{"id":10286,"date":"2022-08-19T22:17:27","date_gmt":"2022-08-19T20:17:27","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=10286"},"modified":"2025-07-29T10:55:48","modified_gmt":"2025-07-29T08:55:48","slug":"episode-158-russell-oberlin","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2022\/08\/19\/episode-158-russell-oberlin\/","title":{"rendered":"Episode 158. Russell Oberlin"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 158.  Russell Oberlin<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=643-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size 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href=\"https:\/\/twitter.com\/share?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10286&#038;link=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M22.23,5.924c-0.736,0.326-1.527,0.547-2.357,0.646c0.847-0.508,1.498-1.312,1.804-2.27 c-0.793,0.47-1.671,0.812-2.606,0.996C18.324,4.498,17.257,4,16.077,4c-2.266,0-4.103,1.837-4.103,4.103 c0,0.322,0.036,0.635,0.106,0.935C8.67,8.867,5.647,7.234,3.623,4.751C3.27,5.357,3.067,6.062,3.067,6.814 c0,1.424,0.724,2.679,1.825,3.415c-0.673-0.021-1.305-0.206-1.859-0.513c0,0.017,0,0.034,0,0.052c0,1.988,1.414,3.647,3.292,4.023 c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10286&#038;description=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10286&#038;subject=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\"><path d=\"M9 11.8l6.1-4.5c.1.4.4.7.9.7h2c.6 0 1-.4 1-1V5c0-.6-.4-1-1-1h-2c-.6 0-1 .4-1 1v.4l-6.4 4.8c-.2-.1-.4-.2-.6-.2H6c-.6 0-1 .4-1 1v2c0 .6.4 1 1 1h2c.2 0 .4-.1.6-.2l6.4 4.8v.4c0 .6.4 1 1 1h2c.6 0 1-.4 1-1v-2c0-.6-.4-1-1-1h-2c-.5 0-.8.3-.9.7L9 12.2v-.4z\"\/><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share via Email<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-reddit  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/reddit.com\/submit?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10286&#038;title=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M5.27 9.221A2.775 2.775 0 0 0 2.498 11.993a2.785 2.785 0 0 0 1.6 2.511 5.337 5.337 0 0 0 2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex advgb-dyn-5e5a4c85\">\n<div class=\"wp-block-button alignright advgb-dyn-18d652e6\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full advgb-dyn-f12665c0\"><img loading=\"lazy\" decoding=\"async\" width=\"589\" height=\"680\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Facade-Face.png\" alt=\"\" class=\"wp-image-10444\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Facade-Face.png 589w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Facade-Face-260x300.png 260w\" sizes=\"auto, (max-width: 589px) 100vw, 589px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-5a996784\"><\/div>\n\n\n\n<p>Hearing the voice of countertenor Russell Oberlin (1928 \u2013 2016) as a soloist with the Robert Shaw Chorale was one of the formative experiences of my early life. I doubt that I would ever have become a countertenor myself had it not been for that beacon of a voice as my shining ideal and example. Many years after his early retirement from singing he extended kindness and generosity to me in a way that has always remained with me. Since I have begun the podcast and with rare exceptions, I generally shy away from discussing other countertenors. Today I break my silence on the topic to present to you the greatest countertenor of them all in all his uniqueness. From his early days as a founding member of the New York Pro Musica and his series of medieval and renaissance music, through his electrifying stage appearances as Oberon in Benjamin Britten\u2019s <em>A Midsummer Night\u2019s Dream<\/em>, through his standard-setting appearances in Handel and his unexpected but charming expertise as a singer of art song and reciter of poetry: all these aspects of Oberlin\u2019s versatility and artistry are herein represented. A special vocal guest is the tenor Charles Bressler (1926 \u2013 1996), like Oberon a founding member of the New York Pro Musica, who is heard in four duets with Oberlin. Perhaps Oberlin\u2019s greatest achievement lies in the simplicity and nobility of his performances of the music of Henry Purcell, who is also well-represented here. This episode is a must for all lovers of great singing in general and specifically for all who want to hear what well-equalized, technically balanced and secure countertenor singing sounds like.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-3c7bf8da\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-13857eb0\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"983\" height=\"765\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Harpsichord-demure.png\" alt=\"\" class=\"wp-image-10449\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Harpsichord-demure.png 983w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Harpsichord-demure-300x233.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Harpsichord-demure-768x598.png 768w\" sizes=\"auto, (max-width: 983px) 100vw, 983px\" \/><\/figure>\n<\/div>\n\n\n<p>Henry Purcell, John Dryden: Music for a while (<em>Oedipus<\/em>). Russell Oberlin, Paul Maynard, Seymour Barab [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" data-id=\"10452\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Shaw-Volume-ii-78s-1024x1024.jpg\" alt=\"\" class=\"wp-image-10452\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Shaw-Volume-ii-78s-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Shaw-Volume-ii-78s-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Shaw-Volume-ii-78s-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Shaw-Volume-ii-78s-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Shaw-Volume-ii-78s.