{"id":10023,"date":"2022-07-08T09:03:37","date_gmt":"2022-07-08T07:03:37","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=10023"},"modified":"2024-02-16T10:46:21","modified_gmt":"2024-02-16T09:46:21","slug":"episode-152-patricia-neway","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2022\/07\/08\/episode-152-patricia-neway\/","title":{"rendered":"Episode 152. Patricia Neway"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 152.  Patricia Neway<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=618-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10023&#038;title=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Facebook<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-twitter  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/twitter.com\/share?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10023&#038;link=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M22.23,5.924c-0.736,0.326-1.527,0.547-2.357,0.646c0.847-0.508,1.498-1.312,1.804-2.27 c-0.793,0.47-1.671,0.812-2.606,0.996C18.324,4.498,17.257,4,16.077,4c-2.266,0-4.103,1.837-4.103,4.103 c0,0.322,0.036,0.635,0.106,0.935C8.67,8.867,5.647,7.234,3.623,4.751C3.27,5.357,3.067,6.062,3.067,6.814 c0,1.424,0.724,2.679,1.825,3.415c-0.673-0.021-1.305-0.206-1.859-0.513c0,0.017,0,0.034,0,0.052c0,1.988,1.414,3.647,3.292,4.023 c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10023&#038;description=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10023&#038;subject=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\"><path d=\"M9 11.8l6.1-4.5c.1.4.4.7.9.7h2c.6 0 1-.4 1-1V5c0-.6-.4-1-1-1h-2c-.6 0-1 .4-1 1v.4l-6.4 4.8c-.2-.1-.4-.2-.6-.2H6c-.6 0-1 .4-1 1v2c0 .6.4 1 1 1h2c.2 0 .4-.1.6-.2l6.4 4.8v.4c0 .6.4 1 1 1h2c.6 0 1-.4 1-1v-2c0-.6-.4-1-1-1h-2c-.5 0-.8.3-.9.7L9 12.2v-.4z\"\/><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share via Email<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-reddit  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/reddit.com\/submit?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D10023&#038;title=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M5.27 9.221A2.775 2.775 0 0 0 2.498 11.993a2.785 2.785 0 0 0 1.6 2.511 5.337 5.337 0 0 0 2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"856\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-in-Consul-TRIMMED-856x1024.jpg\" alt=\"\" class=\"wp-image-10222\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-in-Consul-TRIMMED-856x1024.jpg 856w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-in-Consul-TRIMMED-251x300.jpg 251w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-in-Consul-TRIMMED-768x919.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-in-Consul-TRIMMED.jpg 1094w\" sizes=\"auto, (max-width: 856px) 100vw, 856px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Today begins a new summer series on <em>Countermelody<\/em>, celebrating mid-century music-making in New York City between the years 1950 and 1975. We begin with a celebration of Patricia Neway (1919-2012), one of the towering figures of the operatic \u2013 and Broadway \u2013 stages. Two of her greatest assumptions, in fact, took place on the Broadway stage: Magda Sorel in Gian Carlo Menotti\u2019s opera <em>The Consul<\/em>, which premiered on Broadway in 1950, and the Mother Abbess in Rodgers and Hammerstein\u2019s final stage music, <em>The Sound of Music<\/em>, for which Neway was awarded the 1960 Tony Award for Best Featured Actress in a Musical. Neway combined an unusual voice of startling, sometimes raw, power, with an acting ability rarely seen, especially on the operatic stage. Neway\u2019s range easily encompassed contralto roles as well as dramatic soprano parts. This episode features audio excerpts from rare kinescopes of her performances of Poulenc\u2019s <em>Dialogues of the Carmelites<\/em> as Menotti\u2019s <em>Maria Golovin<\/em>, as well as her galvanizing portrayal of Magda Sorel from a 1960 film. She also displays her stunning musical versatility in music by Buxtehude, Barber, Gluck, and the late Carlisle Floyd, as well as settings by Israel Citkowitz, John Gruen, and Thomas de Hartmann of texts by James Joyce from a rare 1959 recording. In addition, I dispel forever the fake news, all pervasive claims to the contrary, that Patricia Neway and someone named Frances Breeze, an exact contemporary of Neway\u2019s, are one and the same person.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"517\" height=\"492\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Climb.png\" alt=\"\" class=\"wp-image-10223\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Climb.png 517w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Climb-300x285.png 300w\" sizes=\"auto, (max-width: 517px) 100vw, 517px\" \/><figcaption>Patricia Neway and Mary Martin in <em>The Sound of Music<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Rodgers, Oscar Hammerstein II (orchestrated Richard Rodney Bennett): Climb Ev\u2019ry Mountain (<em>The Sound of Music<\/em>). Patricia Neway, Orchestra conducted by Frederick Dvonch [1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"791\" height=\"520\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/copland-citkowitz.png\" alt=\"\" class=\"wp-image-10237\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/copland-citkowitz.png 791w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/copland-citkowitz-300x197.