{"id":10090,"date":"2022-08-04T22:24:42","date_gmt":"2022-08-04T20:24:42","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=10090"},"modified":"2024-02-16T10:45:49","modified_gmt":"2024-02-16T09:45:49","slug":"episode-156-barely-sang-at-the-met-ii","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2022\/08\/04\/episode-156-barely-sang-at-the-met-ii\/","title":{"rendered":"Episode 156. Barely Sang at the Met II"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 156.  Barely Sang at the Met II<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=631-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10090&#038;title=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Facebook<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-twitter  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/twitter.com\/share?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10090&#038;link=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M22.23,5.924c-0.736,0.326-1.527,0.547-2.357,0.646c0.847-0.508,1.498-1.312,1.804-2.27 c-0.793,0.47-1.671,0.812-2.606,0.996C18.324,4.498,17.257,4,16.077,4c-2.266,0-4.103,1.837-4.103,4.103 c0,0.322,0.036,0.635,0.106,0.935C8.67,8.867,5.647,7.234,3.623,4.751C3.27,5.357,3.067,6.062,3.067,6.814 c0,1.424,0.724,2.679,1.825,3.415c-0.673-0.021-1.305-0.206-1.859-0.513c0,0.017,0,0.034,0,0.052c0,1.988,1.414,3.647,3.292,4.023 c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10090&#038;description=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10090&#038;subject=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\"><path d=\"M9 11.8l6.1-4.5c.1.4.4.7.9.7h2c.6 0 1-.4 1-1V5c0-.6-.4-1-1-1h-2c-.6 0-1 .4-1 1v.4l-6.4 4.8c-.2-.1-.4-.2-.6-.2H6c-.6 0-1 .4-1 1v2c0 .6.4 1 1 1h2c.2 0 .4-.1.6-.2l6.4 4.8v.4c0 .6.4 1 1 1h2c.6 0 1-.4 1-1v-2c0-.6-.4-1-1-1h-2c-.5 0-.8.3-.9.7L9 12.2v-.4z\"\/><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share via Email<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-reddit  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/reddit.com\/submit?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10090&#038;title=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M5.27 9.221A2.775 2.775 0 0 0 2.498 11.993a2.785 2.785 0 0 0 1.6 2.511 5.337 5.337 0 0 0 2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex advgb-dyn-5e5a4c85\">\n<div class=\"wp-block-button alignright advgb-dyn-18d652e6\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full advgb-dyn-cafc010a\"><img loading=\"lazy\" decoding=\"async\" width=\"855\" height=\"674\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Schlueter-Elektra.png\" alt=\"\" class=\"wp-image-10374\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Schlueter-Elektra.png 855w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Schlueter-Elektra-300x236.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Schlueter-Elektra-768x605.png 768w\" sizes=\"auto, (max-width: 855px) 100vw, 855px\" \/><figcaption>Erna Schl\u00fcter as Elektra, London 1953<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-5a996784\"><\/div>\n\n\n\n<p>This week is the conclusion of my presentation on world-class singers who made a minimal number of appearances at the Metropolitan Opera. My arbitrary parameters for this episode were singers who appeared (approximately) between the years 1950 and 1975 and sang fewer than ten performances in total at that venerable institution. Among the artists featured are the British singers Josephine Veasey and Anne Howells (both of whom we lost earlier this year), as well as Stafford Dean and Alberto Remedios; the French-Canadian tenors L\u00e9opold Simoneau and Richard Verreau; the Romanians Ludovic Spiess and Marina Krilovici; the US-American dramatic coloratura Margherita Roberti; the Australian super-soprano Joan Carden; the Italian sopranos Maria Chiara and Luisa Malagrida; the French <em>falcon<\/em> Jane Rhodes; the Austrians Eberhard W\u00e4chter and Otto Wiener; the Finnish <em>heldentenor <\/em>Pekka Nuotio; and the Germans Josef Greindl, Walburga Wegner, Erna Schl\u00fcter and Christel Goltz. Met stalwarts Monserrat Caball\u00e9, Shirley Verrett, Ram\u00f3n Vinay, and Jorma Hynninen are featured as vocal guest stars; conductors include such greats as Dimitri Mitroupoulos, Gianandrea Gavazzeni, Thomas Beecham, Carlo Felice Cillario, and Arthur Rodzi\u0144ski..<\/p>\n\n\n\n<p><em>Countermelody<\/em> is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel\u2019s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and \u201cinside stories.