{"id":10411,"date":"2022-09-16T19:07:54","date_gmt":"2022-09-16T17:07:54","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=10411"},"modified":"2024-02-16T10:45:29","modified_gmt":"2024-02-16T09:45:29","slug":"episode-162-nyco-divas-an-introduction","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2022\/09\/16\/episode-162-nyco-divas-an-introduction\/","title":{"rendered":"Episode 162. NYCO Divas: An Introduction"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 162.  NYCO Divas: An Introduction<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=657-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10411&#038;title=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Facebook<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-twitter  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/twitter.com\/share?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10411&#038;link=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M22.23,5.924c-0.736,0.326-1.527,0.547-2.357,0.646c0.847-0.508,1.498-1.312,1.804-2.27 c-0.793,0.47-1.671,0.812-2.606,0.996C18.324,4.498,17.257,4,16.077,4c-2.266,0-4.103,1.837-4.103,4.103 c0,0.322,0.036,0.635,0.106,0.935C8.67,8.867,5.647,7.234,3.623,4.751C3.27,5.357,3.067,6.062,3.067,6.814 c0,1.424,0.724,2.679,1.825,3.415c-0.673-0.021-1.305-0.206-1.859-0.513c0,0.017,0,0.034,0,0.052c0,1.988,1.414,3.647,3.292,4.023 c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10411&#038;description=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10411&#038;subject=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\"><path d=\"M9 11.8l6.1-4.5c.1.4.4.7.9.7h2c.6 0 1-.4 1-1V5c0-.6-.4-1-1-1h-2c-.6 0-1 .4-1 1v.4l-6.4 4.8c-.2-.1-.4-.2-.6-.2H6c-.6 0-1 .4-1 1v2c0 .6.4 1 1 1h2c.2 0 .4-.1.6-.2l6.4 4.8v.4c0 .6.4 1 1 1h2c.6 0 1-.4 1-1v-2c0-.6-.4-1-1-1h-2c-.5 0-.8.3-.9.7L9 12.2v-.4z\"\/><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share via Email<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-reddit  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/reddit.com\/submit?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10411&#038;title=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M5.27 9.221A2.775 2.775 0 0 0 2.498 11.993a2.785 2.785 0 0 0 1.6 2.511 5.337 5.337 0 0 0 2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex advgb-dyn-5e5a4c85\">\n<div class=\"wp-block-button alignright advgb-dyn-18d652e6\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full advgb-dyn-9408e38c\"><img loading=\"lazy\" decoding=\"async\" width=\"416\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Niska-Emilia-Marty.jpg\" alt=\"\" class=\"wp-image-10704\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Niska-Emilia-Marty.jpg 416w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Niska-Emilia-Marty-208x300.jpg 208w\" sizes=\"auto, (max-width: 416px) 100vw, 416px\" \/><figcaption>Maralin Niska<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-5a996784\"><\/div>\n\n\n\n<p>Today is the final regular episode of Season Three of <em>Countermelody<\/em>, as well as the last of my summer series documenting musical life in New York City during the years 1950 through 1975. I am thrilled to start what I hope will be an occasional series of episodes that will drop throughout Season Four, which begins in two weeks. I present to you a small sampling of the extraordinary singing actors that peopled the stage of New York City Opera during the years in question. The most famous of these, of course, is Beverly Sills, and she is aptly represented in her most radiant early prime. But there are many other singers as well, including African American divas Carol Brice and Veronica Tyler, preceded by Camilla Williams (the first Black singer to be awarded a standing contract with a major US opera company\u2026 in 1946!). City Opera was celebrated for presenting an absolute slew of new American work in its heyday, and we hear works by Carlilse Floyd, Robert Ward, Douglas Moore, Marc Blitzstein, and Jack Beeson in performances by Phyllis Curtin, Frances Bible, Brenda Lewis, and Ellen Faull. Other divas strutting their stuff include Olivia Stapp, Johanna Meier, and the three mesdames Patricia: Brooks, Wells, and Wise. The episode is capped by some of the rarest live recordings from the stage of City Opera by three singers who made their mark during their heyday, and would be the biggest stars in the world were they singing today: Gilda Cruz-Romo, Maralin Niska, and Carol Neblett, all of whom will be featured in her own episode during <em>Countermelody<\/em>\u2019s upcoming season. A fitting way to end Season Three, as well as a harbinger of vocal delights to come! (Next week will be a preview of the upcoming season!)<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-3c7bf8da\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-13857eb0\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Beverly-Sills-Young.jpg\" alt=\"\" class=\"wp-image-10708\" width=\"473\" height=\"473\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Beverly-Sills-Young.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Beverly-Sills-Young-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Beverly-Sills-Young-150x150.jpg 150w\" sizes=\"auto, (max-width: 473px) 100vw, 473px\" \/><\/figure>\n<\/div>\n\n\n<p>Douglas Moore, John Latouche: Willow, when we met together (<em>The Ballad of Baby Doe<\/em>). Beverly Sills (introduced by Douglas Moore) [TV telecast, ca. 1962]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"381\" data-id=\"10713\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Douglass-More-1.jpg\" alt=\"\" class=\"wp-image-10713\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Douglass-More-1.