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/copland-citkowitz-768x505.png 768w\" sizes=\"auto, (max-width: 791px) 100vw, 791px\" \/><figcaption>Aaron Copland and Israel Citkowitz. From a photo with seven other composers, all students of Copland<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><a href=\"https:\/\/archive.org\/details\/lp_songs-to-texts-by-james-joyce_james-joyce-patricia-neway-john-gruen\" data-type=\"URL\" data-id=\"https:\/\/archive.org\/details\/lp_songs-to-texts-by-james-joyce_james-joyce-patricia-neway-john-gruen\" target=\"_blank\" rel=\"noreferrer noopener\">Israel Citkowitz, James Joyce: Strings in the Earth and Air (<em>Chamber Music<\/em>). Patricia Neway, Robert Colson [ca. 1960]<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"793\" height=\"624\" data-id=\"10251\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-9.png\" alt=\"\" class=\"wp-image-10251\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-9.png 793w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-9-300x236.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-9-768x604.png 768w\" sizes=\"auto, (max-width: 793px) 100vw, 793px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"808\" height=\"631\" data-id=\"10244\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-2.png\" alt=\"\" class=\"wp-image-10244\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-2.png 808w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-2-300x234.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-2-768x600.png 768w\" sizes=\"auto, (max-width: 808px) 100vw, 808px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"801\" height=\"626\" data-id=\"10245\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-3.png\" alt=\"\" class=\"wp-image-10245\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-3.png 801w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-3-300x234.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-3-768x600.png 768w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"791\" height=\"601\" data-id=\"10243\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-1.png\" alt=\"\" class=\"wp-image-10243\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-1.png 791w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-1-300x228.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-1-768x584.png 768w\" sizes=\"auto, (max-width: 791px) 100vw, 791px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"804\" height=\"626\" data-id=\"10246\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-4.png\" alt=\"\" class=\"wp-image-10246\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-4.png 804w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-4-300x234.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-4-768x598.png 768w\" sizes=\"auto, (max-width: 804px) 100vw, 804px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"625\" data-id=\"10248\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-5.png\" alt=\"\" class=\"wp-image-10248\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-5.png 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-5-300x234.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-5-768x600.png 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"804\" height=\"625\" data-id=\"10247\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-6.png\" alt=\"\" class=\"wp-image-10247\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-6.png 804w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-6-300x233.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-6-768x597.png 768w\" sizes=\"auto, (max-width: 804px) 100vw, 804px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"807\" height=\"624\" data-id=\"10250\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-8.png\" alt=\"\" class=\"wp-image-10250\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-8.png 807w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-8-300x232.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-8-768x594.png 768w\" sizes=\"auto, (max-width: 807px) 100vw, 807px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"806\" height=\"619\" data-id=\"10249\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-7.png\" alt=\"\" class=\"wp-image-10249\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-7.png 806w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-7-300x230.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Consul-7-768x590.png 768w\" sizes=\"auto, (max-width: 806px) 100vw, 806px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center\">Patricia Neway in stills from the 1960 film of <em>The Consul.<\/em><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Gian Carlo Menotti: Any news for me?