\u201d At&nbsp;<em>Countermelody<\/em>\u2019s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (<a href=\"https:\/\/linktr.ee\/CountermelodyPodcast\">https:\/\/linktr.ee\/CountermelodyPodcast<\/a>) you can find the dedicated <em>Countermelody<\/em>&nbsp;website which contains additional content including artist photos and episode setlists. The link will also take you to <em>Countermelody<\/em>\u2019s Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-3c7bf8da\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-13857eb0\"><\/div>\n\n\n\n<p>Vincenzo Bellini, Felice Romani: Mira, o Norma (<em>Norma<\/em>). Josephine Veasey, Montserrat Caball\u00e9, Giuseppe Patan\u00e8, Orchestra del Teatro Regio di Torino [live Orange 20.VII.74]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"372\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Veasey.jpg\" alt=\"\" class=\"wp-image-10375\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Veasey.jpg 620w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Veasey-300x180.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/figure>\n<\/div>\n\n\n<p>Josephine Veasey (10 July 1930 \u2013 22 February 2022) sang six performances of Fricka during the Met\u2019s 1968-69 season: four in <em>Das Rheingold<\/em>, and two in <em>Die Walk\u00fcre<\/em>.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"536\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/caballe-norma-1024x536.jpg\" alt=\"\" class=\"wp-image-10405\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/caballe-norma-1024x536.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/caballe-norma-300x157.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/caballe-norma-768x402.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/caballe-norma.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte [n\u00e9 Emanuele Conegliano]: Smanie implacabili (<em>Cos\u00ec fan tutte<\/em>). Anne Howells, Peter Maag, Orchestra del Teatro La Fenice [live Venezia 1983]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Anne-Howells-1024x768.jpg\" alt=\"\" class=\"wp-image-10376\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Anne-Howells-1024x768.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Anne-Howells-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Anne-Howells-768x576.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Anne-Howells.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Anne Howells (12 January 1941 \u2013 18 May 2022) sang a total of 14 performances at the Met: 6 as Dorabella at the end of calendar year 1975, and 8 as Niklausse in <em>Les Contes d\u2019Hoffmann<\/em> at the end of the 1981-82 season.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte (n\u00e9 Emanuele Conegliano): Madamina! Il catalogo \u00e8 questo (<em>Don Giovanni<\/em>). Stafford Dean, Alexander Gibson, Scottish Chamber Orchestra [1975]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"996\" height=\"633\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Stafford-Dean-recording-session.jpg\" alt=\"\" class=\"wp-image-10377\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Stafford-Dean-recording-session.jpg 996w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Stafford-Dean-recording-session-300x191.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Stafford-Dean-recording-session-768x488.jpg 768w\" sizes=\"auto, (max-width: 996px) 100vw, 996px\" \/><\/figure>\n<\/div>\n\n\n<p>Stafford Dean (born 20 June 1937) sang 7 performances of Figaro in <em>Le nozze di Figaro <\/em>in February and March 1976.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: Un\u2019aura amorosa (<em>Cos\u00ec fan tutte<\/em>). L\u00e9opold Simoneau, Bernhard Paumgartner, Wiener Symphoniker [1956]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"762\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Simoneau.png\" alt=\"\" class=\"wp-image-10378\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Simoneau.png 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Simoneau-236x300.png 236w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n<\/div>\n\n\n<p>L\u00e9opold Simoneau (03 May 1916 \u2013 24 August 2006) sang four performances of Don Ottavio in <em>Don Giovanni<\/em> in the fall of 1963.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart, Emanuel Schikaneder [n\u00e9 Johann Joseph Schickeneder]: Dies Bildnis ist bezaubernd sch\u00f6n (<em>Die Zauberfl\u00f6te<\/em>). Ludovic Spiess, Jean Bobescu, Bucharest Romanian Opera Orchestra [1969]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"504\" height=\"430\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Spiess-Operetta-Cover.jpg\" alt=\"\" class=\"wp-image-10379\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Spiess-Operetta-Cover.jpg 504w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Spiess-Operetta-Cover-300x256.jpg 300w\" sizes=\"auto, (max-width: 504px) 100vw, 504px\" \/><\/figure>\n<\/div>\n\n\n<p>In the year 1971 Romanian tenor Ludovic Spiess (13 May 1938 \u2013 29 January 2006) sang a total of five performances at the Met: two as Manrico (his debut), one as Florestan, and two as Canio.