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Douglass-More-1-236x300.jpg 236w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption>Douglas Moore<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"634\" data-id=\"10714\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/LaTouche.jpg\" alt=\"\" class=\"wp-image-10714\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/LaTouche.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/LaTouche-189x300.jpg 189w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption>John Latouche<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:165px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"596\" height=\"743\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Camilla-Head-On-Portrait.jpg\" alt=\"\" class=\"wp-image-10752\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Camilla-Head-On-Portrait.jpg 596w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Camilla-Head-On-Portrait-241x300.jpg 241w\" sizes=\"auto, (max-width: 596px) 100vw, 596px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Antonio Ghislanzoni, after Auguste Mariette and Temistocle Solera: Mia rivale!&#8230; Piet\u00e0 ti prenda (<em>Aida<\/em>). Camilla Williams, Lydia Ibarrondo, Laszlo Halasz, New York City Opera Orchestra [1953]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"764\" height=\"1000\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Lydia-Ibarrondo.jpg\" alt=\"\" class=\"wp-image-10716\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Lydia-Ibarrondo.jpg 764w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Lydia-Ibarrondo-229x300.jpg 229w\" sizes=\"auto, (max-width: 764px) 100vw, 764px\" \/><figcaption>Lydia Ibarrondo<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:150px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"470\" height=\"584\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Phyllis-Curtin.jpg\" alt=\"\" class=\"wp-image-10717\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Phyllis-Curtin.jpg 470w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Phyllis-Curtin-241x300.jpg 241w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><\/figure>\n<\/div>\n\n\n<p>Carlisle Floyd: Ain\u2019t it a pretty night (<em>Susannah<\/em>). Phyllis Curtin, unknown orchestra, conductor, venue, and date<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Carlisle-Flloyd.jpg\" alt=\"\" class=\"wp-image-10718\" width=\"334\" height=\"429\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Carlisle-Flloyd.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Carlisle-Flloyd-234x300.jpg 234w\" sizes=\"auto, (max-width: 334px) 100vw, 334px\" \/><figcaption>Carlisle Floyd<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:150px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"691\" height=\"669\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Carol-Brice.png\" alt=\"\" class=\"wp-image-10719\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Carol-Brice.png 691w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Carol-Brice-300x290.png 300w\" sizes=\"auto, (max-width: 691px) 100vw, 691px\" \/><\/figure>\n<\/div>\n\n\n<p>Marc Blitzstein, libretto after Lillian Hellman: Night could be time to sleep (<em>Regina<\/em>). Carol Brice, Samuel Krachmalnick, New York City Opera Orchestra [1958]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1002\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Blitzstein-1002x1024.jpg\" alt=\"\" class=\"wp-image-10720\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Blitzstein-1002x1024.jpg 1002w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Blitzstein-294x300.jpg 294w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Blitzstein-768x785.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Blitzstein-1504x1536.jpg 1504w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Blitzstein-1600x1634.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Blitzstein.jpg 1908w\" sizes=\"auto, (max-width: 1002px) 100vw, 1002px\" \/><figcaption>Marc Blitzstein<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:151px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"497\" height=\"572\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Frances-B.png\" alt=\"\" class=\"wp-image-10721\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Frances-B.png 497w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Frances-B-261x300.png 261w\" sizes=\"auto, (max-width: 497px) 100vw, 497px\" \/><\/figure>\n<\/div>\n\n\n<p>Robert Ward, Bernard Stambler [after Arthur Miller]: But oh, the dreams (<em>The Crucible<\/em>). Frances Bible, Emerson Buckley, New York City Opera Orchestra [1961]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Robert-Ward.webp\" alt=\"\" class=\"wp-image-10722\" width=\"475\" height=\"357\"\/><figcaption>Robert Ward<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:150px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"375\" data-id=\"10723\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Jack-Beeson.webp\" alt=\"\" class=\"wp-image-10723\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Jack-Beeson.webp 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Jack-Beeson-300x188.webp 