&#8230; To this we\u2019ve come (<em>The Consul<\/em>). Patricia Neway, Regina Sarfaty, Ruth Kobart, Arnold Voketaitis, Orchestra conducted by Werner Torkanowsky [1960]<\/p>\n\n\n\n<p>Here is the <a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=AIB9cGlLkm0\" data-type=\"URL\" data-id=\"https:\/\/www.youtube.com\/watch?v=AIB9cGlLkm0\" target=\"_blank\">YouTube link<\/a> to Neway&#8217;s extraordinary 1960 filmed performance of this scene, which is <a rel=\"noreferrer noopener\" href=\"https:\/\/www.vaimusic.com\/product\/4266.html\" data-type=\"URL\" data-id=\"https:\/\/www.vaimusic.com\/product\/4266.html\" target=\"_blank\">also available on VAI video<\/a> (click link to order).<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"454\" height=\"665\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/VAI-Consul-cover.png\" alt=\"\" class=\"wp-image-10228\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/VAI-Consul-cover.png 454w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/VAI-Consul-cover-205x300.png 205w\" sizes=\"auto, (max-width: 454px) 100vw, 454px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"398\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Treigle-1967.jpg\" alt=\"\" class=\"wp-image-10229\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Treigle-1967.jpg 398w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Treigle-1967-199x300.jpg 199w\" sizes=\"auto, (max-width: 398px) 100vw, 398px\" \/><figcaption>Norman Treigle<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Carlisle Floyd: And you, you Banshee! (<em>The Sojourner and Mollie Sinclair<\/em>). Patricia Neway, Norman Treigle, Julius Rudel, Orchestra of the East Carolina College School of Music [telecast XII.1963] (An audio recording of the complete performance is also available from VAI [<a href=\"https:\/\/www.vaimusic.com\/product\/1172.html\" data-type=\"URL\" data-id=\"https:\/\/www.vaimusic.com\/product\/1172.html\" target=\"_blank\" rel=\"noreferrer noopener\">click here<\/a>].)<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"526\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Nautical.jpg\" alt=\"\" class=\"wp-image-10224\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Nautical.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Nautical-300x263.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Jerome Kern, Otto Harbach: Try to Forget (<em>The Cat and the Fiddle<\/em>). Patricia Neway, Orchestra conducted by Lehman Engel [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"670\" height=\"1004\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Patricia-Neway-in-snood.jpg\" alt=\"\" class=\"wp-image-10225\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Patricia-Neway-in-snood.jpg 670w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Patricia-Neway-in-snood-200x300.jpg 200w\" sizes=\"auto, (max-width: 670px) 100vw, 670px\" \/><\/figure>\n<\/div>\n\n\n<p>Dietrich Buxtehude: Recit. Der Herr l\u00e4sset sein Heil verk\u00fcndigen&#8230; Arioso. Er gedenkt an seine Gnade (<em>Singet dem Herrn ein neues Lied<\/em>, BuxWV 98). <a href=\"https:\/\/archive.org\/details\/lp_four-cantatas_patricia-neway-dieterich-buxtehude\" data-type=\"URL\" data-id=\"https:\/\/archive.org\/details\/lp_four-cantatas_patricia-neway-dieterich-buxtehude\" target=\"_blank\" rel=\"noreferrer noopener\">Patricia Neway, Arnold Black, Allegro Chamber Players [Arnold Black, Donald Homuth, Herman Chessid] <\/a>[1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/John-Gruen-and-Leonard-Bernstein-1024x576.jpg\" alt=\"\" class=\"wp-image-10239\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/John-Gruen-and-Leonard-Bernstein-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/John-Gruen-and-Leonard-Bernstein-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/John-Gruen-and-Leonard-Bernstein-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/John-Gruen-and-Leonard-Bernstein.jpg 1477w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>John Gruen and Leonard Bernstein<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><a href=\"https:\/\/archive.org\/details\/lp_songs-to-texts-by-james-joyce_james-joyce-patricia-neway-john-gruen\" data-type=\"URL\" data-id=\"https:\/\/archive.org\/details\/lp_songs-to-texts-by-james-joyce_james-joyce-patricia-neway-john-gruen\" target=\"_blank\" rel=\"noreferrer noopener\">John Gruen, James Joyce: Watching the Needleboats at San Sabba (<em>Pomes Pennyeach<\/em>). Patricia Neway, Robert Colston [ca. 1960]<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"514\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-in-Paris-TRIMMED-1024x514.jpg\" alt=\"\" class=\"wp-image-10235\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-in-Paris-TRIMMED-1024x514.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-in-Paris-TRIMMED-300x151.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-in-Paris-TRIMMED-768x385.