{"id":10089,"date":"2022-07-21T08:32:23","date_gmt":"2022-07-21T06:32:23","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=10089"},"modified":"2025-07-29T10:56:06","modified_gmt":"2025-07-29T08:56:06","slug":"episode-154-adele-addison-97","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2022\/07\/21\/episode-154-adele-addison-97\/","title":{"rendered":"Episode 154. Adele Addison @ 97"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 154.  Adele Addison @ 97<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=624-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size 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c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10089&#038;description=Episode%20154.%20Adele%20Addison\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 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viewBox=\"0 0 24 24\"><path d=\"M9 11.8l6.1-4.5c.1.4.4.7.9.7h2c.6 0 1-.4 1-1V5c0-.6-.4-1-1-1h-2c-.6 0-1 .4-1 1v.4l-6.4 4.8c-.2-.1-.4-.2-.6-.2H6c-.6 0-1 .4-1 1v2c0 .6.4 1 1 1h2c.2 0 .4-.1.6-.2l6.4 4.8v.4c0 .6.4 1 1 1h2c.6 0 1-.4 1-1v-2c0-.6-.4-1-1-1h-2c-.5 0-.8.3-.9.7L9 12.2v-.4z\"\/><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share via Email<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-reddit  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/reddit.com\/submit?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10089&#038;title=Episode%20154.%20Adele%20Addison\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M5.27 9.221A2.775 2.775 0 0 0 2.498 11.993a2.785 2.785 0 0 0 1.6 2.511 5.337 5.337 0 0 0 2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 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class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"823\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Adele-Addison-3-823x1024.jpg\" alt=\"\" class=\"wp-image-10290\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Adele-Addison-3-823x1024.jpg 823w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Adele-Addison-3-241x300.jpg 241w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Adele-Addison-3-768x955.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Adele-Addison-3.jpg 1209w\" sizes=\"auto, (max-width: 823px) 100vw, 823px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>This Sunday, 24 July 2022, the great African American lyric soprano Adele Addison observes her 97th birthday. This <em>Countermelody <\/em>tribute presents this great artist in live and studio recordings during the glory years of her career, including performances conducted by three of her most important conductor collaborators, Robert Shaw, Charles Munch, and Leonard Bernstein. Addison might be best remembered today as providing the ghost voice for Dorothy Dandridge in Otto Preminger\u2019s controversial 1959 film of <em>Porgy and Bess<\/em>, but her greatest artistic achievement undoubtedly centers on her concert and recital work. Among countless world premieres in which she participated, the most significant was probably the <em>Gloria<\/em> of Francis Poulenc, first heard in Boston in January 1961. Other contemporary composers represented in this episode are Aaron Copland, Lester Trimble, Lukas Foss, and Benjamin Lees; Addison\u2019s exceptional performances of Handel, Bach, Mozart, and Debussy are also featured. Vocal guest stars include Robert McFerrin, with whom she duets in an excerpt from <em>Porgy<\/em>; the eminent recitalist Povla Frijsh, who was her voice teacher and coach; and Dawn Upshaw, probably her most renowned student. Please join me in celebrating the long life and legacy of this exceptional artist and teacher.<\/p>\n\n\n\n<p>P.S. Here is the <a href=\"https:\/\/www.youtube.com\/watch?v=tbN3RLeTS5A\" data-type=\"URL\" data-id=\"https:\/\/www.youtube.com\/watch?v=tbN3RLeTS5A\" target=\"_blank\" rel=\"noreferrer noopener\">link to the short YouTube clip<\/a> put out by the Springfield (MA) Museum about the mural there by artist Sante Graziani in which a young Adele Addison is depicted.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"964\" height=\"763\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Munch-Addison.png\" alt=\"\" class=\"wp-image-10293\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Munch-Addison.png 964w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Munch-Addison-300x237.