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Jack Beeson<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" data-id=\"10724\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Kenward-Elmslie-683x1024.webp\" alt=\"\" class=\"wp-image-10724\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Kenward-Elmslie-683x1024.webp 683w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Kenward-Elmslie-200x300.webp 200w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Kenward-Elmslie-768x1152.webp 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Kenward-Elmslie-1024x1536.webp 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Kenward-Elmslie.webp 1050w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption>Kenward Elmslie<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Jack Beeson, Kenward Elmslie: Three excerpts from <em>Lizzie Borden<\/em>. Anton Coppola, New York City Opera Orchestra [1965]:<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"437\" height=\"594\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Anne-Elgar.png\" alt=\"\" class=\"wp-image-10725\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Anne-Elgar.png 437w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Anne-Elgar-221x300.png 221w\" sizes=\"auto, (max-width: 437px) 100vw, 437px\" \/><\/figure>\n<\/div>\n\n\n<p>The house watches. Anne Elgar, Brenda Lewis<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Ellen-Faull.jpg\" alt=\"This image has an empty alt attribute; its file name is Ellen-Faull.jpg\"\/><figcaption>Ellen Faull<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"651\" height=\"760\" data-id=\"10727\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Beattie.png\" alt=\"\" class=\"wp-image-10727\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Beattie.png 651w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Beattie-257x300.png 257w\" sizes=\"auto, (max-width: 651px) 100vw, 651px\" \/><figcaption>Herbert Beattie<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>When I hear your voice, the years melt away [Abbie\u2019s Bird Song]. Ellen Faull, Herbert Beattie.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"828\" height=\"1024\" data-id=\"10729\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Lewis-as-LBorden.jpg\" alt=\"\" class=\"wp-image-10729\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Lewis-as-LBorden.jpg 828w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Lewis-as-LBorden-243x300.jpg 243w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Lewis-as-LBorden-768x950.jpg 768w\" sizes=\"auto, (max-width: 828px) 100vw, 828px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Keep watch, Mother [Lizzie\u2019s Mad Scene]. Brenda Lewis<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Brenda-Lewis-sexy-814x1024.jpg\" alt=\"This image has an empty alt attribute; its file name is Brenda-Lewis-sexy-814x1024.jpg\"\/><\/figure>\n\n\n\n<div style=\"height:150px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"541\" height=\"463\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Brooks-as-Manon.jpg\" alt=\"\" class=\"wp-image-10730\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Brooks-as-Manon.jpg 541w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Brooks-as-Manon-300x257.jpg 300w\" sizes=\"auto, (max-width: 541px) 100vw, 541px\" \/><\/figure>\n<\/div>\n\n\n<p>Jules Massenet, Henri Meilhac, Philippe Gille: Je suis encore tout \u00e9tourdie (<em>Manon<\/em>). Patricia Brooks, Anton Guadagno, Orchestra of the Vancouver Opera [live 10.V.69]<\/p>\n\n\n\n<div style=\"height:150px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"459\" height=\"619\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Patricia-Wells2.png\" alt=\"\" class=\"wp-image-10731\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Patricia-Wells2.png 459w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Patricia-Wells2-222x300.png 222w\" sizes=\"auto, (max-width: 459px) 100vw, 459px\" \/><\/figure>\n<\/div>\n\n\n<p>Hector Berlioz, L\u00e9on de Wailly, Auguste Barbier: I may discover [Quand j\u2019aurai votre \u00e2ge &#8211; sung in English] (<em>Benvenuto Cellini<\/em>). Patricia Wells, Sarah Caldwell, Opera Company of Boston Orchestra [live Boston 05.75]<\/p>\n\n\n\n<div style=\"height:150px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"300\" data-id=\"10732\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Olivia-Stapp2.jpg\" alt=\"\" class=\"wp-image-10732\"\/><figcaption>Olivia Stapp<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"769\" height=\"474\" data-id=\"10733\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Pat-Wise.png\" alt=\"\" class=\"wp-image-10733\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Pat-Wise.png 769w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Pat-Wise-300x185.png 300w\" sizes=\"auto, (max-width: 769px) 100vw, 769px\" \/><figcaption>Patricia Wise<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Richard Strauss, Hugo von Hofmannsthal: Composer &#8211; Zerbinetta Duet [excerpt, sung in English] (<em>Ariadne auf Naxos<\/em>). Olivia Stapp, Patricia Wise, Christopher Keene, New York City Opera Orchestra [live 1974]<\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"982\" height=\"627\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Johanna-Meier.png\" alt=\"\" class=\"wp-image-10734\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Johanna-Meier.png 982w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Johanna-Meier-300x192.