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-in-Paris-TRIMMED.jpg 1467w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p><a href=\"https:\/\/haensslerprofil.de\/shop\/oper\/iphigenie-en-tauride\/\" data-type=\"URL\" data-id=\"https:\/\/haensslerprofil.de\/shop\/oper\/iphigenie-en-tauride\/\" target=\"_blank\" rel=\"noreferrer noopener\">Christoph Willibald Gluck, Nicolas-Fran\u00e7ois Guillard: \u00d4 malheureuse Iphig\u00e9nie! (<em>Iphig\u00e9nie en Tauride<\/em>). Patricia Neway, Carlo Maria Giulini, Orchestre de la Soci\u00e9t\u00e9 des Concerts du Conseratoire de Paris, Ensemble Vocal de Paris [1952]<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1004\" height=\"765\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Carmelites-still.png\" alt=\"\" class=\"wp-image-10230\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Carmelites-still.png 1004w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Carmelites-still-300x229.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Carmelites-still-768x585.png 768w\" sizes=\"auto, (max-width: 1004px) 100vw, 1004px\" \/><figcaption>Patricia Neway in stills from the kinescope of the 1957 NBC Opera presentation of <em>Dialogues of the Carmelites<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><a href=\"https:\/\/youtu.be\/coFZmvPbJBs?t=2019\" data-type=\"URL\" data-id=\"https:\/\/youtu.be\/coFZmvPbJBs?t=2019\" target=\"_blank\" rel=\"noreferrer noopener\">Francis Poulenc, French text by Francis Poulenc after George Bernanos, English translation by Joseph Machlis: Would you be so kind as to bring a pillow? (<em>Dialogues of the Carmelites<\/em>). Patricia Neway, Rosemary Kuhlmann, Peter Herman Adler, Members of the Symphony of the Air [1957 telecast]<\/a><\/p>\n\n\n\n<p>(Click on the link above to view the kinescope on YouTube)<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1006\" height=\"744\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Carmelites-still-2.png\" alt=\"\" class=\"wp-image-10236\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Carmelites-still-2.png 1006w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Carmelites-still-2-300x222.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Carmelites-still-2-768x568.png 768w\" sizes=\"auto, (max-width: 1006px) 100vw, 1006px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1010\" height=\"727\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Cross-Neway-Maria-Golovin.png\" alt=\"\" class=\"wp-image-10231\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Cross-Neway-Maria-Golovin.png 1010w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Cross-Neway-Maria-Golovin-300x216.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Cross-Neway-Maria-Golovin-768x553.png 768w\" sizes=\"auto, (max-width: 1010px) 100vw, 1010px\" \/><figcaption>Patricia Neway and Richard Cross as mother and son in the melodramatic final scene of the 1959 kinescope of <em>Maria Golovin<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><a href=\"https:\/\/youtu.be\/kd3aDvnj_a4?t=3093\" data-type=\"URL\" data-id=\"https:\/\/youtu.be\/kd3aDvnj_a4?t=3093\" target=\"_blank\" rel=\"noreferrer noopener\">Gian Carlo Menotti: By the way, there is a letter for you [1959 telecast]&#8230; You know, I feel like a girl again [1958 studio recording] (<em>Maria Golovin<\/em>). Patricia Neway, Franca Duval, Richard Cross, Ruth Kobald, Orchestra conducted by Peter Herman Adler<\/a><\/p>\n\n\n\n<p>(Click on the link above to view the kinescope on YouTube)<\/p>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"988\" height=\"714\" data-id=\"10233\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Cross-Neway-Golovin-conclusion-1.png\" alt=\"\" class=\"wp-image-10233\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Cross-Neway-Golovin-conclusion-1.png 988w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Cross-Neway-Golovin-conclusion-1-300x217.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Cross-Neway-Golovin-conclusion-1-768x555.png 768w\" sizes=\"auto, (max-width: 988px) 100vw, 988px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"426\" height=\"578\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/thomas-de-hartmann.png\" alt=\"\" class=\"wp-image-10240\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/thomas-de-hartmann.png 426w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/thomas-de-hartmann-221x300.png 221w\" sizes=\"auto, (max-width: 426px) 100vw, 426px\" \/><figcaption>Thomas de Hartmann<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><a href=\"https:\/\/archive.org\/details\/lp_songs-to-texts-by-james-joyce_james-joyce-patricia-neway-john-gruen\" data-type=\"URL\" data-id=\"https:\/\/archive.org\/details\/lp_songs-to-texts-by-james-joyce_james-joyce-patricia-neway-john-gruen\" target=\"_blank\" rel=\"noreferrer noopener\">Thomas de Hartmann, James Joyce: Waltz of the Hours (<em>Six Commentaries on Ulysses<\/em>, Op. 71\/3). Patricia Neway, Robert Colston [ca. 1960]<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Menotti-Barber-1024x576.jpg\" alt=\"\" class=\"wp-image-10241\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Menotti-Barber-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Menotti-Barber-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Menotti-Barber-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Menotti-Barber-1536x864.