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Munch-Addison-768x608.png 768w\" sizes=\"auto, (max-width: 964px) 100vw, 964px\" \/><figcaption>Adele Addison with Charles Munch conducting<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: Laudate Dominum (<em>Vesperae solennes de Confessore<\/em>, K.321). Adele Addison, Charles Munch, Boston Symphony Orchestra, Radcliffe Choral Society [Boston 09.III.56]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"476\" height=\"670\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-Van-Vechten-seated.png\" alt=\"\" class=\"wp-image-10302\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-Van-Vechten-seated.png 476w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-Van-Vechten-seated-213x300.png 213w\" sizes=\"auto, (max-width: 476px) 100vw, 476px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Sebastian Bach, Robert Shaw [English text]: I follow thee also (<em>St. John Passion<\/em>, BWV 245\/13). Adele Addison, Robert Shaw, Julius Baker, Bernard Greenhouse [1950]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"414\" height=\"490\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Lukas-Foss-handsome.jpg\" alt=\"\" class=\"wp-image-10295\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Lukas-Foss-handsome.jpg 414w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Lukas-Foss-handsome-253x300.jpg 253w\" sizes=\"auto, (max-width: 414px) 100vw, 414px\" \/><\/figure>\n<\/div>\n\n\n<p>Lukas Foss, A.E. Housman: When the Bells Justle (<em>Time Cycle<\/em>). Adele Addison, Leonard Bernstein, Columbia Symphony Orchestra [1961]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"823\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Bernstein-Addison-Eunice-Alberts-James-Pease-David-Lloyd-1024x823.jpg\" alt=\"\" class=\"wp-image-10300\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Bernstein-Addison-Eunice-Alberts-James-Pease-David-Lloyd-1024x823.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Bernstein-Addison-Eunice-Alberts-James-Pease-David-Lloyd-300x241.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Bernstein-Addison-Eunice-Alberts-James-Pease-David-Lloyd-768x617.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Bernstein-Addison-Eunice-Alberts-James-Pease-David-Lloyd-1536x1234.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Bernstein-Addison-Eunice-Alberts-James-Pease-David-Lloyd-1600x1286.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Bernstein-Addison-Eunice-Alberts-James-Pease-David-Lloyd.jpg 1823w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Leonard Bernstein fake-rehearsing Adele Addison, Eunice Alberts, James Peace, and David Lloyd<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"963\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/McFerrin-record-cover-1024x963.jpg\" alt=\"\" class=\"wp-image-10296\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/McFerrin-record-cover-1024x963.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/McFerrin-record-cover-300x282.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/McFerrin-record-cover-768x722.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/McFerrin-record-cover-1536x1444.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/McFerrin-record-cover-1600x1505.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/McFerrin-record-cover.jpg 1945w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Robert McFerrin<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>George Gershwin, DuBose Heyward, Ira Gershwin: Porgy, I\u2019s Your Woman Now (<em>Porgy and Bess<\/em>). Adele Addison, Robert McFerrin, Orchestra arranged and conducted by Andr\u00e9 Previn [1959]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"905\" height=\"676\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Poitier-Dandridge.jpg\" alt=\"\" class=\"wp-image-10297\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Poitier-Dandridge.jpg 905w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Poitier-Dandridge-300x224.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Poitier-Dandridge-768x574.jpg 768w\" sizes=\"auto, (max-width: 905px) 100vw, 905px\" \/><figcaption>Sidney Poitier and Dorothy Dandridge in Otto Preminger&#8217;s 1959 <em>Porgy and Bess<\/em> film<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"506\" height=\"667\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-Van-Vechten-pensive.png\" alt=\"\" class=\"wp-image-10298\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-Van-Vechten-pensive.png 506w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-Van-Vechten-pensive-228x300.png 228w\" sizes=\"auto, (max-width: 506px) 100vw, 506px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditional Spiritual: Sometimes I Feel like a Motherless Child. Adele Addison [1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"452\" height=\"624\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Povla-Frijsh-feathers.png\" alt=\"\" class=\"wp-image-10299\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Povla-Frijsh-feathers.png 452w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Povla-Frijsh-feathers-217x300.png 217w\" sizes=\"auto, (max-width: 452px) 100vw, 452px\" \/><\/figure>\n<\/div>\n\n\n<p>Claude Debussy, Paul Bourget: Romance [Voici que le printemps], L. 56a. Povla Frijsh, Celius Dougherty [1940]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"516\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-Berger.jpg\" alt=\"\" class=\"wp-image-10316\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-Berger.jpg 516w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-Berger-242x300.jpg 242w\" sizes=\"auto, (max-width: 516px) 