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Johanna-Meier-768x490.png 768w\" sizes=\"auto, (max-width: 982px) 100vw, 982px\" \/><\/figure>\n<\/div>\n\n\n<p>Es gibt ein Reich (<em>Ariadne auf Naxos<\/em>). Johanna Meier, Christopher Keene, New York City Opera Orchestra [live 1974]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"498\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Keene.jpg\" alt=\"\" class=\"wp-image-10735\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Keene.jpg 498w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Keene-249x300.jpg 249w\" sizes=\"auto, (max-width: 498px) 100vw, 498px\" \/><figcaption>Christopher Keene<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:150px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"614\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Veronica-Tyler.jpg\" alt=\"\" class=\"wp-image-10736\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Veronica-Tyler.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Veronica-Tyler-244x300.jpg 244w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Emanuel Schikaneder: Ah, I feel it [Ach, ich f\u00fchl\u2019s &#8211; sung in English] (<em>The Magic Flute<\/em>). Veronica Tyler, Julius Rudel, New York City Opera Orchestra [live 19.X.66]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"750\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Rudel-1.jpg\" alt=\"\" class=\"wp-image-10737\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Rudel-1.jpg 1000w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Rudel-1-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Rudel-1-768x576.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Julius Rudel<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:150px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"513\" height=\"655\" data-id=\"10739\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Cruz-Romo-Amelia.png\" alt=\"\" class=\"wp-image-10739\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Cruz-Romo-Amelia.png 513w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Cruz-Romo-Amelia-235x300.png 235w\" sizes=\"auto, (max-width: 513px) 100vw, 513px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"398\" height=\"500\" data-id=\"10738\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Gilda-Cruz-Romo.jpg\" alt=\"\" class=\"wp-image-10738\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Gilda-Cruz-Romo.jpg 398w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Gilda-Cruz-Romo-239x300.jpg 239w\" sizes=\"auto, (max-width: 398px) 100vw, 398px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Arrigo Boito [after Johann Wolfgang von Goethe]: L\u2019altra notte in fondo al mare (<em>Mefistofele<\/em>). Gilda Cruz-Romo, Julius Rudel, New York City Opera Orchestra [live 10.III.71]<\/p>\n\n\n\n<div style=\"height:150px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"901\" data-id=\"10740\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Niska-portrait.jpg\" alt=\"\" class=\"wp-image-10740\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Niska-portrait.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Niska-portrait-266x300.jpg 266w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Niska-portrait-768x865.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"654\" height=\"1024\" data-id=\"10741\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Niska-654x1024.webp\" alt=\"\" class=\"wp-image-10741\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Niska-654x1024.webp 654w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Niska-191x300.webp 191w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Niska-768x1203.webp 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Niska-980x1536.webp 980w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Niska.webp 1307w\" sizes=\"auto, (max-width: 654px) 100vw, 654px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Alexander Borodin: Yaroslavna\u2019s Lament [sung in English] (<em>Prince Igor<\/em>). Maralin Niska, Gustav Meier, New York City Opera Orchestra [live 27.II.69]<\/p>\n\n\n\n<div style=\"height:150px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"531\" height=\"620\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Neblett-marabou.png\" alt=\"\" class=\"wp-image-10742\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Neblett-marabou.png 531w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Neblett-marabou-257x300.png 257w\" sizes=\"auto, (max-width: 531px) 100vw, 531px\" \/><\/figure>\n<\/div>\n\n\n<p>Charles Gounod, Jules Barber, Michel Carr\u00e9: Achevons la m\u00e9tamorphose&#8230; Ah, je ris de me voir (<em>Faust<\/em>). Carol Neblett, Charles Wilson, New York City Opera Orchestra [live 24.II.70]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-8 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"854\" height=\"589\" data-id=\"10743\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Neblett-Lipstick.png\" alt=\"\" class=\"wp-image-10743\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Neblett-Lipstick.png 854w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Neblett-Lipstick-300x207.