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jules Massenet, Henri Meilhac, Philippe Gille (after Abb\u00e9 Pr\u00e9vost): Ah, fuyez, douce image (<em>Manon<\/em>). Richard Verreau, Wilfrid Pelletier, Symphony Orchestra of Turin [1960]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"596\" height=\"554\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Verreau-young-finger.png\" alt=\"\" class=\"wp-image-10380\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Verreau-young-finger.png 596w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Verreau-young-finger-300x279.png 300w\" sizes=\"auto, (max-width: 596px) 100vw, 596px\" \/><\/figure>\n<\/div>\n\n\n<p>French-Canadian tenor Richard Verreau (01 January 1926 \u2013 06 July 2005) sang a total of five performances at the Met between 1963 and 1965: a single performance in the title role of <em>Faust<\/em>, his debut; two as Des Grieux in <em>Manon<\/em>; and one appearance in a concert entitled \u201cThe Mysterious East\u201d in which he sang excerpts from <em>Les P\u00eacheurs de Perles<\/em>, <em>Lakm\u00e9<\/em>, <em>Turandot<\/em>, and <em>Madama Butterfly<\/em>.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Wagner: Die beste \u00c4rztin bald ich fand&#8230; Isolde kommt! (<em>Tristan und Isolde<\/em>). Pekka Nuotio, Jorma Hynninen, Okko Kamu, Finnish Radio Symphony Orchestra [1976]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"530\" height=\"726\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Pekka-Nuotio.png\" alt=\"\" class=\"wp-image-10381\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Pekka-Nuotio.png 530w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Pekka-Nuotio-219x300.png 219w\" sizes=\"auto, (max-width: 530px) 100vw, 530px\" \/><\/figure>\n<\/div>\n\n\n<p>Finnish tenor Pekka Nuotio (21 February 1929 \u2013 17 March 1989) sang a total of 8 Met performances in 1966 and 1967: six as Tannh\u00e4user and two as Tristan.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"584\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Hynninen-young-and-old-1024x584.jpg\" alt=\"\" class=\"wp-image-10382\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Hynninen-young-and-old-1024x584.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Hynninen-young-and-old-300x171.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Hynninen-young-and-old-768x438.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Hynninen-young-and-old.jpg 1073w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Jorma Hynninen: a dual portrait<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Wagner: O du mein holder Abendstern (<em>Tannh\u00e4user<\/em>). Eberhard W\u00e4chter, Artur Rodzi\u0144ski, Orchestra Sinfonica di Roma della RAI [live Rome 14.XI.57]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"712\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Waechter-712x1024.jpg\" alt=\"\" class=\"wp-image-10383\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Waechter-712x1024.jpg 712w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Waechter-209x300.jpg 209w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Waechter.jpg 736w\" sizes=\"auto, (max-width: 712px) 100vw, 712px\" \/><\/figure>\n<\/div>\n\n\n<p>Viennese baritone Eberhard W\u00e4chter (09 July 1929 \u2013 29 March 1992) sang only three performances at the Met, of his signature role of Wolfram in the winter of 1961.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Fromental Hal\u00e9vy, Eug\u00e8ne Scribe [Karl August von Lichtenstein, German translation]: Wenn ew\u2019ger Hass [Si la rigueur] (<em>La juive<\/em> [Die J\u00fcdin]). Josef Greindl, Leopold Ludwig, M\u00fcnchener Philharmoniker [1954]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"736\" height=\"944\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Greindl-as-Hagen.jpg\" alt=\"\" class=\"wp-image-10384\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Greindl-as-Hagen.jpg 736w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Greindl-as-Hagen-234x300.jpg 234w\" sizes=\"auto, (max-width: 736px) 100vw, 736px\" \/><\/figure>\n<\/div>\n\n\n<p>German Wagnerian bass Josef Greindl (23 December 1912 &#8211; 16 April 1993) sang a total of nine performances at the Met during the 1952-53 season in the secondary roles of King Heinrich in <em>Lohengrin<\/em> (5) and Veit Pogner in <em>Meistersinger<\/em> (4).<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giuseppe Verdi, Arrigo Boito (after William Shakespeare): Poi mi guidavi ai fulgidi deserti (<em>Otello<\/em>). Alberto Remedios, Joan Carden, Carlo Felice Cillario, Opera Australia Orchestra [live Sydney 28.I.84]<\/p>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"696\" height=\"1024\" data-id=\"10385\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Joan-Carden-696x1024.jpg\" alt=\"\" class=\"wp-image-10385\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Joan-Carden-696x1024.jpg 696w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Joan-Carden-204x300.jpg 204w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Joan-Carden.jpg 720w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption>Joan