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"586\" height=\"581\" data-id=\"10451\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Shaw-Volume-II.jpg\" alt=\"\" class=\"wp-image-10451\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Shaw-Volume-II.jpg 586w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Shaw-Volume-II-300x297.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Shaw-Volume-II-150x150.jpg 150w\" sizes=\"auto, (max-width: 586px) 100vw, 586px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Kentucky Mountain Ballad, arr. Robert Shaw, Alice Parker: The Cherry Tree Carol. Russell Oberlin, Robert Shaw, the Robert Shaw Chorale [1952]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"979\" height=\"752\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Godric-1.png\" alt=\"\" class=\"wp-image-10453\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Godric-1.png 979w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Godric-1-300x230.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Godric-1-768x590.png 768w\" sizes=\"auto, (max-width: 979px) 100vw, 979px\" \/><\/figure>\n<\/div>\n\n\n<p>Fran\u00e7ois Couperin: Veni, veni sponsa Christe (<em>Motet de Sainte-Suzanne<\/em>). Russell Oberlin, Stoddard Lincoln, Instrumental Ensemble [live 06.II.53]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"543\" height=\"659\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Deller-mustachioed-portrait.png\" alt=\"\" class=\"wp-image-10454\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Deller-mustachioed-portrait.png 543w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Deller-mustachioed-portrait-247x300.png 247w\" sizes=\"auto, (max-width: 543px) 100vw, 543px\" \/><\/figure>\n<\/div>\n\n\n<p>Henry Purcell, Nahum Tate: Strike the Viol (<em>Come, Ye Sons of Art<\/em>). Alfred Deller, Anthony Lewis, Ensemble Orchestral de l\u2019Oiseau-Lyre [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"956\" height=\"760\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Harpsichord-oo-vowel.png\" alt=\"\" class=\"wp-image-10481\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Harpsichord-oo-vowel.png 956w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Harpsichord-oo-vowel-300x238.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Harpsichord-oo-vowel-768x611.png 768w\" sizes=\"auto, (max-width: 956px) 100vw, 956px\" \/><\/figure>\n<\/div>\n\n\n<p>Henry Purcell, Nahum Tate: Strike the viol (<em>Come, Ye Sons of Art<\/em>). Russell Oberlin, Bernard Krainis, John Leonard [LaNoue Davenport], George Koutzen, Herman Chessid [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"880\" height=\"666\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Schickele-Ferrante-Oei.png\" alt=\"\" class=\"wp-image-10456\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Schickele-Ferrante-Oei.png 880w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Schickele-Ferrante-Oei-300x227.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Schickele-Ferrante-Oei-768x581.png 768w\" sizes=\"auto, (max-width: 880px) 100vw, 880px\" \/><figcaption>Peter Schickele, John Ferrante, and David Oei (kneeling)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>PDQ Bach [Peter Schickele]: Like a Lonely Pilgrim (<em>Hansel and Gretel and Ted and Alice<\/em>). John Ferrante, David Oei [live 1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Greenberg.jpg\" alt=\"\" class=\"wp-image-10457\" width=\"581\" height=\"584\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Greenberg.jpg 454w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Greenberg-298x300.jpg 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Greenberg-150x150.jpg 150w\" sizes=\"auto, (max-width: 581px) 100vw, 581px\" \/><figcaption>Noah Greenberg (1919 \u2013 1966)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Anonymous 13th Century French: Nuntium vobis fero de supernis (<em>The Play of Daniel<\/em> [<em>Ludus Danielis<\/em>]). Russell Oberlin, Noah Greenberg, New York Pro Musica [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"811\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Oberlin-as-Oberon-Covent-Garden-1024x811.jpg\" alt=\"\" class=\"wp-image-10458\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Oberlin-as-Oberon-Covent-Garden-1024x811.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Oberlin-as-Oberon-Covent-Garden-300x238.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Oberlin-as-Oberon-Covent-Garden-768x609.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Oberlin-as-Oberon-Covent-Garden.jpg 1455w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Oberlin as Oberon, Covent Garden 1961<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Benjamin Britten, William Shakespeare (edited by Peter Pears): I know a bank (<em>A Midsummer Night\u2019s Dream<\/em>). Russell Oberlin, Georg Solti, Orchestra of the Royal Opera House, Covent Garden [live London 11.II.61]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"511\" height=\"633\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Oberlin-San-Francisco-Oberon.png\" alt=\"\" class=\"wp-image-10486\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Oberlin-San-Francisco-Oberon.png 511w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Oberlin-San-Francisco-Oberon-242x300.png 242w\" sizes=\"auto, (max-width: 511px) 100vw, 511px\" \/><figcaption>Oberlin as Oberon, San Francisco Opera 1961<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"965\" height=\"763\" data-id=\"10459\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Rodelinda-in-your-face.png\" alt=\"\" class=\"wp-image-10459\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Rodelinda-in-your-face.png 965w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Rodelinda-in-your-face-300x237.