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Neblett-Lipstick-768x530.png 768w\" sizes=\"auto, (max-width: 854px) 100vw, 854px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"639\" data-id=\"10745\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Neblett-Mirror-1024x639.png\" alt=\"\" class=\"wp-image-10745\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Neblett-Mirror-1024x639.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Neblett-Mirror-300x187.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Neblett-Mirror-768x479.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Neblett-Mirror.png 1074w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"850\" height=\"647\" data-id=\"10744\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Neblett-Makeup.png\" alt=\"\" class=\"wp-image-10744\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Neblett-Makeup.png 850w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Neblett-Makeup-300x228.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Neblett-Makeup-768x585.png 768w\" sizes=\"auto, (max-width: 850px) 100vw, 850px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center\">Ah! je ris de me voir si belle en ce miroir!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 162. NYCO Divas: An Introduction SOCIAL SHARE SUBSCRIPTION PLATFORM Today is the final regular episode of Season Three of&hellip;<\/p>\n","protected":false},"author":1,"featured_media":10703,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1701,5823,3273,2398,1072,1263,2260,808,4510,2329,2257,3272,2806,427],"tags":[2077,4462,4460,462,4467,4459,371,2054,395,3280,1124,1484,296,4449,4455,4441,4464,4465,319,4468,4452,310,4463,3760,2189,4454,2597,433,363,2132,436,4473,4461,4474,434,4451,937,435,4456,2192,4458,4457,4470,4450,2053,329,4469,2045,3144,4471,4472,4466,4453,34],"class_list":["post-10411","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-bel-canto","category-forgotten-divas","category-french-opera","category-giuseppe-verdi","category-in-memoriam","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-nyco-divas","category-opera-in-translation","category-richard-strauss","category-singers-of-color","category-twentieth-century-music","category-verismo","tag-alexander-borodin","tag-anne-elgar","tag-anton-guadagno","tag-ariadne-auf-naxos","tag-arthur-miller","tag-benvenuto-cellini","tag-beverly-sills","tag-brenda-lewis","tag-camilla-williams","tag-carlisle-floyd","tag-carol-brice","tag-carol-neblett","tag-charles-gounod","tag-charles-wilson","tag-christopher-keene","tag-douglas-moore","tag-ellen-faull","tag-emerson-buckley","tag-faust","tag-frances-bible","tag-gustav-meier","tag-hector-berlioz","tag-herbert-beattie","tag-hugo-von-hofmannsthal","tag-jack-beeson","tag-johanna-meier","tag-john-latouche","tag-jules-massenet","tag-julius-rudel","tag-kenward-elmslie","tag-laszlo-halasz","tag-lillian-hellman","tag-lizzie-borden-beeson-and-elmslie","tag-lydia-ibarrondo","tag-manon","tag-maralin-niska","tag-marc-blitzstein","tag-new-york-city-opera","tag-olivia-stapp","tag-patricia-brooks","tag-patricia-wells","tag-patricia-wise","tag-phyllis-curtin","tag-prince-igor","tag-regina","tag-richard-strauss","tag-robert-ward","tag-samuel-krachmalnick","tag-sarah-caldwell","tag-susannah","tag-the-ballad-of-baby-doe","tag-the-crucible","tag-veronica-tyler","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/09\/Curtin-Diva-TRIMMED-300x167.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/nyco-divas\/\" class=\"advgb-post-tax-term\">NYCO Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">NYCO Divas<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alexander Borodin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Anne Elgar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Anton Guadagno<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ariadne auf Naxos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Arthur Miller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Benvenuto Cellini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Beverly Sills<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Brenda Lewis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Camilla Williams<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Carlisle Floyd<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Carol Brice<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Carol Neblett<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Charles Gounod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Charles Wilson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Christopher Keene<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Douglas Moore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ellen Faull<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Emerson Buckley<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Faust<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Frances Bible<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Gustav Meier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Hector Berlioz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Herbert Beattie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jack Beeson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Johanna Meier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">John LaTouche<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jules Massenet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Julius Rudel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Kenward Elmslie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Laszlo Halasz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Lillian