Carden<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"960\" data-id=\"10386\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Remedios-with-Lohengrin-score.jpg\" alt=\"\" class=\"wp-image-10386\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Remedios-with-Lohengrin-score.jpg 675w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Remedios-with-Lohengrin-score-211x300.jpg 211w\" sizes=\"auto, (max-width: 675px) 100vw, 675px\" \/><figcaption>Alberto Remedios<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Liverpudlian <em>jugendlich dramatisch <\/em>tenor Alberto Remedios (27 February 1935 \u2013 11 June 2016) sang a total of six Met performances as Bacchus in <em>Ariadne auf Naxos <\/em>in the spring of 1976 opposite Montserrat Caball\u00e9 and Johanna Meier. Australian soprano Joan Carden (born 09 October 1937) sang 8 performances of Donna Anna on the Met\u2019s 1978 spring tour. She never performed in the house.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giuseppe Verdi, Andrea Maffei (after Friedrich Schiller): Venerabile, o padre&#8230; Lo sguardo avea degli angeli (<em>I Masnadieri<\/em>). Margherita Roberti, Gianandrea Gavazzeni, Orchestra del Teatro Comunale di Firenze [live Firenze 18.VI.63]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"696\" height=\"900\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Margherita-Roberti.jpg\" alt=\"\" class=\"wp-image-10387\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Margherita-Roberti.jpg 696w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Margherita-Roberti-232x300.jpg 232w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/figure>\n<\/div>\n\n\n<p>The incredibly gifted dramatic coloratura American soprano Margherita Roberti (n\u00e9e Margaret Jean Roberts, 27 June 1925 &#8211; 23 January 2021) sang three performances of two roles at the Met in the winter of 1962, two of Tosca, her debut role, and one of Aida.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave (after \u00c1ngel de Saavedra): Pace, pace, mio Dio (<em>La forza del destino<\/em>). Marina Krilovici, Otto-Werner Mueller, Montr\u00e9al Symphony Orchestra [live Montr\u00e9al, Palais des Arts, VI. 67] (Concours International d\u2019Art Vocal Montr\u00e9al 1967)<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"715\" height=\"919\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Marina-Krilovici.jpg\" alt=\"\" class=\"wp-image-10388\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Marina-Krilovici.jpg 715w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Marina-Krilovici-233x300.jpg 233w\" sizes=\"auto, (max-width: 715px) 100vw, 715px\" \/><\/figure>\n<\/div>\n\n\n<p>Bucharest-born soprano Marina Krilovici (11 June 1942) sang a total of seven performances at the Met, three of her debut role of Cio-Cio San in 1973; three of Giorgetta in <em>Il Tabarro<\/em>; and one of Leonora in <em>Il Trovatore<\/em> on the 1977 Met tour.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Alfredo Catalani, Angelo Zanardini, Giuseppe Depanis, Carlo D\u2019Ormeville: Amor, celeste ebbrezza (<em>Loreley<\/em>). Maria Chiara, Kurt Herbert Adler, National Philharmonic Orchestra [1977]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"747\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Chiara-1974-747x1024.jpg\" alt=\"\" class=\"wp-image-10389\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Chiara-1974-747x1024.jpg 747w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Chiara-1974-219x300.jpg 219w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Chiara-1974-768x1053.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Chiara-1974.jpg 1104w\" sizes=\"auto, (max-width: 747px) 100vw, 747px\" \/><\/figure>\n<\/div>\n\n\n<p>Italian soprano Maria Chiara (born 24 November 1939) sang four performances of Violetta at the Met in December 1977.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Ildebrando Pizzetti, (libretto by Pizzetti after Gabriel d\u2019Annunzio): Vergine sante, fatemi la grazio (<em>La Figlia di Jorio<\/em>). Luisa Malagrida, Gianandrea Gavazzeni, Orchestra del Teatro San Carlo [live Napoli 04.XII.54]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"789\" height=\"541\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Malagrida.png\" alt=\"\" class=\"wp-image-10390\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Malagrida.png 789w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Malagrida-300x206.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Malagrida-768x527.png 768w\" sizes=\"auto, (max-width: 789px) 100vw, 789px\" \/><\/figure>\n<\/div>\n\n\n<p>Italian soprano Luisa Malagrida (05 November 1920 &#8211; 04 August 2008), a versatile singer celebrated in particular for her creation of new roles, sang exactly two performances of Leonora in <em>Il Trovatore<\/em> in the 1963-64 Met season.