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Menotti-Barber-1600x900.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Menotti-Barber.jpg 1778w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Gian Carlo Menotti and Samuel Barber<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Samuel Barber, Gian Carlo Menotti: The Queen! You have trumped the Queen!&#8230; Who is there to love me? (<em>A Hand of Bridge<\/em>, Op. 35). Patricia Neway, Vladimir Golschmann, Symphony of the Air [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"644\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Carousel-1024x644.png\" alt=\"\" class=\"wp-image-10234\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Carousel-1024x644.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Carousel-300x189.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Carousel-768x483.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Neway-Carousel.png 1216w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Patricia Neway and Mary Glover in the 1967 television production of <em>Carousel<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><a href=\"https:\/\/archive.org\/details\/04-CAROUSEL\" data-type=\"URL\" data-id=\"https:\/\/archive.org\/details\/04-CAROUSEL\" target=\"_blank\" rel=\"noreferrer noopener\">Richard Rodgers, Oscar Hammerstein II: You\u2019ll Never Walk Alone (<em>Carousel<\/em>). Patricia Neway, Orchestra arranged and conducted by Jack Elliott [1967 telecast]<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 152. Patricia Neway SOCIAL SHARE SUBSCRIPTION PLATFORM Today begins a new summer series on Countermelody, celebrating mid-century music-making in&hellip;<\/p>\n","protected":false},"author":1,"featured_media":10226,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1076,5823,3273,2261,2399,1263,2260,808,2755,1540,2806,427],"tags":[4244,4075,4252,3280,1622,4247,153,4243,4065,4237,544,4246,4253,4238,1968,3374,4249,4241,2770,1389,4242,4239,363,1050,4245,2832,927,4250,2059,4197,4251,4236,928,4232,4234,4235,745,2061,4248,4233,4240],"class_list":["post-10023","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-crossover","category-forgotten-divas","category-french-opera","category-full-figured-baroque","category-great-baritones","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-pop-icons","category-protest-songs","category-twentieth-century-music","category-verismo","tag-a-hand-of-bridge-barber","tag-arnold-black","tag-arnold-voketaitis","tag-carlisle-floyd","tag-carlo-maria-giulini","tag-carousel-rodgers-hammerstein","tag-christoph-willibald-gluck","tag-dialogues-of-the-carmelites","tag-dietrich-buxtehude","tag-franca-duval","tag-francis-poulenc","tag-frederick-dvonch","tag-genia-las","tag-george-bernanos","tag-gian-carlo-menotti","tag-iphigenie-en-tauride","tag-israel-citkowitz","tag-jack-elliott","tag-james-joyce","tag-jerome-kern","tag-john-gruen","tag-joseph-machlis","tag-julius-rudel","tag-lehman-engel","tag-maria-golovin-menotti","tag-norman-treigle","tag-oscar-hammerstein-ii","tag-otto-harbach","tag-patricia-neway","tag-peter-herman-adler","tag-regina-sarfaty","tag-richard-cross","tag-richard-rodgers","tag-robert-colston","tag-rosemary-kuhlmann","tag-ruth-kobald","tag-samuel-barber","tag-the-consul-menotti","tag-the-sound-of-music-rodgers-hammerstein","tag-thomas-de-hartmann","tag-vladimir-golschmann"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/07\/Theatre-Arts-TRIMMED-300x184.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/pop-icons\/\" class=\"advgb-post-tax-term\">Pop Icons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Protest Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Pop Icons<\/span>","<span class=\"advgb-post-tax-term\">Protest Songs<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">A Hand of Bridge (Barber)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Arnold Black<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Arnold Voketaitis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Carlisle Floyd<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Carlo Maria Giulini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Carousel (Rodgers &amp; Hammerstein)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Christoph Willibald Gluck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Dialogues of the Carmelites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Dietrich Buxtehude<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Franca Duval<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Francis Poulenc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Frederick Dvonch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Genia Las<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">George Bernanos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Gian Carlo Menotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Iphig\u00e9nie en Tauride<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Israel