feu<\/em>). Jane Rhodes, Xavier Depraz, Charles Bruck, Orchestre du Th\u00e9\u00e2tre National de l&#8217;Op\u00e9ra, Orchestre du Th\u00e9\u00e2tre National de l&#8217;Op\u00e9ra [1957]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full advgb-dyn-b84a1f23\"><img loading=\"lazy\" decoding=\"async\" width=\"414\" height=\"590\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Depraz.jpg\" alt=\"\" class=\"wp-image-11011\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Depraz.jpg 414w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Depraz-211x300.jpg 211w\" sizes=\"auto, (max-width: 414px) 100vw, 414px\" \/><figcaption class=\"wp-element-caption\">Xavier Depraz<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"603\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/troyanos-loudun-1024x603.png\" alt=\"\" class=\"wp-image-11015\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/troyanos-loudun-1024x603.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/troyanos-loudun-300x177.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/troyanos-loudun-768x452.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/troyanos-loudun.png 1087w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Krzysztof Penderecki [libretto after Aldous Huxley]: Exorcizo te&#8230; Entschuldigt mich (<em>Die Teufel von Loudun<\/em>). Tatiana Troyanos, Bernard \u0141adysz, Hans Sotin, Horst Wilhelm<a>, <\/a>Marek Janowski, Orchester der Hamburgischen Staatsoper [1970]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"568\" height=\"766\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/tatiana.png\" alt=\"\" class=\"wp-image-11016\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/tatiana.png 568w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/tatiana-222x300.png 222w\" sizes=\"auto, (max-width: 568px) 100vw, 568px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full advgb-dyn-df968842\"><img loading=\"lazy\" decoding=\"async\" width=\"345\" height=\"543\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Mara-Coleva.jpg\" alt=\"\" class=\"wp-image-11012\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Mara-Coleva.jpg 345w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Mara-Coleva-191x300.jpg 191w\" sizes=\"auto, (max-width: 345px) 100vw, 345px\" \/><figcaption class=\"wp-element-caption\">Mara Coleva<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Ottorino Respighi, Claudio Guastalla [after Hans Wiers-Jenssen]: Monica, che vuoi?&#8230; Il sogno che t&#8217;innamora (<em>La fiamma<\/em>). Mara Coleva, Anna Moffo, Francesco Molinari-Pradelli, Orchestra di Milano dell RAI [1955]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized advgb-dyn-0a4ae629\"><img loading=\"lazy\" decoding=\"async\" width=\"257\" height=\"392\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Moffo-young.jpg\" alt=\"\" class=\"wp-image-11013\" style=\"width:379px;height:578px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Moffo-young.jpg 257w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Moffo-young-197x300.jpg 197w\" sizes=\"auto, (max-width: 257px) 100vw, 257px\" \/><figcaption class=\"wp-element-caption\">Anna Moffo<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Stratas-Versailles-1024x768.jpg\" alt=\"\" class=\"wp-image-11014\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Stratas-Versailles-1024x768.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Stratas-Versailles-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Stratas-Versailles-768x576.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Stratas-Versailles-1536x1152.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Stratas-Versailles.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>John Corigliano, William M. Hoffman [after Pierre Beaumarchais]: Once there was a golden bird (<em>The Ghosts of Versailles<\/em>). Teresa Stratas, James Levine, Metropolitan Opera Orchestra [live New York 10.I.92]<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 168. The Haunted (Opera) House, 20th Century Edition SOCIAL SHARE SUBSCRIPTION PLATFORM This week\u2019s episode celebrates Halloween while at&hellip;<\/p>\n","protected":false},"author":1,"featured_media":10990,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,3207,3614,2399,1263,2260,808,4510,3272,5661,2806],"tags":[4581,4588,411,2188,4596,3029,527,4601,4311,4584,4449,2731,4592,4585,1631,4589,4595,4594,2899,4579,4493,2263,1968,2298,4593,324,4580,2730,1683,3267,4599,2304,1137,4576,4600,1630,4591,4587,519,4578,4451,2250,1049,4597,3520,4583,4602,2286,1629,1360,4590,4603,2060,3151,4598,4582,4586,2733,4577,496],"class_list":["post-10853","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-behind-the-iron-curtain","category-canadian-singers","category-great-baritones","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-nyco-divas","category-singers-of-color","category-the-haunted-opera-house","category-twentieth-century-music","tag-aldous-huxley","tag-alejo-perez","tag-anna-moffo","tag-antonin-dvorak","tag-benjamin-britten-henry-james","tag-bernard-ladysz","tag-bohumil-gregor","tag-bozena-nemcova","tag-charles-bruck","tag-charles-de-coster","tag-charles-wilson","tag-chester-kallman","tag-claudio-guastalla","tag-der-schmied-von-gent