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Sergei Prokofiev (libretto by Prokofiev after Valery Bryusov, translated by Michel Anchey: Il venait me voir tr\u00e8s souvent (<em>L\u2019ange de feu<\/em>). Jane Rhodes, Charles Bruck, Orchestre National de l\u2019Op\u00e9ra de Paris [1957]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"468\" height=\"630\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Jane-Rhodes.png\" alt=\"\" class=\"wp-image-10391\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Jane-Rhodes.png 468w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Jane-Rhodes-223x300.png 223w\" sizes=\"auto, (max-width: 468px) 100vw, 468px\" \/><\/figure>\n<\/div>\n\n\n<p>French <em>falcon<\/em> Jane Rhodes (13 March 1929 \u2013 07 May 2011) sang a total of five performances at the Met: a single one of her signature role of Carmen in November 1960, and four as Salome in the winter of 1962, an interpretation which evenly divided critics.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Alban Berg (libretto by Berg after Frank Wedekind): Das mein Lebensabend (<em>Lulu<\/em>). Otto Wiener, Ilona Steingruber, Herbert H\u00e4fner, Wiener Symphoniker [1949]<\/p>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"783\" data-id=\"10392\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Otto-Wiener-Sachs.jpg\" alt=\"\" class=\"wp-image-10392\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Otto-Wiener-Sachs.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Otto-Wiener-Sachs-230x300.jpg 230w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Otto Wiener<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"378\" height=\"521\" data-id=\"10393\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Ilona-Steingruber.png\" alt=\"\" class=\"wp-image-10393\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Ilona-Steingruber.png 378w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Ilona-Steingruber-218x300.png 218w\" sizes=\"auto, (max-width: 378px) 100vw, 378px\" \/><figcaption>Ilona Steingruber<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Viennese bass-baritone Otto Wiener (13 February 1911 \u2013 05 August 2000) sang four performances at the Met of Hans Sachs, his signature role, in the fall of 1962.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Strauss, Hugo von Hofmannsthal (after Sophocles): Sie schlugen dich im Bade tot (<em>Elektra<\/em>). Erna Schl\u00fcter, Thomas Beecham, Royal Philharmonic Orchestra [live London 10.47]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"664\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Schlueter-Turandot-664x1024.jpg\" alt=\"\" class=\"wp-image-10394\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Schlueter-Turandot-664x1024.jpg 664w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Schlueter-Turandot-194x300.jpg 194w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Schlueter-Turandot-768x1185.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Schlueter-Turandot-995x1536.jpg 995w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Schlueter-Turandot.jpg 1016w\" sizes=\"auto, (max-width: 664px) 100vw, 664px\" \/><figcaption>Erna Schl\u00fcter as Turandot<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>German soprano Erna Schl\u00fcter (05 February 1904 \u2013 01 December 1969), in my opinion one of the greatest Elektras in the history of the part, sang two enormously unsuccessful Met performances in 1947, one as Isolde and one as the Marschallin (a performance in which Eleanor Steber sang one of her final Sophies). She was never asked back.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Strauss, Hedwig Lachmann (after Oscar Wilde): Ach! Warum hast du mich nicht angeseh\u2019n? (<em>Salome<\/em>). Walburga Wegner, Rudolf Moralt, Wiener Symphoniker [1954]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"537\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Wegner-Salome.png\" alt=\"\" class=\"wp-image-10395\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Wegner-Salome.png 890w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Wegner-Salome-300x181.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Wegner-Salome-768x463.png 768w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><\/figure>\n<\/div>\n\n\n<p>German soprano Walburga Wegner (25 August 1908 \u2013 23 February 1993) sang a handful of performances at the Met in the early months of 1952: four of Chrysothemis, a moderate critical success; and three of Eva in <em>Meistersinger<\/em>, in which reviews were less enthusiastic.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Strauss, Hedwig Lachmann (after Oscar Wilde): Ich habe deinen Mund gek\u00fc\u00dft (<em>Salome<\/em>). Christel Goltz, Ram\u00f3n Vinay, Dimitri Mitropoulos, Metropolitan Opera Orchestra [live New York 08.I.55]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"605\" height=\"895\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Goltz.jpg\" alt=\"\" class=\"wp-image-10396\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Goltz.jpg 605w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Goltz-203x300.jpg 203w\" sizes=\"auto, (max-width: 605px) 100vw, 605px\" \/><\/figure>\n<\/div>\n\n\n<p>German soprano Christel Goltz (8 July 1912 \u2013 14 November 2008) sang six performances as Salome in the winter of 1954-55, her only appearances at the Met.