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Rodelinda-in-your-face-768x607.png 768w\" sizes=\"auto, (max-width: 965px) 100vw, 965px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"957\" height=\"762\" data-id=\"10462\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Rodelinda-hey-you.png\" alt=\"\" class=\"wp-image-10462\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Rodelinda-hey-you.png 957w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Rodelinda-hey-you-300x239.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Rodelinda-hey-you-768x612.png 768w\" sizes=\"auto, (max-width: 957px) 100vw, 957px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"932\" height=\"765\" data-id=\"10460\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Rodelinda-intense.png\" alt=\"\" class=\"wp-image-10460\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Rodelinda-intense.png 932w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Rodelinda-intense-300x246.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Rodelinda-intense-768x630.png 768w\" sizes=\"auto, (max-width: 932px) 100vw, 932px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"948\" height=\"765\" data-id=\"10461\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Rodelinda-oo-vowel.png\" alt=\"\" class=\"wp-image-10461\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Rodelinda-oo-vowel.png 948w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Rodelinda-oo-vowel-300x242.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Rodelinda-oo-vowel-768x620.png 768w\" sizes=\"auto, (max-width: 948px) 100vw, 948px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>George Frideric Handel, Nicola Francesco Haym: Vivi, tiranno (<em>Rodelinda<\/em>). Russell Oberlin, Orchestra conducted by Thomas Dunn, Albert Fuller [1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"951\" height=\"738\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Piano-Williams-1.png\" alt=\"\" class=\"wp-image-10463\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Piano-Williams-1.png 951w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Piano-Williams-1-300x233.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Piano-Williams-1-768x596.png 768w\" sizes=\"auto, (max-width: 951px) 100vw, 951px\" \/><figcaption>Russell Oberlin and Douglas Williams<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Hugo Wolf, Paul Heyse (collected and translated): Auch kleine Dinge (<em>Italienisches Liederbuch<\/em>). Russell Oberlin, Douglas Williams [1961]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"631\" height=\"617\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Oberlin-Recital.png\" alt=\"\" class=\"wp-image-10483\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Oberlin-Recital.png 631w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Oberlin-Recital-300x293.png 300w\" sizes=\"auto, (max-width: 631px) 100vw, 631px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"677\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Barab-and-cello.jpg\" alt=\"\" class=\"wp-image-10464\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Barab-and-cello.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Barab-and-cello-266x300.jpg 266w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Seymour Barab (\u00a01921 \u2013 2014)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Godric of Finchale: Saint\u00eb Mari\u00eb Virgin\u00eb. Russell Oberlin, Seymour Barab [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"855\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Oberlin-Musical-America-ad.jpg\" alt=\"\" class=\"wp-image-10468\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Oberlin-Musical-America-ad.jpg 660w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Oberlin-Musical-America-ad-232x300.jpg 232w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><\/figure>\n<\/div>\n\n\n<p>Arnault Daniel: Chanson do ill mot son plan e prim. Russell Oberlin, Seymour Barab [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"740\" height=\"644\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Joseph-Iadone.png\" alt=\"\" class=\"wp-image-10467\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Joseph-Iadone.png 740w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Joseph-Iadone-300x261.png 300w\" sizes=\"auto, (max-width: 740px) 100vw, 740px\" \/><figcaption>Joseph Iadone (1914 \u2013 2004)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Alfonso el Sabio: Cantiga 205 [Como Santa Maria qui guardar] (<em>Cantigas de Santa Maria<\/em>). Russell Oberlin, Joseph Iadone [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"569\" height=\"528\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Michael-Brimer.jpg\" alt=\"\" class=\"wp-image-10469\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Michael-Brimer.jpg 569w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Michael-Brimer-300x278.jpg 300w\" sizes=\"auto, (max-width: 569px) 100vw, 569px\" \/><figcaption>Michael