Citkowitz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jack Elliott<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">James Joyce<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jerome Kern<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">John Gruen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Joseph Machlis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Julius Rudel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Lehman Engel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Maria Golovin (Menotti)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Norman Treigle<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Otto Harbach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Patricia Neway<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Peter Herman Adler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Regina Sarfaty<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Richard Cross<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Richard Rodgers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Robert Colston<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Rosemary Kuhlmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ruth Kobald<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Samuel Barber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">The Consul (Menotti)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">The Sound of Music (Rodgers &amp; Hammerstein)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Thomas de Hartmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Vladimir Golschmann<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">A Hand of Bridge (Barber)<\/span>","<span class=\"advgb-post-tax-term\">Arnold Black<\/span>","<span class=\"advgb-post-tax-term\">Arnold Voketaitis<\/span>","<span class=\"advgb-post-tax-term\">Carlisle Floyd<\/span>","<span class=\"advgb-post-tax-term\">Carlo Maria Giulini<\/span>","<span class=\"advgb-post-tax-term\">Carousel (Rodgers &amp; Hammerstein)<\/span>","<span class=\"advgb-post-tax-term\">Christoph Willibald Gluck<\/span>","<span class=\"advgb-post-tax-term\">Dialogues of the Carmelites<\/span>","<span class=\"advgb-post-tax-term\">Dietrich Buxtehude<\/span>","<span class=\"advgb-post-tax-term\">Franca Duval<\/span>","<span class=\"advgb-post-tax-term\">Francis Poulenc<\/span>","<span class=\"advgb-post-tax-term\">Frederick Dvonch<\/span>","<span class=\"advgb-post-tax-term\">Genia Las<\/span>","<span class=\"advgb-post-tax-term\">George Bernanos<\/span>","<span class=\"advgb-post-tax-term\">Gian Carlo Menotti<\/span>","<span class=\"advgb-post-tax-term\">Iphig\u00e9nie en Tauride<\/span>","<span class=\"advgb-post-tax-term\">Israel Citkowitz<\/span>","<span class=\"advgb-post-tax-term\">Jack Elliott<\/span>","<span class=\"advgb-post-tax-term\">James Joyce<\/span>","<span class=\"advgb-post-tax-term\">Jerome Kern<\/span>","<span class=\"advgb-post-tax-term\">John Gruen<\/span>","<span class=\"advgb-post-tax-term\">Joseph Machlis<\/span>","<span class=\"advgb-post-tax-term\">Julius Rudel<\/span>","<span class=\"advgb-post-tax-term\">Lehman Engel<\/span>","<span class=\"advgb-post-tax-term\">Maria Golovin (Menotti)<\/span>","<span class=\"advgb-post-tax-term\">Norman Treigle<\/span>","<span class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/span>","<span class=\"advgb-post-tax-term\">Otto Harbach<\/span>","<span class=\"advgb-post-tax-term\">Patricia Neway<\/span>","<span class=\"advgb-post-tax-term\">Peter Herman Adler<\/span>","<span class=\"advgb-post-tax-term\">Regina Sarfaty<\/span>","<span class=\"advgb-post-tax-term\">Richard Cross<\/span>","<span class=\"advgb-post-tax-term\">Richard Rodgers<\/span>","<span class=\"advgb-post-tax-term\">Robert Colston<\/span>","<span class=\"advgb-post-tax-term\">Rosemary Kuhlmann<\/span>","<span class=\"advgb-post-tax-term\">Ruth Kobald<\/span>","<span class=\"advgb-post-tax-term\">Samuel Barber<\/span>","<span class=\"advgb-post-tax-term\">The Consul (Menotti)<\/span>","<span class=\"advgb-post-tax-term\">The Sound of Music (Rodgers &amp; Hammerstein)<\/span>","<span class=\"advgb-post-tax-term\">Thomas de Hartmann<\/span>","<span class=\"advgb-post-tax-term\">Vladimir Golschmann<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 4 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 08\/07\/2022","modified":"Updated on 16\/02\/2024"},"absolute_dates_time":{"created":"Posted on 08\/07\/2022 09:03","modified":"Updated on 16\/02\/2024 10:46"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/10023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=10023"}],"version-history":[{"count":9,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/10023\/revisions"}],"predecessor-version":[{"id":10257,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/10023\/revisions\/10257"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/10226"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=10023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=10023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=10023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}