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Vincenzo Bellini, Felice Romani: Cedi, deh, cedi&#8230; S\u00ec, fino all&#8217;ore estreme (<em>Norma<\/em>). Josephine Veasey, Shirley Verrett, Edward Downes, Orchestra of the Royal Opera House Covent Garden [London 22.XI.79]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Veasey-singing-from-score.png\" alt=\"\" class=\"wp-image-10406\" width=\"386\" height=\"496\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Veasey-singing-from-score.png 342w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Veasey-singing-from-score-234x300.png 234w\" sizes=\"auto, (max-width: 386px) 100vw, 386px\" \/><\/figure>\n<\/div>\n\n\n<p>When Shirley Verrett took her celebrated Norma to Covent Garden, she was in better health and therefore better voice than when she had sung it earlier that same year at the Met, where she was also cast against a much less vocally appropriate Adalgisa.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"426\" height=\"537\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Shirley-Verrett-Norma-hands-1.png\" alt=\"\" class=\"wp-image-10408\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Shirley-Verrett-Norma-hands-1.png 426w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/08\/Shirley-Verrett-Norma-hands-1-238x300.png 238w\" sizes=\"auto, (max-width: 426px) 100vw, 426px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 156. Barely Sang at the Met II SOCIAL SHARE SUBSCRIPTION PLATFORM This week is the conclusion of my presentation&hellip;<\/p>\n","protected":false},"author":1,"featured_media":10398,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1701,3614,5823,3273,2398,2399,2396,1263,2260,2257,2328,5691,2806,427],"tags":[1635,4320,2310,159,2456,77,2290,2151,4311,4299,44,1612,2147,1068,2723,4305,4328,4304,4318,4322,78,140,1705,207,4309,3760,4319,4313,4307,3267,3195,4321,103,3229,3841,433,4316,1110,2910,870,3194,4314,3256,4010,2984,4315,4317,1694,1501,4327,2368,3372,1063,4308,2383,3028,4300,1781,486,4302,4306,4310,337,4326,2353,4312,4303,2330,62,4301,4325,34],"class_list":["post-10090","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bel-canto","category-canadian-singers","category-forgotten-divas","category-french-opera","category-giuseppe-verdi","category-great-baritones","category-jorma-hynninen","category-mezzo-madness","category-music-for-a-world-in-crisis","category-richard-strauss","category-richard-wagner","category-shirley-verrett","category-twentieth-century-music","category-verismo","tag-alban-berg","tag-alberto-remedios","tag-alexander-gibson","tag-alfredo-catalani","tag-anne-howells","tag-arrigo-boito","tag-artur-rodzinski","tag-carlo-felice-cillario","tag-charles-bruck","tag-christel-goltz","tag-cosi-fan-tutte","tag-die-zauberflote","tag-dimitri-mitropoulos","tag-don-giovanni","tag-eberhard-wachter","tag-elektra-strauss","tag-emanuel-schikaneder","tag-erna-schluter","tag-frank-wedekind","tag-fromental-halevy","tag-gabriele-dannunzio","tag-gianandrea-gavazzeni","tag-giuseppe-patane","tag-giuseppe-verdi","tag-herbert-hafner","tag-hugo-von-hofmannsthal","tag-i-masnadieri","tag-ildebrando-pizzetti","tag-ilona-steingruber","tag-jane-rhodes","tag-jean-bobescu","tag-joan-carden","tag-jorma-hynninen","tag-josef-greindl","tag-josephine-veasey","tag-jules-massenet","tag-kurt-herbert-adler","tag-la-forza-del-destino","tag-leopold-ludwig","tag-lorenzo-da-ponte","tag-ludovic-spiess","tag-luisa-malagrida","tag-lulu-berg","tag-manon-massenet","tag-margherita-roberti","tag-maria-chiara","tag-marina-krilovici","tag-metropolitan-opera","tag-montserrat-caballe","tag-norma-bellini","tag-okko-kamu","tag-oscar-wilde","tag-otello","tag-otto-wiener","tag-pekka-nuotio","tag-peter-maag","tag-ramon-vinay","tag-richard-verreau","tag-richard-wagner","tag-rudolf-moralt","tag-salome-strauss","tag-sergei-prokofiev","tag-shirley-verrett","tag-stafford-dean","tag-tannhauser","tag-the-fiery-angel-prokofiev","tag-thomas-beecham","tag-tristan-und-isolde","tag-vincenzo-bellini","tag-walburga-wegner","tag-wilfrid-pelletier","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Rhodes-TRIMMED-300x178.