","tag-die-teufel-von-loudun","tag-doktor-faust","tag-emanuel-balaban","tag-eugene-conley","tag-ferruccio-busoni","tag-francesco-molinar-pradelli","tag-franz-schreker","tag-george-shirley","tag-gian-carlo-menotti","tag-hans-sotin","tag-hans-wiers-jenssen","tag-hilde-guden","tag-horst-wilhelm","tag-igor-stravinsky","tag-james-levine","tag-jane-rhodes","tag-jaroslav-kvapil","tag-jascha-horenstein","tag-johann-wolfgang-von-goethe","tag-john-corigliano","tag-karel-jaromir-erben","tag-krzysztof-penderecki","tag-la-fiamma-respighi","tag-leigh-melrose","tag-mack-harrell","tag-mara-coleva","tag-maralin-niska","tag-marek-janowski","tag-marie-powers","tag-myfanwy-piper","tag-ottorino-respighi","tag-pierre-beaumarchais","tag-rusalka-dvorak-gwendolyn-killebrew","tag-serge-prokofiev","tag-tatiana-troyanos","tag-teresa-stratas","tag-the-fiery-angel","tag-the-ghosts-of-versailles","tag-the-medium-menotti","tag-the-rakes-progress","tag-the-turn-of-the-screw-britten","tag-valery-bryusov","tag-vuvu-mpofu","tag-w-h-auden","tag-william-m-hoffman","tag-xavier-depraz"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/10\/Tatiana-Penderecki-300x156.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/canadian-singers\/\" class=\"advgb-post-tax-term\">Canadian Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/nyco-divas\/\" class=\"advgb-post-tax-term\">NYCO Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/the-haunted-opera-house\/\" class=\"advgb-post-tax-term\">The Haunted Opera House<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Canadian Singers<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">NYCO Divas<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">The Haunted Opera House<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Aldous Huxley<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alejo P\u00e9rez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anna Moffo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anton\u00edn Dvo\u0159\u00e1k<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Benjamin Britten Henry James<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bernard \u0141adysz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bohumil Gregor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bo\u017eena N\u011bmcov\u00e1<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Bruck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles de Coster<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Wilson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Chester Kallman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claudio Guastalla<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Der Schmied von Gent<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die Teufel von Loudun<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Doktor Faust<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Emanuel Balaban<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Eugene Conley<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ferruccio Busoni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Francesco Molinar-Pradelli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Schreker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Shirley<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gian Carlo Menotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Sotin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Wiers-Jenssen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hilde G\u00fcden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Horst Wilhelm<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Igor Stravinsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">James Levine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jane Rhodes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jaroslav Kvapil<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jascha Horenstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Corigliano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Karel Jarom\u00edr Erben<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Krzysztof Penderecki<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">La Fiamma (Respighi)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leigh Melrose<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mack Harrell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mara Coleva<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maralin Niska<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marek Janowski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marie Powers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Myfanwy Piper<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ottorino Respighi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pierre Beaumarchais<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rusalka (Dvo\u0159\u00e1k). Gwendolyn Killebrew<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Serge Prokofiev<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Tatiana Troyanos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Teresa Stratas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Fiery Angel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Ghosts of Versailles<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Medium (Menotti)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Rake\u2019s Progress<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Turn of the Screw (Britten)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Valery Bryusov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Vuvu Mpofu<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">W.H. Auden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William M. Hoffman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Xavier Depraz<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Aldous Huxley<\/span>","<span class=\"advgb-post-tax-term\">Alejo P\u00e9rez<\/span>","<span class=\"advgb-post-tax-term\">Anna Moffo<\/span>","<span class=\"advgb-post-tax-term\">Anton\u00edn Dvo\u0159\u00e1k<\/span>","<span class=\"advgb-post-tax-term\">Benjamin Britten Henry James<\/span>","<span class=\"advgb-post-tax-term\">Bernard \u0141adysz<\/span>","<span class=\"advgb-post-tax-term\">Bohumil Gregor<\/span>","<span class=\"advgb-post-tax-term\">Bo\u017eena N\u011bmcov\u00e1<\/span>","<span class=\"advgb-post-tax-term\">Charles Bruck<\/span>","<span class=\"advgb-post-tax-term\">Charles de Coster<\/span>","<span class=\"advgb-post-tax-term\">Charles Wilson<\/span>","<span class=\"advgb-post-tax-term\">Chester Kallman<\/span>","<span class=\"advgb-post-tax-term\">Claudio Guastalla<\/span>","<span class=\"advgb-post-tax-term\">Der Schmied von Gent<\/span>","<span class=\"advgb-post-tax-term\">Die Teufel von Loudun<\/span>","<span class=\"advgb-post-tax-term\">Doktor Faust<\/span>","<span class=\"advgb-post-tax-term\">Emanuel Balaban<\/span>","<span class=\"advgb-post-tax-term\">Eugene Conley<\/span>","<span class=\"advgb-post-tax-term\">Ferruccio Busoni<\/span>","<span class=\"advgb-post-tax-term\">Francesco Molinar-Pradelli<\/span>","<span class=\"advgb-post-tax-term\">Franz Schreker<\/span>","<span class=\"advgb-post-tax-term\">George Shirley<\/span>","<span class=\"advgb-post-tax-term\">Gian Carlo Menotti<\/span>","<span class=\"advgb-post-tax-term\">Hans Sotin<\/span>","<span class=\"advgb-post-tax-term\">Hans Wiers-Jenssen<\/span>","<span class=\"advgb-post-tax-term\">Hilde G\u00fcden<\/span>","<span class=\"advgb-post-tax-term\">Horst Wilhelm<\/span>","<span class=\"advgb-post-tax-term\">Igor Stravinsky<\/span>","<span class=\"advgb-post-tax-term\">James Levine<\/span>","<span class=\"advgb-post-tax-term\">Jane Rhodes<\/span>","<span class=\"advgb-post-tax-term\">Jaroslav Kvapil<\/span>","<span class=\"advgb-post-tax-term\">Jascha Horenstein<\/span>","<span class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/span>","<span class=\"advgb-post-tax-term\">John Corigliano<\/span>","<span class=\"advgb-post-tax-term\">Karel Jarom\u00edr Erben<\/span>","<span class=\"advgb-post-tax-term\">Krzysztof Penderecki<\/span>","<span class=\"advgb-post-tax-term\">La Fiamma (Respighi)<\/span>","<span class=\"advgb-post-tax-term\">Leigh Melrose<\/span>","<span class=\"advgb-post-tax-term\">Mack Harrell<\/span>","<span class=\"advgb-post-tax-term\">Mara Coleva<\/span>","<span class=\"advgb-post-tax-term\">Maralin Niska<\/span>","<span class=\"advgb-post-tax-term\">Marek Janowski<\/span>","<span class=\"advgb-post-tax-term\">Marie Powers<\/span>","<span class=\"advgb-post-tax-term\">Myfanwy Piper<\/span>","<span class=\"advgb-post-tax-term\">Ottorino Respighi<\/span>","<span class=\"advgb-post-tax-term\">Pierre Beaumarchais<\/span>","<span class=\"advgb-post-tax-term\">Rusalka (Dvo\u0159\u00e1k). Gwendolyn Killebrew<\/span>","<span class=\"advgb-post-tax-term\">Serge Prokofiev<\/span>","<span class=\"advgb-post-tax-term\">Tatiana Troyanos<\/span>","<span class=\"advgb-post-tax-term\">Teresa Stratas<\/span>","<span class=\"advgb-post-tax-term\">The Fiery Angel<\/span>","<span class=\"advgb-post-tax-term\">The Ghosts of Versailles<\/span>","<span class=\"advgb-post-tax-term\">The Medium (Menotti)<\/span>","<span class=\"advgb-post-tax-term\">The Rake\u2019s Progress<\/span>","<span class=\"advgb-post-tax-term\">The Turn of the Screw (Britten)<\/span>","<span class=\"advgb-post-tax-term\">Valery Bryusov<\/span>","<span class=\"advgb-post-tax-term\">Vuvu Mpofu<\/span>","<span class=\"advgb-post-tax-term\">W.H. Auden<\/span>","<span class=\"advgb-post-tax-term\">William M. Hoffman<\/span>","<span class=\"advgb-post-tax-term\">Xavier Depraz<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 3 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 28\/10\/2022","modified":"Updated on 26\/10\/2023"},"absolute_dates_time":{"created":"Posted on 28\/10\/2022 15:32","modified":"Updated on 26\/10\/2023 11:53"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/10853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=10853"}],"version-history":[{"count":4,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/10853\/revisions"}],"predecessor-version":[{"id":13282,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/10853\/revisions\/13282"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/10990"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=10853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=10853"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=10853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}