Hellman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Lizzie Borden (Beeson and Elmslie)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Lydia Ibarrondo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Manon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Maralin Niska<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Marc Blitzstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">New York City Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Olivia Stapp<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Patricia Brooks<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Patricia Wells<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Patricia Wise<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Phyllis Curtin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Prince Igor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Regina<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Robert Ward<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Samuel Krachmalnick<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Sarah Caldwell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Susannah<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">The Ballad of Baby Doe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">The Crucible<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Veronica Tyler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alexander Borodin<\/span>","<span class=\"advgb-post-tax-term\">Anne Elgar<\/span>","<span class=\"advgb-post-tax-term\">Anton Guadagno<\/span>","<span class=\"advgb-post-tax-term\">Ariadne auf Naxos<\/span>","<span class=\"advgb-post-tax-term\">Arthur Miller<\/span>","<span class=\"advgb-post-tax-term\">Benvenuto Cellini<\/span>","<span class=\"advgb-post-tax-term\">Beverly Sills<\/span>","<span class=\"advgb-post-tax-term\">Brenda Lewis<\/span>","<span class=\"advgb-post-tax-term\">Camilla Williams<\/span>","<span class=\"advgb-post-tax-term\">Carlisle Floyd<\/span>","<span class=\"advgb-post-tax-term\">Carol Brice<\/span>","<span class=\"advgb-post-tax-term\">Carol Neblett<\/span>","<span class=\"advgb-post-tax-term\">Charles Gounod<\/span>","<span class=\"advgb-post-tax-term\">Charles Wilson<\/span>","<span class=\"advgb-post-tax-term\">Christopher Keene<\/span>","<span class=\"advgb-post-tax-term\">Douglas Moore<\/span>","<span class=\"advgb-post-tax-term\">Ellen Faull<\/span>","<span class=\"advgb-post-tax-term\">Emerson Buckley<\/span>","<span class=\"advgb-post-tax-term\">Faust<\/span>","<span class=\"advgb-post-tax-term\">Frances Bible<\/span>","<span class=\"advgb-post-tax-term\">Gustav Meier<\/span>","<span class=\"advgb-post-tax-term\">Hector Berlioz<\/span>","<span class=\"advgb-post-tax-term\">Herbert Beattie<\/span>","<span class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/span>","<span class=\"advgb-post-tax-term\">Jack Beeson<\/span>","<span class=\"advgb-post-tax-term\">Johanna Meier<\/span>","<span class=\"advgb-post-tax-term\">John LaTouche<\/span>","<span class=\"advgb-post-tax-term\">Jules Massenet<\/span>","<span class=\"advgb-post-tax-term\">Julius Rudel<\/span>","<span class=\"advgb-post-tax-term\">Kenward Elmslie<\/span>","<span class=\"advgb-post-tax-term\">Laszlo Halasz<\/span>","<span class=\"advgb-post-tax-term\">Lillian Hellman<\/span>","<span class=\"advgb-post-tax-term\">Lizzie Borden (Beeson and Elmslie)<\/span>","<span class=\"advgb-post-tax-term\">Lydia Ibarrondo<\/span>","<span class=\"advgb-post-tax-term\">Manon<\/span>","<span class=\"advgb-post-tax-term\">Maralin Niska<\/span>","<span class=\"advgb-post-tax-term\">Marc Blitzstein<\/span>","<span class=\"advgb-post-tax-term\">New York City Opera<\/span>","<span class=\"advgb-post-tax-term\">Olivia Stapp<\/span>","<span class=\"advgb-post-tax-term\">Patricia Brooks<\/span>","<span class=\"advgb-post-tax-term\">Patricia Wells<\/span>","<span class=\"advgb-post-tax-term\">Patricia Wise<\/span>","<span class=\"advgb-post-tax-term\">Phyllis Curtin<\/span>","<span class=\"advgb-post-tax-term\">Prince Igor<\/span>","<span class=\"advgb-post-tax-term\">Regina<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Robert Ward<\/span>","<span class=\"advgb-post-tax-term\">Samuel Krachmalnick<\/span>","<span class=\"advgb-post-tax-term\">Sarah Caldwell<\/span>","<span class=\"advgb-post-tax-term\">Susannah<\/span>","<span class=\"advgb-post-tax-term\">The Ballad of Baby Doe<\/span>","<span class=\"advgb-post-tax-term\">The Crucible<\/span>","<span class=\"advgb-post-tax-term\">Veronica Tyler<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 4 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 16\/09\/2022","modified":"Updated on 16\/02\/2024"},"absolute_dates_time":{"created":"Posted on 16\/09\/2022 19:07","modified":"Updated on 16\/02\/2024 10:45"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/10411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=10411"}],"version-history":[{"count":7,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/10411\/revisions"}],"predecessor-version":[{"id":10754,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/10411\/revisions\/10754"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/10703"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=10411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=10411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=10411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}