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/canadian-singers\/\" class=\"advgb-post-tax-term\">Canadian Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/jorma-hynninen\/\" class=\"advgb-post-tax-term\">Jorma Hynninen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-wagner\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Shirley Verrett<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Canadian Singers<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Jorma Hynninen<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Shirley Verrett<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alban Berg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alberto Remedios<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alexander Gibson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alfredo Catalani<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Anne Howells<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Arrigo Boito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Artur Rodzinski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Carlo Felice Cillario<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Charles Bruck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Christel Goltz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Cosi fan tutte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Dimitri Mitropoulos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Don Giovanni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Eberhard W\u00e4chter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Elektra (Strauss)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Emanuel Schikaneder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Erna Schl\u00fcter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Frank Wedekind<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Fromental Hal\u00e9vy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Gabriele d&#039;Annunzio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Gianandrea Gavazzeni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giuseppe Patan\u00e8<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Herbert H\u00e4fner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">I Masnadieri<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ildebrando Pizzetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ilona Steingruber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jane Rhodes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jean Bobescu<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Joan Carden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jorma Hynninen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Josef Greindl<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Josephine Veasey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jules Massenet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Kurt Herbert Adler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">La forza del destino<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Leopold Ludwig<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ludovic Spiess<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Luisa Malagrida<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Lulu (Berg)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Manon (Massenet)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Margherita Roberti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Maria Chiara<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Marina Krilovici<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Metropolitan Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Montserrat Caball\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Norma (Bellini)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Okko Kamu<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Oscar Wilde<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Otello<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Otto Wiener<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Pekka Nuotio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Peter Maag<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ram\u00f3n Vinay<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Richard Verreau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Rudolf Moralt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Salome (Strauss)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Sergei Prokofiev<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Shirley Verrett<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Stafford Dean<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Tannh\u00e4user<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">The Fiery Angel (Prokofiev)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Thomas Beecham<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Tristan und Isolde<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Vincenzo Bellini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Walburga Wegner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Wilfrid Pelletier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alban Berg<\/span>","<span class=\"advgb-post-tax-term\">Alberto Remedios<\/span>","<span class=\"advgb-post-tax-term\">Alexander Gibson<\/span>","<span class=\"advgb-post-tax-term\">Alfredo Catalani<\/span>","<span class=\"advgb-post-tax-term\">Anne