100vw, 516px\" \/><figcaption>Adele Addison and her husband Norman Berger at the time of their marriage in 1952<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Claude Debussy, Paul Verlaine: Spleen (<em>Ariettes oubli\u00e9es<\/em>, L.63b\/6) Adele Addison, Brooks Smith [live New York 27.III.57]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"548\" height=\"535\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Moscow-Addison.png\" alt=\"\" class=\"wp-image-10301\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Moscow-Addison.png 548w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Moscow-Addison-300x293.png 300w\" sizes=\"auto, (max-width: 548px) 100vw, 548px\" \/><\/figure>\n<\/div>\n\n\n<p>George Frideric Handel, Charles Jennens (after John Milton): Orpheus himself may heave his head (<em>L\u2019Allegro ed il Penserso<\/em>). Adele Addison, Frederic Waldman, Musica Aeterna Orchestra [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"412\" height=\"613\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-Van-Vechten-Noten-Earnest.png\" alt=\"\" class=\"wp-image-10294\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-Van-Vechten-Noten-Earnest.png 412w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-Van-Vechten-Noten-Earnest-202x300.png 202w\" sizes=\"auto, (max-width: 412px) 100vw, 412px\" \/><\/figure>\n<\/div>\n\n\n<p>George Frideric Handel, John Dryden: What passion cannot music raise and quell (<em>Ode for St. Cecilia\u2019s Day<\/em>, HWV 76\/3). Adele Addison, Laszlo Varga, Leonard Bernstein, New York Philharmonic [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"447\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Adele-and-Poulenc.png\" alt=\"\" class=\"wp-image-10303\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Adele-and-Poulenc.png 900w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Adele-and-Poulenc-300x149.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Adele-and-Poulenc-768x381.png 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption>Adele Addison and Francis Poulenc at the world premiere of the <em>Gloria<\/em><\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Francis Poulenc: Domine Deus (<em>Gloria<\/em>, FP 177\/3). Adele Addison, Charles Munch, Boston Symphony Orchestra, Chorus Pro Musica [live Boston 21.I.61 (world premiere performance)]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"405\" height=\"571\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Trimble.jpg\" alt=\"\" class=\"wp-image-10304\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Trimble.jpg 405w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Trimble-213x300.jpg 213w\" sizes=\"auto, (max-width: 405px) 100vw, 405px\" \/><figcaption>Lester Trimble (1923 &#8211; 1986)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Lester Trimble, Geoffrey Chaucer: A Yong Squier (<em>Four Fragments from The Canterbury Tales<\/em>). Adele Addison, Robert Conant, Martin Orenstein, Charles Russo [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"819\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Upshaw-1024x819.jpg\" alt=\"\" class=\"wp-image-10305\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Upshaw-1024x819.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Upshaw-300x240.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Upshaw-768x614.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Upshaw.jpg 1199w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Earl Kim, Samuel Beckett (after Arthur Rimbaud): from Drunken Boat (<em>Where Grief Slumbers<\/em>). Dawn Upshaw, Instrumental ensemble [Barbara Allen, Eric Bartlett, Lynn Chang, Robert Rinehart, Nai-Yuan Hu Nardo Poy, Sarah Clarke, Bruce Coppock, Carmit Zori] [1991]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"693\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Earl-Kim-693x1024.jpg\" alt=\"\" class=\"wp-image-10306\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Earl-Kim-693x1024.jpg 693w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Earl-Kim-203x300.jpg 203w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Earl-Kim-768x1134.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Earl-Kim-1040x1536.jpg 1040w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Earl-Kim-1387x2048.jpg 1387w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Earl-Kim-1600x2363.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Earl-Kim-scaled.jpg 1733w\" sizes=\"auto, (max-width: 693px) 100vw, 693px\" \/><figcaption>Earl Kim (1920 &#8211; 1998)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"815\" height=\"663\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-Tanglewood-picnic.png\" alt=\"\" class=\"wp-image-10314\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-Tanglewood-picnic.png 815w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-Tanglewood-picnic-300x244.