Brimer<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>John Dunstable: Puisque m\u2019amour. Russell Oberlin, Michael Brimer [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"563\" height=\"674\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Dowland-as-Hipsterr.png\" alt=\"\" class=\"wp-image-10470\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Dowland-as-Hipsterr.png 563w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Dowland-as-Hipsterr-251x300.png 251w\" sizes=\"auto, (max-width: 563px) 100vw, 563px\" \/><figcaption>John Dowland (1563 \u2013 1626), hipster<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>John Dowland: Weep you no more, sad fountains. Russell Oberlin, Joseph Iadone [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"463\" height=\"670\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Wm-Byrd.png\" alt=\"\" class=\"wp-image-10472\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Wm-Byrd.png 463w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Wm-Byrd-207x300.png 207w\" sizes=\"auto, (max-width: 463px) 100vw, 463px\" \/><figcaption>William Byrd (1543 \u2013 1623)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>William Byrd: Though Amaryllis Dance in Green. Russell Oberlin, Denis Stevens, the In Nomine Players [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"524\" height=\"633\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Bressler.jpg\" alt=\"\" class=\"wp-image-10473\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Bressler.jpg 524w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Bressler-248x300.jpg 248w\" sizes=\"auto, (max-width: 524px) 100vw, 524px\" \/><figcaption>Charles Bressler (1926 \u2013 1996)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Anonymous English 13th Century: Opem nobis \/ Salve Thoma \/ Pastor cesus. Russell Oberlin, Charles Bressler, Seymour Barab, Martha Blackman [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"896\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Martha-Blackman-896x1024.jpg\" alt=\"\" class=\"wp-image-10474\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Martha-Blackman-896x1024.jpg 896w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Martha-Blackman-262x300.jpg 262w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Martha-Blackman-768x878.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Martha-Blackman.jpg 1019w\" sizes=\"auto, (max-width: 896px) 100vw, 896px\" \/><figcaption>Martha Blackman (1927\u20132021)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Claudio Monteverdi: Zefiro torna (Madrigals, Book IX, SV 251). Russell Oberlin, Charles Bressler, New York Pro Musica [Sonya Monosoff, Paul Maynard, Martha Blackman], Noah Greenberg [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"442\" height=\"649\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/LaNoue-Davenport.png\" alt=\"\" class=\"wp-image-10475\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/LaNoue-Davenport.png 442w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/LaNoue-Davenport-204x300.png 204w\" sizes=\"auto, (max-width: 442px) 100vw, 442px\" \/><figcaption>LaNoue Davenport (1922\u20131999)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>John Blow, John Dryden: Ye brethren of the lyre (<em>Ode on the Death of Henry Purcell<\/em>). Russell Oberlin, Charles Bressler, Bernard Krainis, LaNoue Davenport, George Koutzen, Herman Chessid [1954]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Krainis-LP.png\" alt=\"\" class=\"wp-image-10476\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Krainis-LP.png 630w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Krainis-LP-295x300.png 295w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><figcaption>Bernard Krainis (1924\u20132000)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"961\" height=\"756\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Harpsichord-head-back.png\" alt=\"\" class=\"wp-image-10477\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Harpsichord-head-back.png 961w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Harpsichord-head-back-300x236.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Harpsichord-head-back-768x604.png 768w\" sizes=\"auto, (max-width: 961px) 100vw, 961px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Sebastian Bach: Et misericordia (<em>Magnificat<\/em>, BWV 243). Russell Oberlin, Charles Bressler, Leonard Bernstein, New York Philharmonic [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"627\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Baroque-Cantatas.png\" alt=\"\" class=\"wp-image-10478\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Baroque-Cantatas.png 624w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Baroque-Cantatas-300x300.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Baroque-Cantatas-150x150.png 150w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/figure>\n<\/div>\n\n\n<p>Georg Philipp Telemann: Immanuel ist da! Triumph, Halleluja (<em>Gott will Mensch und sterblich werden<\/em>, TWV 1: 694). Russell Oberlin, Alexander Schneider, George Ricci, Douglas Williams [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"638\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Facade-Cover.png\" alt=\"\" class=\"wp-image-10480\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Facade-Cover.png 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Facade-Cover-300x300.