Howells<\/span>","<span class=\"advgb-post-tax-term\">Arrigo Boito<\/span>","<span class=\"advgb-post-tax-term\">Artur Rodzinski<\/span>","<span class=\"advgb-post-tax-term\">Carlo Felice Cillario<\/span>","<span class=\"advgb-post-tax-term\">Charles Bruck<\/span>","<span class=\"advgb-post-tax-term\">Christel Goltz<\/span>","<span class=\"advgb-post-tax-term\">Cosi fan tutte<\/span>","<span class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/span>","<span class=\"advgb-post-tax-term\">Dimitri Mitropoulos<\/span>","<span class=\"advgb-post-tax-term\">Don Giovanni<\/span>","<span class=\"advgb-post-tax-term\">Eberhard W\u00e4chter<\/span>","<span class=\"advgb-post-tax-term\">Elektra (Strauss)<\/span>","<span class=\"advgb-post-tax-term\">Emanuel Schikaneder<\/span>","<span class=\"advgb-post-tax-term\">Erna Schl\u00fcter<\/span>","<span class=\"advgb-post-tax-term\">Frank Wedekind<\/span>","<span class=\"advgb-post-tax-term\">Fromental Hal\u00e9vy<\/span>","<span class=\"advgb-post-tax-term\">Gabriele d&#039;Annunzio<\/span>","<span class=\"advgb-post-tax-term\">Gianandrea Gavazzeni<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Patan\u00e8<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Herbert H\u00e4fner<\/span>","<span class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/span>","<span class=\"advgb-post-tax-term\">I Masnadieri<\/span>","<span class=\"advgb-post-tax-term\">Ildebrando Pizzetti<\/span>","<span class=\"advgb-post-tax-term\">Ilona Steingruber<\/span>","<span class=\"advgb-post-tax-term\">Jane Rhodes<\/span>","<span class=\"advgb-post-tax-term\">Jean Bobescu<\/span>","<span class=\"advgb-post-tax-term\">Joan Carden<\/span>","<span class=\"advgb-post-tax-term\">Jorma Hynninen<\/span>","<span class=\"advgb-post-tax-term\">Josef Greindl<\/span>","<span class=\"advgb-post-tax-term\">Josephine Veasey<\/span>","<span class=\"advgb-post-tax-term\">Jules Massenet<\/span>","<span class=\"advgb-post-tax-term\">Kurt Herbert Adler<\/span>","<span class=\"advgb-post-tax-term\">La forza del destino<\/span>","<span class=\"advgb-post-tax-term\">Leopold Ludwig<\/span>","<span class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/span>","<span class=\"advgb-post-tax-term\">Ludovic Spiess<\/span>","<span class=\"advgb-post-tax-term\">Luisa Malagrida<\/span>","<span class=\"advgb-post-tax-term\">Lulu (Berg)<\/span>","<span class=\"advgb-post-tax-term\">Manon (Massenet)<\/span>","<span class=\"advgb-post-tax-term\">Margherita Roberti<\/span>","<span class=\"advgb-post-tax-term\">Maria Chiara<\/span>","<span class=\"advgb-post-tax-term\">Marina Krilovici<\/span>","<span class=\"advgb-post-tax-term\">Metropolitan Opera<\/span>","<span class=\"advgb-post-tax-term\">Montserrat Caball\u00e9<\/span>","<span class=\"advgb-post-tax-term\">Norma (Bellini)<\/span>","<span class=\"advgb-post-tax-term\">Okko Kamu<\/span>","<span class=\"advgb-post-tax-term\">Oscar Wilde<\/span>","<span class=\"advgb-post-tax-term\">Otello<\/span>","<span class=\"advgb-post-tax-term\">Otto Wiener<\/span>","<span class=\"advgb-post-tax-term\">Pekka Nuotio<\/span>","<span class=\"advgb-post-tax-term\">Peter Maag<\/span>","<span class=\"advgb-post-tax-term\">Ram\u00f3n Vinay<\/span>","<span class=\"advgb-post-tax-term\">Richard Verreau<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Rudolf Moralt<\/span>","<span class=\"advgb-post-tax-term\">Salome (Strauss)<\/span>","<span class=\"advgb-post-tax-term\">Sergei Prokofiev<\/span>","<span class=\"advgb-post-tax-term\">Shirley Verrett<\/span>","<span class=\"advgb-post-tax-term\">Stafford Dean<\/span>","<span class=\"advgb-post-tax-term\">Tannh\u00e4user<\/span>","<span class=\"advgb-post-tax-term\">The Fiery Angel (Prokofiev)<\/span>","<span class=\"advgb-post-tax-term\">Thomas Beecham<\/span>","<span class=\"advgb-post-tax-term\">Tristan und Isolde<\/span>","<span class=\"advgb-post-tax-term\">Vincenzo Bellini<\/span>","<span class=\"advgb-post-tax-term\">Walburga Wegner<\/span>","<span class=\"advgb-post-tax-term\">Wilfrid Pelletier<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 4 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 04\/08\/2022","modified":"Updated on 16\/02\/2024"},"absolute_dates_time":{"created":"Posted on 04\/08\/2022 22:24","modified":"Updated on 16\/02\/2024 10:45"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/10090","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=10090"}],"version-history":[{"count":7,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/10090\/revisions"}],"predecessor-version":[{"id":10410,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/10090\/revisions\/10410"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/10398"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=10090"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=10090"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=10090"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}