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-Tanglewood-picnic-768x625.png 768w\" sizes=\"auto, (max-width: 815px) 100vw, 815px\" \/><figcaption>Adele Addison at Tanglewood<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Aaron Copland, Emily Dickinson: When they come back (<em>Twelve Poems of Emily Dickinson<\/em>, No. 8). Adele Addison, Aaron Copland [1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"796\" height=\"658\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Albert-da-Costa.png\" alt=\"\" class=\"wp-image-10307\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Albert-da-Costa.png 796w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Albert-da-Costa-300x248.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Albert-da-Costa-768x635.png 768w\" sizes=\"auto, (max-width: 796px) 100vw, 796px\" \/><figcaption>Albert da Costa (1927 &#8211; 1967)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Benjamin Lees, Walt Whitman: Song of Myself; The Mystic Trumpeter [conclusion] (two excerpts from <em>Visions of Poets<\/em>). Adele Addison, Albert da Costa, Milton Katims, Seattle Symphony Orchestra and Chorale [live 15.V.62]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"485\" height=\"612\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/BLees.png\" alt=\"\" class=\"wp-image-10308\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/BLees.png 485w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/BLees-238x300.png 238w\" sizes=\"auto, (max-width: 485px) 100vw, 485px\" \/><figcaption>Benjamin Lees (1924 &#8211; 2010)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"596\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-rehearsing-1024x596.png\" alt=\"\" class=\"wp-image-10310\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-rehearsing-1024x596.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-rehearsing-300x175.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-rehearsing-768x447.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-rehearsing.png 1312w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Claude Debussy, Paul Verlaine: Spleen (<em>Ariettes oubli\u00e9es<\/em>, L.63b\/6). Adele Addison, Brooks Smith [live New York 27.III.57]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"814\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Adele-Addison-1-814x1024.jpg\" alt=\"\" class=\"wp-image-10311\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Adele-Addison-1-814x1024.jpg 814w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Adele-Addison-1-238x300.jpg 238w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Adele-Addison-1-768x966.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Adele-Addison-1.jpg 1139w\" sizes=\"auto, (max-width: 814px) 100vw, 814px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Sebastian Bach, John Troutbeck [English text]: In love my Savior now is dying (<em>St. Matthew Passion<\/em>, BWV 245\/49). Adele Addison, John Wummer, Harold Gomberg, Engelbert Brenner, Leonard Bernstein [1962]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 154. Adele Addison @ 97 SOCIAL SHARE SUBSCRIPTION PLATFORM This Sunday, 24 July 2022, the great African American lyric&hellip;<\/p>\n","protected":false},"author":1,"featured_media":10313,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,5823,2261,1074,8033,2260,808,3272,2806,2550],"tags":[4286,1055,4277,709,4280,4275,3114,4283,440,4006,501,1586,2639,4278,544,4285,4282,280,1396,1397,4274,298,972,4281,2737,4273,4276,550,414,442,4284,3517,567,4279,4023,1282,2466,34],"class_list":["post-10089","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-forgotten-divas","category-full-figured-baroque","category-happy-birthday","category-johann-sebastian-bach","category-music-for-a-world-in-crisis","category-needle-drop","category-singers-of-color","category-twentieth-century-music","category-voiceless-wonders","tag-a-e-housman","tag-adele-addison","tag-albert-da-costa","tag-andre-previn","tag-arthur-rimbaud","tag-benjamin-lees","tag-brooks-smith","tag-canterbury-tales","tag-celius-dougherty","tag-charles-munch","tag-claude-debussy","tag-dawn-upshaw","tag-dubose-heyward","tag-earl-kim","tag-francis-poulenc","tag-frederic-waldman","tag-geoffrey-chaucer","tag-george-frideric-handel","tag-george-gershwin","tag-ira-gershwin","tag-james-payne","tag-johann-sebastian-bach","tag-leonard-bernstein","tag-lester-trimble","tag-lukas-foss","tag-marc-bucci","tag-milton-katims","tag-paul-verlaine","tag-porgy-and-bess","tag-povla-frijsh","tag-robert-conant","tag-robert-mcferrin","tag-robert-shaw","tag-samuel-beckett","tag-st-john-passion","tag-st-matthew-passion","tag-walt-whitman","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Addison-rehearsing-TRIMMED-300x115.