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Facade-Cover-150x150.png 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n<\/div>\n\n\n<p>William Walton, Edith Sitwell: Tango-Pasodoble (<em>Fa\u00e7ade<\/em>). Russell Oberlin, Thomas Dunn, John Solum, Charles Russo, Theodore Weis, Charles McCracken, Harold Farberman [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"709\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Russell-Oberlin.jpg\" alt=\"\" class=\"wp-image-10482\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Russell-Oberlin.jpg 709w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Russell-Oberlin-208x300.jpg 208w\" sizes=\"auto, (max-width: 709px) 100vw, 709px\" \/><\/figure>\n\n\n\n<p>William Byrd: My Sweet Little Darling. Russell Oberlin, Denis Stevens, the In Nomine Players [1960]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"937\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Denis-Stevens-937x1024.jpg\" alt=\"\" class=\"wp-image-10484\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Denis-Stevens-937x1024.jpg 937w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Denis-Stevens-275x300.jpg 275w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Denis-Stevens-768x839.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Denis-Stevens-1406x1536.jpg 1406w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Denis-Stevens.jpg 1490w\" sizes=\"auto, (max-width: 937px) 100vw, 937px\" \/><figcaption>Denis Stevens (1922 \u2013 2004)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"745\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Piano-Closeup-4.png\" alt=\"\" class=\"wp-image-10485\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Piano-Closeup-4.png 960w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Piano-Closeup-4-300x233.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Piano-Closeup-4-768x596.png 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure>\n\n\n\n<p>Henry Purcell, William Fuller: An Evening Hymn on a Ground [Now that the sun hath veil\u2019d his light] (<em>Harmonia sacra<\/em>). Russell Oberlin, Paul Maynard, Seymour Barab [1953]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"957\" height=\"747\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Piano-Closeup-2.png\" alt=\"\" class=\"wp-image-10487\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Piano-Closeup-2.png 957w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Piano-Closeup-2-300x234.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Piano-Closeup-2-768x599.png 768w\" sizes=\"auto, (max-width: 957px) 100vw, 957px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 158. Russell Oberlin SOCIAL SHARE SUBSCRIPTION PLATFORM Hearing the voice of countertenor Russell Oberlin (1928 \u2013 2016) as a&hellip;<\/p>\n","protected":false},"author":1,"featured_media":10447,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,424,2261,8033,1263,2260,808,2806],"tags":[4383,2270,4378,4384,617,1284,305,4372,4379,2432,33,4389,4377,4368,4369,4025,1905,280,4382,255,648,3116,298,4371,2792,4376,2446,4366,972,4388,4374,4373,4386,4375,2447,2444,567,43,1407,4381,4385,4387,4370,4380,4367],"class_list":["post-10286","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-countertenors","category-full-figured-baroque","category-johann-sebastian-bach","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-twentieth-century-music","tag-a-midsummer-nights-dream","tag-alexander-schneider","tag-alfonso-el-sabio","tag-alfred-deller","tag-alice-parker","tag-anthony-lewis","tag-benjamin-britten","tag-bernard-krainis","tag-cantigas-de-santa-maria","tag-charles-bressler","tag-claudio-monteverdi","tag-countertenors","tag-daniel-arnault","tag-denis-stevens","tag-douglas-williams","tag-francois-couperin","tag-georg-solti","tag-george-frideric-handel","tag-godric-of-finchale","tag-henry-purcell","tag-hugo-wolf","tag-italienisches-liederbuch","tag-johann-sebastian-bach","tag-john-blow","tag-john-dowland","tag-john-dunstable","tag-john-ferrante","tag-joseph-iadone","tag-leonard-bernstein","tag-ludus-danielis","tag-martha-blackman","tag-new-york-pro-musica","tag-noah-greenberg","tag-paul-maynard","tag-pdq-bach","tag-peter-schickele","tag-robert-shaw","tag-russell-oberlin","tag-seymour-barab","tag-st-godric","tag-stoddard-lincoln","tag-the-play-of-daniel","tag-thomas-dunn","tag-troubador-songs","tag-william-byrd"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Baroque-Eyes-STEREO-300x150.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/countertenors\/\" class=\"advgb-post-tax-term\">Countertenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Countertenors<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">A Midsummer Night\u2019s Dream<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alexander Schneider<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alfonso el Sabio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alfred Deller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alice Parker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anthony Lewis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Benjamin Britten<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bernard Krainis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Cantigas de Santa Maria<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Bressler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claudio Monteverdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">countertenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Daniel Arnault<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Denis Stevens<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Douglas Williams<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fran\u00e7ois Couperin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Georg Solti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Godric of Finchale<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henry Purcell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hugo Wolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Italienisches Liederbuch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Blow<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Dowland<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Dunstable<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Ferrante<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Joseph Iadone<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leonard Bernstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ludus Danielis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Martha Blackman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">New York Pro Musica<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Noah Greenberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Maynard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">PDQ Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Peter Schickele<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Shaw<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Russell Oberlin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Seymour Barab<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">St. Godric<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Stoddard Lincoln<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Play of Daniel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Thomas Dunn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Troubador songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Byrd<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">A Midsummer Night\u2019s Dream<\/span>","<span class=\"advgb-post-tax-term\">Alexander Schneider<\/span>","<span class=\"advgb-post-tax-term\">Alfonso el Sabio<\/span>","<span class=\"advgb-post-tax-term\">Alfred Deller<\/span>","<span class=\"advgb-post-tax-term\">Alice Parker<\/span>","<span class=\"advgb-post-tax-term\">Anthony Lewis<\/span>","<span class=\"advgb-post-tax-term\">Benjamin Britten<\/span>","<span class=\"advgb-post-tax-term\">Bernard Krainis<\/span>","<span class=\"advgb-post-tax-term\">Cantigas de Santa Maria<\/span>","<span class=\"advgb-post-tax-term\">Charles Bressler<\/span>","<span class=\"advgb-post-tax-term\">Claudio Monteverdi<\/span>","<span class=\"advgb-post-tax-term\">countertenors<\/span>","<span class=\"advgb-post-tax-term\">Daniel Arnault<\/span>","<span class=\"advgb-post-tax-term\">Denis Stevens<\/span>","<span class=\"advgb-post-tax-term\">Douglas Williams<\/span>","<span class=\"advgb-post-tax-term\">Fran\u00e7ois Couperin<\/span>","<span class=\"advgb-post-tax-term\">Georg Solti<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Godric of Finchale<\/span>","<span class=\"advgb-post-tax-term\">Henry Purcell<\/span>","<span class=\"advgb-post-tax-term\">Hugo Wolf<\/span>","<span class=\"advgb-post-tax-term\">Italienisches Liederbuch<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">John Blow<\/span>","<span class=\"advgb-post-tax-term\">John Dowland<\/span>","<span class=\"advgb-post-tax-term\">John Dunstable<\/span>","<span class=\"advgb-post-tax-term\">John Ferrante<\/span>","<span class=\"advgb-post-tax-term\">Joseph Iadone<\/span>","<span class=\"advgb-post-tax-term\">Leonard Bernstein<\/span>","<span class=\"advgb-post-tax-term\">Ludus Danielis<\/span>","<span class=\"advgb-post-tax-term\">Martha Blackman<\/span>","<span class=\"advgb-post-tax-term\">New York Pro Musica<\/span>","<span class=\"advgb-post-tax-term\">Noah Greenberg<\/span>","<span class=\"advgb-post-tax-term\">Paul Maynard<\/span>","<span class=\"advgb-post-tax-term\">PDQ Bach<\/span>","<span class=\"advgb-post-tax-term\">Peter Schickele<\/span>","<span class=\"advgb-post-tax-term\">Robert Shaw<\/span>","<span class=\"advgb-post-tax-term\">Russell Oberlin<\/span>","<span class=\"advgb-post-tax-term\">Seymour Barab<\/span>","<span class=\"advgb-post-tax-term\">St. Godric<\/span>","<span class=\"advgb-post-tax-term\">Stoddard Lincoln<\/span>","<span class=\"advgb-post-tax-term\">The Play of Daniel<\/span>","<span class=\"advgb-post-tax-term\">Thomas Dunn<\/span>","<span class=\"advgb-post-tax-term\">Troubador songs<\/span>","<span class=\"advgb-post-tax-term\">William Byrd<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 4 years ago","modified":"Updated 9 months ago"},"absolute_dates":{"created":"Posted on 19\/08\/2022","modified":"Updated on 29\/07\/2025"},"absolute_dates_time":{"created":"Posted on 19\/08\/2022 22:17","modified":"Updated on 29\/07\/2025 10:55"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/10286","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=10286"}],"version-history":[{"count":3,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/10286\/revisions"}],"predecessor-version":[{"id":10488,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/10286\/revisions\/10488"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/10447"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=10286"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=10286"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=10286"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}