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Voiceless Wonders<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Voiceless Wonders<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">A.E. Housman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Adele Addison<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Albert da Costa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Andre Previn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Arthur Rimbaud<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Benjamin Lees<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Brooks Smith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Canterbury Tales<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Celius Dougherty<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Charles Munch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Dawn Upshaw<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">DuBose Heyward<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Earl Kim<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Francis Poulenc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Frederic Waldman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Geoffrey Chaucer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">George Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Ira Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">James Payne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Leonard Bernstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Lester Trimble<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Lukas Foss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Marc Bucci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Milton Katims<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Paul Verlaine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Porgy and Bess<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Povla Frijsh<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Robert Conant<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Robert McFerrin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Robert Shaw<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Samuel Beckett<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">St. John Passion<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">St. Matthew Passion<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Walt Whitman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">A.E. Housman<\/span>","<span class=\"advgb-post-tax-term\">Adele Addison<\/span>","<span class=\"advgb-post-tax-term\">Albert da Costa<\/span>","<span class=\"advgb-post-tax-term\">Andre Previn<\/span>","<span class=\"advgb-post-tax-term\">Arthur Rimbaud<\/span>","<span class=\"advgb-post-tax-term\">Benjamin Lees<\/span>","<span class=\"advgb-post-tax-term\">Brooks Smith<\/span>","<span class=\"advgb-post-tax-term\">Canterbury Tales<\/span>","<span class=\"advgb-post-tax-term\">Celius Dougherty<\/span>","<span class=\"advgb-post-tax-term\">Charles Munch<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">Dawn Upshaw<\/span>","<span class=\"advgb-post-tax-term\">DuBose Heyward<\/span>","<span class=\"advgb-post-tax-term\">Earl Kim<\/span>","<span class=\"advgb-post-tax-term\">Francis Poulenc<\/span>","<span class=\"advgb-post-tax-term\">Frederic Waldman<\/span>","<span class=\"advgb-post-tax-term\">Geoffrey Chaucer<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">George Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Ira Gershwin<\/span>","<span class=\"advgb-post-tax-term\">James Payne<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Leonard Bernstein<\/span>","<span class=\"advgb-post-tax-term\">Lester Trimble<\/span>","<span class=\"advgb-post-tax-term\">Lukas Foss<\/span>","<span class=\"advgb-post-tax-term\">Marc Bucci<\/span>","<span class=\"advgb-post-tax-term\">Milton Katims<\/span>","<span class=\"advgb-post-tax-term\">Paul Verlaine<\/span>","<span class=\"advgb-post-tax-term\">Porgy and Bess<\/span>","<span class=\"advgb-post-tax-term\">Povla Frijsh<\/span>","<span class=\"advgb-post-tax-term\">Robert Conant<\/span>","<span class=\"advgb-post-tax-term\">Robert McFerrin<\/span>","<span class=\"advgb-post-tax-term\">Robert Shaw<\/span>","<span class=\"advgb-post-tax-term\">Samuel Beckett<\/span>","<span class=\"advgb-post-tax-term\">St. John Passion<\/span>","<span class=\"advgb-post-tax-term\">St. Matthew Passion<\/span>","<span class=\"advgb-post-tax-term\">Walt Whitman<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"12","relative_dates":{"created":"Posted 4 years ago","modified":"Updated 9 months ago"},"absolute_dates":{"created":"Posted on 21\/07\/2022","modified":"Updated on 29\/07\/2025"},"absolute_dates_time":{"created":"Posted on 21\/07\/2022 08:32","modified":"Updated on 29\/07\/2025 10:56"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/10089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=10089"}],"version-history":[{"count":9,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/10089\/revisions"}],"predecessor-version":[{"id":10323,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/10089\/revisions\/10323"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/10313"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=10089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=10089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=10089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}